A friend who knows of my love of science fiction in general, and Star Trek in particular, mentioned hearing a show called “Ask Me Another” on NPR where a poet (Rita Dove) was challenged to identify characters based upon reworking of famous poems with Star Trek: the Next Generation in mind. Those of you who like Star Trek will no doubt be intrigued by the puzzles presented to the poet. Anyone who likes poetry and Trek should truly enjoy this show. I certainly did!
Some of y’all are going to laugh, but I watched this 80s heartthrob flick for the first time this week. A local theatre is featuring the touring version of Dirty Dancing next month, so I did a bit of research on the story and was intrigued enough to look for the original film (free with my Amazon Prime account, and if your friends and family don’t have an account, now is good time to Give the Gift of Amazon Prime.)
As for Dirty Dancing, the movie, it is a period piece anyway, as it is set in the early 60s, but the cast (and Jennifer Grey’s hair) made me think 80s, regardless. The Dirty Dancing soundtrack works great, regardless of the era, especially the Oscar winning finale, [This is the] Time of Your Life. Although the story is supposed to take place in the Catskills, the movie was actually filmed near Lake Lure, North Carolina and in Mountain Lake, Virginia. Having vacationed in North Carolina and Virginia, I enjoyed the visual feast, too, but the lack of high def photography reinforced the retro feel of the film. Another facet is the “please the crowd” ending, which is entirely unrealistic, but oh, so Hollywood, at least, as it was when their business was entertainment.
Patrick Swayze is very convincing as the working class dance instructor, and Jennifer Grey gives an amazing performance as “Baby,” alternating between the shy upper class school girl and a young woman with grit and enough determination to learn the complex dance routine. The dancing is, of course, quite good, as are some of the performances by the supporting cast. While I won’t be joining those who view this as a see it over and over again cult classic, I really did enjoy it.
I haven’t decided to buy tickets to the live action version (not yet, anyway) but I am glad I spent an evening seeing this now iconic film. And, gosh I love the music.
The other evening, I told hubby that I wanted to see La La Land on HBO Go. Like many men, he is a direct, compartmental thinker, and he wanted a succinct description, like a phrase. Complex sentences and paragraphs are too much after a hard day at the office, so I said, “It’s a musical.” And he said, “What kind?” Based on the tone as well as the question, I was getting the drift that he didn’t want to try this one, so I said something like, “We’ll talk about it later.”
Today, weary of grading essays, I turned our sorta smart TV to HBOGo and found La La Land. Before the end of the opening number, a sort of modern fantasy about singing and dancing in traffic, I was already glad that I decided to forgo explaining the film to my husband. He is just not gonna go for this sort of film.
That’s not to say it is bad, for it certainly isn’t. But, this clever film is not going to be pigeon holed into a category, although HBO places it under “romance.” The film pays homage to Hollywood in particular and the entertainment industry more generally, and the characters certainly are passionate about their craft, but they struggle to pave a path to personal success. Work gets in the way of their relationship, but there are some seriously romantic scenes in this film. Ryan Gosling and Emma Stone have both moved up a few notches in my estimation, based solely on the way they conveyed emotion through song and dance and just looking at the camera.
As I was searching for an answer to “What sort of movie (or musical) is it?” I read several reviews. The one at RogerEbert.com comes the closest to explaining it, and I don’t want to spoil it or plagiarize, so I will merely provide the link. However, should hubby ask again, which I rather doubt, I have my answer: “It’s a different sort of musical.” Yep, it isn’t peculiar, nor avant gardé, nor off-beat. It is just different.
There are many themes in science fiction, and the one about an alien who is trapped on earth entering a host body isn’t exactly a new plot line. However, in this young adult novel, Karen McQuestion taps into the “kids dealing with big stuff” storyline that seems to be popular right now. (Think “Stranger Things” on Netflix or even Stephen King’s, IT! on the big screen.) Anyway, I didn’t find it difficult at all to get into this book and stay with it until the end. The main characters, Emma and her cancer stricken boyfriend Lucas, are believable, engaging, and their exploits are entertaining. Emma is particularly well drawn, and she is the point of view character for most of the novel.
I’m not a big fan of young adult fiction, but I genuinely believe that the most creative stories these days are found in that genre. Publishers, large and small, are not prone to take any chances with fiction intended for adult audiences, but they are more open to new authors and new ideas in YA fiction. This has been true for quite a while, and this trend plays out on the big screen. The Harry Potter novels were quite successfully adapted to film, as were the Hunger Games novels. The Divergent Series is another YA science fiction series that made it to the big screen. Even Twilight and its sequels begat movies.
Probably From a Distant Star won’t be the basis for a Hollywood block buster, but it would make a dandy film for the folks over at the SyFy channel. In the mean time, readers can find it in various formats, from $4.49 for the Kindle ebook to $10.95 in hard cover.
I suppose that internet users are all aware of the benefits of Amazon Prime. For quite a while, I just enjoyed the quick and often discounted shipping. But, the video offerings have improved vastly, and I certainly use that feature often. Amazon has both original content as well as plenty of television and movie offerings. Sometimes I listen to Amazon music, and I am especially fond of the “channels” feature that lets me choose a style of music based on favorite artists. Another benefit that I’ve mentioned here from time to time is the “Kindle First” offerings— free books that are available prior to release on the Kindle platform. I’ve read quite a few of those (and reviewed them here from time to time.) Recently, I’ve taken advantage of the free periodicals, such as Family Handyman.
My publishing career is intertwined with Amazon, as my current books (Trinity on Tylos and The Gift Horse) are mostly available via Amazon’s Kindle store, but even if that were not the case, I’d still have to acknowledge that Amazon’s Prime program is value added for online shoppers, television cord cutters, and eBook readers. If you want to know more about Amazon Prime, use the link to explore it via a free trial.
As a youngster, I loved science fiction. From being a little kid watching Fireball XL5: The Complete Series on television to reading the novels of Robert Heinlein while in school, to seeing the original Star Wars: A New Hope at the cinema while in college (gosh, I’m old, right?) I really loved sci-fi. Actually, I still do, but this is a blast from the past post, so here goes.
Heinlein, now considered one of the “grand masters” of classic science fiction, wrote young adult novels and short stories for a number of years. However, his groundbreaking and movie inspiring Starship Troopers is considered a turning point into adult fiction because this novel begins his exploration of themes that appeal to a more mature audience, including libertarian politics. Perhaps modern readers wouldn’t realize it, but the powered body armor in Starship Troopers was one of those prescient inventions that makes reading and watching science fiction so important to the development of technology.
Stranger in a Strange Land (Remembering Tomorrow)was published a couple of years after Troopers, and while less “realistic” the novel takes some giant leaps into thematic explorations. The novel deals with the life of one Valentine Michael Smith, the first human born on Mars, and because he was orphaned he was reared by the natives of that planet, and later brought back to earth as a young adult human who knows absolutely nothing about his home planet or its inhabitants, hence the title. This situation is a fabulous set up for what science fiction does best: explore what makes humanity work (or not.) I used to read this novel annually, and I have never tired of it, because there are so many themes. Indeed, while doing a master’s degree in English, I wrote a pretty decent term paper on the topic of how Heinlein uses the world savior theme in the novel, and didn’t get thrown out of my fairly conservative program.
The characters in Stranger are often larger than life, but Jubal Harshaw, lawyer, doctor, and homespun philosopher (as well as the voice of the author) is my favorite. His employees and associates included Anne, a “fair witness” which is sort of a human version of a body cam, as she only reports what is seen. As in many Heinlein works, there are any number of gems, but even people who haven’t read Stranger may use the invented word “grok” which is a Martian term for being one with someone or something, in such a way that it is fully understood or appreciated.
Modern science fiction has split into many sub-genres, but Stranger in a Strange Land pre-dates that, and in a good way. Grand Master Robert Heinlein was not restricted to hard science or the softer “social” aspects of the genre, although he uses both hard and softer themes to challenge societal norms. Indeed, this novel broke new ground when first published, and it is just as thoughtful and thought provoking today. Certainly, it deserves a read, but it is so complex that it almost needs a Cliff Notes commentary but not quite yet. Despite its age, it is still in print, so go get a copy!
I’m not a frequent visitor to first run movies, as hubby and I enjoy our Netflix subscription (and homemade popcorn) more. Sometimes, however, a film comes out that piques my interest so we make the trek to our local multiplex and join a group of folks we’ve never met to see a movie. After reading some reviews and seeing a couple of trailers, I told hubby that I intended to see Wonder Woman, with or without him, so we went to see it.
Gal Gadot is fabulous in this film as the title character, as is Chris Pine’s side kick, Steve Trevor. Others do a good job, and Robin Wright is visually stunning as the Amazon general. Indeed, stunning is a word that comes to mind through the first half of the film. An superhero movie that is not a sequel must begin with some exposition, and that is a tricky phase. Too much detail threatens to bore the non-faithful viewer, but too little will disappoint those faithful fans who will show up regardless of what critics say. This version of Wonder Woman nails the exposition, with lots of action woven into the backstory. The costumes are simply amazing as are the settings and the action sequences. The characters do a great job of holding the viewers’ interest as the setting shifts from the island of the Amazons to WWI London. Again, the settings work well, as do the costumes, and it was easy to feel that we’d been transported back a hundred years.
(I am purposely leaving out details, as I do not want to ruin this movie for those who haven’t seen it, if there is anyone left in that category.)
Once the main mission of our heroine gets underway, the action is almost non-stop, and the villains are properly villainous. If I am totally honest, the final action sequence is a tad too long, but the overall effect is that this is a really good movie. Wonder Woman 2017 earns its fabulous score on Rotten Tomatoes.
I know nothing of director Patty Jenkins other work, nor have I seen Gadot in other films, but I have liked Chris Pine’s version of Captain Kirk in the rebooted Star Trek, and I thought he did a great job in the period action-adventure The Finest Hours (Theatrical). This super hero flick really hits on all cylinders: it is reasonably true to the comic book version, won’t disappoint fans of the old television series, and is so well made that newbies will enjoy it, too.
Please enjoy the links to these previous films available online, and consider going to see Wonder Woman.
We recently ordered up the DVD version of Jackie, starring Natalie Portman. Like many baby boomers, I remember the Kennedy assassination and its aftermath. Yes, I was just a child, but I still exactly where I was when I first heard the news, and I do remember that funeral procession as it appeared on our black and white television.
The film version of those events, entitled simply Jackie, is not especially linear, as the story line has a journalist coming to the Kennedy home in Massachusetts, to interview the former first lady about that terrible day and its aftermath. The story is actually a series of flashbacks. Featured in several of those is the famous television film of Jackie leading a tour of the White House, and the filmmakers carefully recreated a number of well documented events, including the arrival at Love Field and the motorcade (which was, of course, interrupted by the assassination.)
Other scenes give viewers a fictionalized but probably accurate glimpse of the horrors of that day. These include Jackie cleaning the blood from her face on Air Force One, and her removing the bloodstained pink wool suit, washing her hair, and Kennedy’s blood flows down her back. Although only seconds long, the shooting is also amazingly accurately depicted, and this is no fuzzy 8mm film— the assassination is high def and horrifying. The film also answers some questions that I’ve had, such as why Jackie tried to get out of the car, and why she didn’t change clothes before disembarking from the plane in Washington. The costumes, the sets, the cars, and the blending of old footage with new footage is really top notch. The cast does a very good job, especially Portman, who may not look all that much like Mrs. Kennedy, but she clearly worked hard on getting the accent and mannerisms down. Before it was over, I began to forget that this wasn’t the real Jackie Kennedy on the screen.
All-in-all, this film does a really good job of adding insight for viewers already familiar with the story. Perhaps more importantly, however, it gives younger generations a chance to see exactly what price is paid when a leader such as JFK dies at the hands of an assassin. Jackie is historically accurate, as well as being emotionally gut wrenching.
That’s the “to be read”list, of course. As I’ve been going through this blog and updating some links, killing off a few out of date posts, and generally trying to do some cyber housekeeping, I’ve run across some sequels that I want to read.
First up, Evergreen, which had some rights to the story of Honor Harrington, David Weber’s amazing space opera, has closed up shop, but there is a second comic book version of the story available. Here’s the cover (and a link to buy if you are so inclined.) While I’m not much of a graphic novel fan, I love Honor Harrington stories, especially those toward the beginning of the saga, which these comics depict.
And, the also amazing, but not so famous, Kennedy Hudner has added to his space opera, as Alarm of War is up to Volume III, entitled Desperate Measures. I’ve enjoyed the other books in the series, so I am looking forward to this one. Again, here’s some cover art with a link.
And, if you are like me and you read a lot of digital books and haven’t checked into Amazon’s Kindle programs, do take a look at this:
Okay, I am a sucker for a good title, and this book has a good title and a good cover. Win-win! And it is about Star Trek, which I like quite a lot. But it is rather deep at times, so I wouldn’t rate it five stars, but fans of Trek who have some knowledge of philosophy might award it a solid four, perhaps.
What is between the covers is a collection of essays edited by Jason T. Eberl and Kevin S. Decker. These essays use Star Trek’s various television shows and movies to explore philosophical issues, and it helps quite a lot if the reader is familiar with all forms of Trek. Since I never watched all of DS9 or Enterprise, I was sometimes a bit lost.
The first essay is a nifty one, as it is based upon a Next Generation episode, “Darmok.” Both the essay and the episode dealt with the difficulty of translating a totally alien language. Throughout most of the Trek episodes there was a “universal translator” which was a bit like Google Translate, but it depended upon languages having some commonalities. Of course, communication via such means can go astray quite easily, but what about an alien species that doesn’t communicate the way we do? The issues would be far beyond going from English to Chinese, and I understand that can be difficult.
As the essays in this book are by different authors, the tone and topics vary quite a lot. For me, it was a book to nibble at, but not a cover to cover read. I’ve always viewed Star Trek as more intellectual than Star Wars, but this book takes it to an even higher plane. For fans of all things Trek, there are some really delicious ideas to examine in this collection, so if that describes you, go for it!