Star Trek Picard—review and commentary

 

Ryan in Trek

Then and now— Seven of Nine


Star Trek
is an integral part of American culture
and a controversial view of the future of humanity. It began with Gene Roddenberry’s concept for a serious science fiction television series, a novel idea in the early 60s, and it has continued to evolve for fifty years. As America has changed, as science fiction has changed, as television has changed, Star Trek has changed, too.

Picard is set two decades after the feature film, Nemesis, and is based upon the series Star Trek The Next Generation, which ran for seven years on television. Later, four of the feature films were based upon the characters from TNG series. Picard has ten episodes in season one, but the second and third seasons are planned for CBS All Access, which is how hubby and I watched the first season.

This made for the web series has very high production values—the sets and effects rival feature films. Sir Patrick Stewart is still an amazing actor, although the pace of the series (slow!) seems to be partially dictated by the age of its principal character. Viewers who prefer space battles and fisticuffs will probably be a bit disappointed. Casual viewers may also find the editing, with its rapid cuts from scene to scene, confusing. Honestly, I don’t like that aspect at all, but this is apparently in line with Picard‘s sister show, Star Trek Discovery.

Spoiler alert—

We both thought the first few episodes were confusing and lacking in characters, apart from Jean Luc Picard himself, with whom we could empathize. The writers made a good decision in embracing the age of the main character. Anything else would insult the viewer, as Patrick Stewart looks and sounds old. For us, as fans of Star Trek Voyager, the show got better when Jeri Ryan pops in, as an older and less “Borg” version of Seven of Nine. Ryan is still riveting to watch, even without the cat suit that made her fodder for lots of magazine pictures in the late 1990s. In the seventeen years since her character graced the small screen, Seven has become much more human—in her speech pattern, in her attire, and in part due to suffering losses associated with years of living in a deteriorating society.

A key word here is suffering. One of the better aspects of Trek in its first few decades was  its optimistic view of the future of humanity. Although Roddenberry sought to put serious science fiction onto television, and therefore into lots of living rooms, his vision was seldom dark. However, much of serious science fiction—in print, in film, in gaming, and even in graphic forms—has embraced the dystopian view of the future of humanity. A utopia is an idealized society in which social and technical advances serve to make all things better for humanity. Yes, I did say it was idealistic! A dystopia is the polar opposite, in which “advances” in society and technology make things worse. For some examples of dystopian literature/film, think of Orwell’s 1984 or the film Blade Runner, based upon the work of Phillip K. Dick.

Alas, Picard‘s greatest weakness isn’t its slow pace or its rather confusing editing. Nor is it the “flashbacks” in which the characters look just as old as they do in the current timeline, no doubt due to the unforgiving nature of high def photography. Nope, the core problem for many fans of Star Trek will undoubtedly be the dark vision of the future embraced by the writers. Picard is a dystopia. Beloved characters from the previous Trek series will suffer, and some will die. New characters suffer and some of them die, too. And, by and large, those deaths may very well be without purpose, meaning, and certainly without honor.

Star Trek Picard has some strengths, including dazzling cinematography, a rich background of material from which the writers can draw inspiration, and an aging but talented main character. Guest stars include characters from TNG and Voyager, and the development of Seven of Nine, the former Borg, works well. Enjoy the series, but temper your expectations. This is post-modern Star Trek.

 

The Princess Diarist by Carrie Fisher— brief review and commentary

DiaristI’ve met a few people who have never seen Star Wars or any of its prequels and sequels. Weird, huh? For me, when it premiered in 1977, it was the best science fiction film I’d ever seen, and to this day, it ranks among my favorites. The characters leapt off the screen and into the pop culture of the United States. Even those unfortunate folk who mistakenly believe the film has nothing for them are probably familiar with some of its tag lines, such as, “May the Force be with you.” Literary critics sometimes opine that writers can tap into themes that go far beyond what they, as writers, envisioned, and I do believe that George Lucas managed that with Star Wars. Much has been published about his source material, from Saturday morning serials to Joseph Campbell’s Hero with a Thousand Faces. Yes, the film has some flaws, but it gets a lot of things right, including setting, plot, and especially character. Casting a young Harrison Ford as the scoundrel Han Solo was a great choice, as was Sir Alec Guinness as Obi-wan Kenobi, and Mark Hamill certainly looks the part of a young man on a heroic quest. Perhaps the most controversial choice would be casting the very young Carrie Fisher as a princess, but who else could have blended innocence, sass, and strength the way Fisher did?

For some forty years, Fisher was both herself and Princess Leia. Video of interviews and even stage performances document how much the role influenced her career and her life. But, Fisher was also an able writer; indeed, she wrote multiple books and was often called upon to assist screen writers as a “script doctor.” Her last book, published shortly after her death, is a witty and poignant recollection of the filming of Star Wars, a three month interval that she documented via journaling.

The Princess Diarest includes both journal entries and some poetry, mostly about Fisher’s affair with co-star Harrison Ford. The framework, that is her introduction and conclusion, are far more interesting to me, as they benefit from the wisdom and perspective of those forty years after the filming of Star Wars. While the diary entries can be interesting, mostly they reflect the infatuation of youth. The framework, however, was fascinating, just like the author.

Some people never saw her performance in Star Wars, but it’s likely that they heard her voice, as she did quite a bit of voice work, or saw her in other roles. The world lost an icon when Fisher died in 2017. Her talents were many, but some roles can’t be left behind, and Princess Leia Organa was such a role.

A romance from the grave

Texas FreeRecently, I updated my credentials to virtually check out books from my local library. Free is a good price, right? Unfortunately, apparently, there is little demand for science fiction at my library, so I looked at titles in the romance genre.

When I first read romance novels, I had a list of authors who were my “go to” writers. One of them was Janet Dailey. Generally, she did a good job of integrating setting, plot, and character, and that’s no easy task, because romance writers are under a lot of pressure to produce, produce, produce. Romance readers seem to be perpetually thirsty for new novels, and I saw a new series by Janet Dailey, so I checked out Texas Free,  copyright 2018.

The opening states that the events happened in 1985, which would have been at Dailey’s peak, in terms of both popularity and proliferation. The story is actually a good one, if a bit formulaic. Rose Landro returns to her childhood home in Texas, on the run from a Mexican drug cartel. Unsure of her welcome, but desperate, she stakes her claim on land that should have been hers, as it belonged to her grandfather who had intended to deed it to her before his untimely demise. As the land is an access point to water for cattle, her stake is controversial, and the reader follows the twists and turns of the plot, wondering if Rose will succeed in establishing a homestead, and if any of her neighbors will assist her in her quest.

Janet Dailey has penned a great many books, but the copyright page indicates that this one belongs to a “Revocable Trust” created by some folks who share the same last name. So, is this “Tylers of Texas” series a repackaged group of novels from earlier, or are her heirs using a ghost writer? I suspect the latter, as Janet Dailey died in 2013.

Ghost writing has been around a long time, and there are sometimes very good reasons for using the process. Celebrities who are good at something else often write books, but the more honest ones have a “with so and so” under the author line. Both Tom Clancy’s and Robert Ludlum’s publishing careers have gone on without the author as other, named writers, do the work, but these ghost writers are a least named in the fine print. As I have the eBook version of Texas Free checked out, I might not be seeing it, but if there is an acknowledged ghost writer I didn’t find it. On the other hand, authors I know have reprinted their books with new titles to “up date” them. I kinda think that is cheating a bit, but reputable writers do it.

As I have a back list title that I republished as an eBook (Trinity on Tylos) I am not complaining about republishing, but unless there is a dusty old manuscript, or computer file somewhere, a back list title should be just that. A novel written by someone other than the named author breaks the contract between a publisher and the reader. If I see an author’s name, I expect that the author wrote the book, and I doubt that I am alone in that expectation.

The entire Tylers of Texas series has publication dates after 2013. FYI.

Trading for a Dream— review of book 2 in the Yrden Chronicles

TradingDreamcoverSince I first began reading eBooks on my iPad, I’ve used Amazon’s Kindle more than any other app, because it works well and the content is both plentiful and inexpensive. An early favorite author was D.A. Boulter, whose novel Courtesan impressed me quite a lot. I’ve revisited his work from time to time, and recently I read the latest entry in the series that began with CourtesanTrading For A Dream (The Yrden Chronicles Book 2).

Boulter’s Yrden books are based upon the idea that somewhere in the future, Trading Families will own fleets of cargo ships that not only carry paid cargo, but that there would be trade representatives on board who scout for local merchandise at each port of call, buying and selling or bartering, providing new goods for their customers as well as adding profit to the Family. Of course, the Yrden Family is the core group, but Courtesan is a stand alone book which occurs some generations before the events in the two available Yrden Chronicles novels. Trading For The Stars (The Yrden Chronicles Book 1) recounts the story of Clay Yrden and Colleen Newborn who meet on a primitive planet, Erin.

Trading for a Dream continues their story, but the main point of view character is not one of the Family; instead, as the novel opens, the reader meets Adrian Telford, who is engaged in arranging an accident (i.e. he’s a hit man.) However, when the victim’s wife and son witness the “accident” Telford loses his taste for a life of crime. In an effort to clean up his act, Telford rides a shuttle to Liberty Station, a space station which is on the trade route of Blue Powder, a Yrden Family ship.

(spoiler alert)

When Blue Powder docks, Clay and Colleen soon meet Mr. Telford. Clay sees him as too risky due to his past association with criminals, but Colleen sees a desperate man in need of a hand up. Needless to say, the interactions between the Yrdens and Telford make up the rest of the novel. The yarn is suspenseful due to the efforts of the baddies to make Telford go back to his former profession, as well as an attempt to relieve the Yrdens of some of their goods.
While there are some mostly stereotypical characters, the author does a reasonable job of creating engaging characters, including the folks on the ship, the bad guys who used to be Telford’s business associates, and other folks who get involved, so there are quite a few of them for the reader to keep straight. Having read the other novels in the series helped me a bit in that regard.

I’ve enjoyed Doug Boulter’s stories, and I really liked this one, too. The only caveat I have in recommending these is if you want sex scenes, you’ll be disappointed, as these stories are remarkably clean without being intended for a young adult audience. These stories are reasonably priced on Amazon, and I encourage readers to discover this relatively unknown author. I am so glad I did.

Sky Hunter— a review

Sky Hunter coverThere are taboos in writing fiction, including this one: female characters can’t be raped. I don’t approve of this crime, any more than I approve of murder, of child molestation, of armed robbery, of well…lots of felonies. Still, crimes do happen, and if a novel is to keep it real, sometimes bad things happen to the main character. Still, rape is taboo. As a writer, I have paid the price for violating that taboo. And, this isn’t much of a spoiler, but in Chris Reher’s Sky Hunter, the heroine does have that experience, early in the novel. But, this is a serious tale of warfare in space, and bad things happen, including the afore mentioned violation.

Now that I have that out of the way, let me say that Reher’s Sky Hunter is a very, very good space opera. The main character is one I wanted to see overcome the difficulties of the opening chapters. Caring about the heroine is absolutely necessary, especially when a book isn’t a light-hearted romp. The other characters, at least some of them, also enjoyed significant development, and the plot twists like a scenic mountain road. Reher’s world building is pretty good, too. For military buffs, there is action aplenty, and enough political intrigue to keep the reader guessing.

Right now, this book is free as a Kindle title, and I highly recommend it to fans of military fiction. But, if you’re a whimp, don’t bother.

Black Hole Bounty— a review

Black Hole Bounty coverRecently, I read Sienna Bronwyn’s Black Hole Bounty, which was a little more erotic than the romances that I normally read, but this one was quite good. The heroine, Jerusa, is different (an albino of Central American origin) who wears a nose ring and is scared of heights. Actually, she’s scared of lots of things…but that’s what a big part of what makes her an interesting heroine. She’s already married and has a daughter, and that’s atypical as well. The plot is not as far from the norm (for science fiction romance) as are the characters, so I’ll call it character driven fiction. It’s also rather funny, because the POV character is, well, quite a character. Still, this story is an action/adventure, and Jerusa never runs out of beings who make her afraid. Often, she has every reason to be scared silly.

As some of the reviewers stated, the worst thing about this story is that it is first in a series and the other entries are not yet available. Some authors are great at writing a series where each story can stand alone, but lots of writers are not bothering with that these days, and that’s annoying, but again, not unusual.

If Ms. Bronwyn can get part two of this series out before I forget all about the story, then I will be happy to purchase it. So, dear author, get busy.