Star Trek Voyager: A Celebration

While all Star Trek series are worthy, some are just more interesting than others. Deep Space Nine has some great characters and acting, but initially suffered from being “stationary” rather than zipping around like the Star Trek ( the original series) or Star Trek: The Next Generation. As Roddenberry’s vision had sharpened and the syndication model freed him from many constraints, probably TNG is the overall best series. Certainly, the acting is amazing and the scrips are often really great, too. But, as special effects have become better and better, TNG suffers a bit in that area. Enter Star Trek: Voyager, which had a seriously huge void to fill, as it debut was a mere six months after TNG ended its seven year run. I also reviewed a book, Star Trek Voyager, A Vision of the Future, written during Voyager’s run, which is good, but last year, this volume, written as an anniversary edition, does a much better job of explaining the series as a whole, from development to the two part ending episode, “End Game.”

Upon receiving the book, I thought it would be one of those “coffee table” books, long on pictures and short on words. Nope, although there are many pictures. Indeed, the use of now decades old still pictures from the series is sometimes a weak point. However, there are drawings, pictures of behind the scenes contributors, and plenty of text. Overall, I really enjoyed the book, which is written in short segments which can be quickly read, but there are many sections, and these don’t necessarily need to be read in any fixed order.

The book begins, logically, with series development, and then there’s a short (two page) section devoted to the title sequence. I had no idea that this part (often “skipped” while streaming) was nominated for an Emmy award. Interspersed with the more technical aspects of the series are longer passages about the characters, beginning, of course, with Captain Janeway. The authors (two principal and two others, along with a general editor and a sub-editor) rely upon previously published material as well as newly conducted interviews with some cast members, as well as writers, producers, artist, and a host of others. Kate Mulgrew, who played Janeway, is among those who share memories in this book, and she discusses how much pressure was upon her as the first female captain of a Star Trek series, and how she approached the character as well as learning the scientific language necessary in this sort of show.

As there were many episodes (16 the first season, and 26 in each of the following six seasons) not all of them are featured, but sections devoted what are termed “key” episodes are mixed in with the other segments. The first, “Caretaker” is the two part pilot, and some of the other key episodes include “Tuvix” a character created by a transporter accident in which Neelix and Tuvok are blended into one individual. Each character gets a section, and most of multi episode villains do also. There are a couple of segments about the ship, one about the Delta Flyer, which is a smaller ship built by the Voyager crew about halfway through their journey, as well as segments about the special effects department, the makeup artists, the costumers, the writers, and the directors. As a fan of Voyager since it originally was broadcast, I knew quite a bit about the series, but there’s a lot of new material. For instance, I knew that some of the actors directed certain episodes, but I did not know that Star Trek actually fostered this by holding a “director in training” program. Roxann Dawson, who played Lt. Torres, directed a couple of episodes of Voyager, but went on to become a sought after director. She states that the program changed her life.

Bob Picardo took advantage of the DIT program and directed episodes of Voyager, but he also gets a writing credit, as he pitched a story line which was used, and he co-wrote the script. Robbie McNeil, who played Tom Paris, also directed multiple episodes of Voyager and went on to direct other projects.

When TNG was in production, many of the special effects were done with models, but by the time Voyager was being produced, digital graphics were beginning to be more cost effective, as well as allowing more creative shots, so as the seven seasons went by, more and more VFX were done digitally. However, in the show’s 100th episode, “Timeless”, the ship is depicted as crashing into a snow and ice covered planet. The visual effects crew found that digital snow wasn’t working, so they ended up doing a practical shot with a model crashing into a tray of baking soda. I’ve seen that episode several times, and I am amazed by how good it looks on the screen.

For fans of Star Trek Voyager, this book is a real treat. For readers interested in television, particularly directing, writing, and special effects, it is worthy. Casual readers or those who just “look at the pictures” might be a tad disappointed in this book, but I read it cover to cover, with a couple sections earning a second reading. For now, it has a spot on my “keeper” shelf, too.

ARC review—Edge of Extinction by Kim Borg

EdgeOfExtinction_CVR_SMLI read Kim Borg’s debut novel as an ARC, and published public reviews on Big A and Goodreads, and I stand by that review. This one is going to be a bit different, however, and there are gonna be a few spoilers, so if that bothers you, go read the Goodreads version.

Science fiction is a modern art form, which probably begins with Mary Shelley’s Frankenstein, although there is some debate on that. Actually, there is also debate as to the exact definition of science fiction, along with what works should be classified as science fiction. For instance, many works of horror and some that are largely fantasy end up in the SF basket. As I don’t especially like either of those genres, that bothers me, but the lines are often blurred. Anyway, science fiction generally takes what is known (science fact) and extrapolates that is some manner (the fiction part.) I like to say it this way, science fiction asks “What if______?” In this case, we have a novel which poses several questions.

Borg’s novel is set in 2086, when Teslas drive themselves, which isn’t much of a stretch, and population control is a world-wide mandate, which extrapolates a bit more. Oh, and the Earth is a polluted mess, and rather than clean it up, at least one rich and famous guy  is looking to find a new spot to colonize. Apart from the one child per couple population control, which China tried a while back, none of this is much of a mental stretch.

However, after a few more scenes, the point of view characters, Dr. Amber Lytton and Dr. Joel Carter, become members of a space going team who board a ship called the Hermes, launch into space, and rely on a Phoenix drive to take them to the pristine Earth type planet, Arcadia. During their training, the couple learns that they are actually the second team to venture to the planet to assess it as a possible location for colonization. Once there, the travelers must dodge aliens of various sizes and levels of ferocity, while looking for clues as to the fate of their predecessors. Problems, both external and within the group, complicate the mission. Borg’s debut novel has quite a bit of suspense, a good character development, and lots of world building. The gadgets, although present, don’t over-power the story, either, which I like.

As in many worthy stories, the bad guys (or critters) aren’t all bad, and the good guys aren’t all good. There are a lot of questions to answer, such as will the villain who is only along to steal a valuable hunk of mineral get away? Will our point of view characters both live through the conflict between species which rule Arcadia? Is Arcadia a parallel planet to Earth, wherein the dinosaurs were never killed off? And, perhaps most important, are humans too wicked to trust to colonize any planet? This novel reminds me of some excellent science fiction writers, especially Jules Verne and Pierre Boulle (Planet of the Apes.) The ending isn’t quite a cliff hanger, but it opens the door for sequels, and I hope the author continues the story line in other novels.

Edge of Extinction is skillfully written and worth the reader’s time. Kim Borg states in her acknowledgements at the end of the novel that her goal is to both educate and entertain the reader, and while she certainly tries to educate, she does entertains. Borg is a new author for fans of classic science fiction to watch.

 

Trinity is Free for Three (days)

Beginning at midnight on July 14, the giant-sized internet seller of books and other sundries will be offering the eBook version of my science fiction novel, Trinity on Tylos, for free! I’ve seldom used this option, but as their Prime Day promotions will be going on, I thought I might get a few people to download it. If I’m really lucky, I might get another positive review, too. Anyway, here’s the book cover; just click for a link to the sale.

ToT_cover_final_webLG

Here’s an excerpt of my favorite review of the novel:

TRINITY ON TYLOS… is instead a thought-provoking book that will challenge one’s beliefs about the importance of motherhood, duty, and sacrifice. At times, the choices made by Venice and even Allie are ones the reader will disagree with and perhaps even be angered by them. However, one of the trademarks of a well-written novel is its ability to inspire others to debate. TRINITY ON TYLOS accomplishes this and so much more. Pamela J. Dodd has truly demonstrated her gift as a writer with this stunning book.” —

The Princess Diarist by Carrie Fisher— brief review and commentary

DiaristI’ve met a few people who have never seen Star Wars or any of its prequels and sequels. Weird, huh? For me, when it premiered in 1977, it was the best science fiction film I’d ever seen, and to this day, it ranks among my favorites. The characters leapt off the screen and into the pop culture of the United States. Even those unfortunate folk who mistakenly believe the film has nothing for them are probably familiar with some of its tag lines, such as, “May the Force be with you.” Literary critics sometimes opine that writers can tap into themes that go far beyond what they, as writers, envisioned, and I do believe that George Lucas managed that with Star Wars. Much has been published about his source material, from Saturday morning serials to Joseph Campbell’s Hero with a Thousand Faces. Yes, the film has some flaws, but it gets a lot of things right, including setting, plot, and especially character. Casting a young Harrison Ford as the scoundrel Han Solo was a great choice, as was Sir Alec Guinness as Obi-wan Kenobi, and Mark Hamill certainly looks the part of a young man on a heroic quest. Perhaps the most controversial choice would be casting the very young Carrie Fisher as a princess, but who else could have blended innocence, sass, and strength the way Fisher did?

For some forty years, Fisher was both herself and Princess Leia. Video of interviews and even stage performances document how much the role influenced her career and her life. But, Fisher was also an able writer; indeed, she wrote multiple books and was often called upon to assist screen writers as a “script doctor.” Her last book, published shortly after her death, is a witty and poignant recollection of the filming of Star Wars, a three month interval that she documented via journaling.

The Princess Diarest includes both journal entries and some poetry, mostly about Fisher’s affair with co-star Harrison Ford. The framework, that is her introduction and conclusion, are far more interesting to me, as they benefit from the wisdom and perspective of those forty years after the filming of Star Wars. While the diary entries can be interesting, mostly they reflect the infatuation of youth. The framework, however, was fascinating, just like the author.

Some people never saw her performance in Star Wars, but it’s likely that they heard her voice, as she did quite a bit of voice work, or saw her in other roles. The world lost an icon when Fisher died in 2017. Her talents were many, but some roles can’t be left behind, and Princess Leia Organa was such a role.

The Apocalypse Troll by David Weber

TrollI’ve been re-reading some titles that I have in my “Nook” library, as I am unsure of what will happen with that since Barnes and Noble has sold out. One of my all time favorite science fiction authors is David Weber, who is best known for his series writing, especially the books about Honor Harrington. However, early in his career he wrote a few stand alone books, including The Apocalypse Troll. It’s a thrilling story, well told, and very much showcases Weber’s knowledge of military tactics and the geography of North Carolina.

As the story opens, Colonel Ludmilla Leonova is assigned the task of attacking an instrument of the dreaded “Kangas” a Troll, slang for a human brain in a mechanized body. This brain, conditioned to fight and kill humans, is not quite indestructible, but very close. Leonova is both brave and determined, however. She’ll seek and destroy this enemy of humanity, through space and time itself.

Thus, Leonova ends up on earth in the year 2007, and as this book was released in 1999, a near future story when it was written. After her fighter crashes, she is rescued by Captain Dick Ashton, who is incredulous, but convinced by her steady demeanor and the advanced tech of her space suit and weapon that she had indeed traveled back in time in pursuit of a malevolent enemy. This sounds as if it very much strains the concept of suspended disbelief, but the captain also convinces the upper echaleons of United States military and the President himself that Leonova is who she says she is, and that the Troll is somewhere on the planet, ready to wreak havoc on humanity. Weber does this quite skillfully, introducing a panoply of characters, one of his trademarks.

All sorts of military hardware and personnel are put into play as the Troll uses a less than honorable religious leader to whip susceptible citizens of the southeastern U.S. into angry mobs, and western North Carolina becomes the battleground.

Weber’s story is a good one, and the reader isn’t left with that sense of “what next?” that accompanies series books. For fans of David Weber, this story is a treat, and for readers who haven’t yet read any of his military fiction, it is a good introduction. The book is still available used and an an eBook from the publisher, as well as other sources.