Category drama

Aug 9 2022

Retro Review: Michael’s Wife by Marlys Millhiser

I’ve occasionally written about re-reading old favorites, and I recently turned my eyes to The Mirror by Marilys Millhiser, and beside it, Willing Hostage, residing on my “keeper” shelf. However, my favorite novel by Millhiser is Michael’s Wife. When I was in high school, I borrowed this novel from a friend who had checked it out of the local library and read the opening chapters during Spanish class. After class I begged to keep it but was rebuffed. No, I had to get on the waiting list at the library. Seems like I had to wait months before I got to read the book in its entirety. I loved it!

Michael’s Wife was published in 1972 so modern readers should consider it a period piece and be prepared to suspend a bit of disbelief as well as setting aside certain notions of proper behavior. The story opens with the main character awakening in a dry stream bed in the desert. She has no memory of who she is, nor why she is there. She is afraid, however, and her fear motivates her to walk swiftly toward a roadway. Shortly after she finds the road, she is offered a ride from a rough looking man named Harley McBride, who is willing to help her as long as she isn’t a hippie. She assures him she is not, but says nothing when asked her name. Somewhat amused, Harley calls her “Doe Eyes” because he says her brown eyes remind him of a doe he saw while hunting. When asked, Harley tells her that he shot the doe right between the eyes. (Remember, modern readers, this is a period piece.)

While visiting a restroom, our amnesiac main character finds something hidden in the waistband of her slacks: A slip of paper—“Captain Michael Devereaux, Luke A.F.B.” handwritten across it. With this clue, she asks Harley to take her to Luke Air Force Base. Harley supplies lunch and some information as they drive from Florence to Phoenix. Harley stops as a motel owned by his brother in Phoenix, and our POV sees a sign wanting a waitress. She offers to take the job in exchange for a room and Harley’s brother agrees. Once she has the privacy of the motel room, she calls Luke Air Force Base and finally reaches Captain Devereaux. After she utters a few halting phrases, he calls her Laurel and tells her to stay put, he will be there in half an hour.

Okay, I hate book reviews with spoilers. The summary here is only the first chapter. This novel has quite a few twist and turns, and although it was classified as romantic suspense when released, it is more suspense and any romance is secondary. There’s some violence, including sexual violence, so this story isn’t for the faint of heart. (Honestly, I can’t understand modern readers who quit reading when a character loses his temper, but can embrace 50 shades of bondage.) Some of the reviewers on Goodreads were unhappy that this novel is very different than The Mirror, which is a time travel yarn. I get that, but in my case I much prefer the plot of Michael’s Wife. Millhiser is a creative writer who crosses between genres, and she did write other supernatural yarns, such as Nella Waits.

Millhiser died in 2017, so I only felt minor guilt at re-reading Michael’s Wife on a freebie site. She leaves a legacy of 15 novels, and her later works were a series of mystery novels featuring a sleuth named Charlie Green. I might try one of those, or I might re-read Willing Hostage, as I have fond memories of that one as well.

Sep 24 2021

Shaken (Quake Runner Book 1) by Kevin Tumlinson— brief review and commentary

This is a pretty good novel. The main character, Alex Kayne, is sassy, super smart, and just vulnerable enough to avoid the “heroine can’t die” syndrome that afflicts almost all comic book super hero characters, or Lara Croft (heroine of the Tomb Raider games/films). Alex is a fugitive computer whiz who needs something to do as she hides from all the forces who want to either kill her or “bring her to justice”, so she kinda does her version of “The Equalizer” in that she helps people who have a specific need. The needy person in Shaken is a surfer/marine biologist named Abbey, who lost an arm to an encounter with a shark. Abbey received a prototype bionic arm, in part due to her high profile injury, and someone stole it. The arm and it’s charger, gone. Who the heck steals a limb from an amputee? (Literate folks might respond with another story, “Good Country People” by Flannery O’Conner, but I digress.)

So, we have Alex Kayne, who manages to change her appearance, her lodging, her cell phone, and her method of transportation more frequently than anyone in any spy novel I’ve ever read. In this book, she is mostly hiding out in Disney World. Other characters include Eric Symon, the FBI agent who nearly nabs fugitive Alex, Abbey who needs her arm back, and a cast of suspects or villains, depending on how the mystery unfolds. The action in this novel is well told, and not quite believable, but that’s part of the fun of it all.

Readers who enjoy puzzles and/or action heroines and want to be entertained for an evening (or two) should try Shaken (Quake Runner Book 1.)

Now, for the commentary. This was my first book by Kevin Tumlinson, but I certainly intend to try another. At the end of this book there’s a note wherein the author explains that he didn’t plan to self-publish this novel, intending to put it in the hands of an agent. However, he thought better of it and put it into his self-publishing stable of products. For many authors (yours truly included) self-publishing is better, due to control of the process and potential financial gain. That decision is understandable, but when the author said he wrote the book in roughly 15 days, I was shocked. Shocked.

Y’all, fifteen days is like two weeks. I can’t edit a book in two weeks, much less go from beginning to end. Wow. I had a whole new perspective on the novel after that. I thought it was a good, if not spectacular read, with very few errors. However, the very idea that such a book could be dreamed up and written in such a short time is simply hard to believe. However, as the author of Ecclesiastes says, “There is no new thing under the sun.” Shaken is a bit like that, in that the elements in the story have been used before, but perhaps not in precisely this manner. The author’s website is a feast for those who want to know more about marketing and branding, especially marketing self-published novels. Clearly, Tumlinson is not just prolific, but also understands how to get the product to customers, too.

Mar 28 2021

Star Trek Voyager: A Celebration

While all Star Trek series are worthy, some are just more interesting than others. Deep Space Nine has some great characters and acting, but initially suffered from being “stationary” rather than zipping around like the Star Trek ( the original series) or Star Trek: The Next Generation. As Roddenberry’s vision had sharpened and the syndication model freed him from many constraints, probably TNG is the overall best series. Certainly, the acting is amazing and the scrips are often really great, too. But, as special effects have become better and better, TNG suffers a bit in that area. Enter Star Trek: Voyager, which had a seriously huge void to fill, as it debut was a mere six months after TNG ended its seven year run. I also reviewed a book, Star Trek Voyager, A Vision of the Future, written during Voyager’s run, which is good, but last year, this volume, written as an anniversary edition, does a much better job of explaining the series as a whole, from development to the two part ending episode, “End Game.”

Upon receiving the book, I thought it would be one of those “coffee table” books, long on pictures and short on words. Nope, although there are many pictures. Indeed, the use of now decades old still pictures from the series is sometimes a weak point. However, there are drawings, pictures of behind the scenes contributors, and plenty of text. Overall, I really enjoyed the book, which is written in short segments which can be quickly read, but there are many sections, and these don’t necessarily need to be read in any fixed order.

The book begins, logically, with series development, and then there’s a short (two page) section devoted to the title sequence. I had no idea that this part (often “skipped” while streaming) was nominated for an Emmy award. Interspersed with the more technical aspects of the series are longer passages about the characters, beginning, of course, with Captain Janeway. The authors (two principal and two others, along with a general editor and a sub-editor) rely upon previously published material as well as newly conducted interviews with some cast members, as well as writers, producers, artist, and a host of others. Kate Mulgrew, who played Janeway, is among those who share memories in this book, and she discusses how much pressure was upon her as the first female captain of a Star Trek series, and how she approached the character as well as learning the scientific language necessary in this sort of show.

As there were many episodes (16 the first season, and 26 in each of the following six seasons) not all of them are featured, but sections devoted what are termed “key” episodes are mixed in with the other segments. The first, “Caretaker” is the two part pilot, and some of the other key episodes include “Tuvix” a character created by a transporter accident in which Neelix and Tuvok are blended into one individual. Each character gets a section, and most of multi episode villains do also. There are a couple of segments about the ship, one about the Delta Flyer, which is a smaller ship built by the Voyager crew about halfway through their journey, as well as segments about the special effects department, the makeup artists, the costumers, the writers, and the directors. As a fan of Voyager since it originally was broadcast, I knew quite a bit about the series, but there’s a lot of new material. For instance, I knew that some of the actors directed certain episodes, but I did not know that Star Trek actually fostered this by holding a “director in training” program. Roxann Dawson, who played Lt. Torres, directed a couple of episodes of Voyager, but went on to become a sought after director. She states that the program changed her life.

Bob Picardo took advantage of the DIT program and directed episodes of Voyager, but he also gets a writing credit, as he pitched a story line which was used, and he co-wrote the script. Robbie McNeil, who played Tom Paris, also directed multiple episodes of Voyager and went on to direct other projects.

When TNG was in production, many of the special effects were done with models, but by the time Voyager was being produced, digital graphics were beginning to be more cost effective, as well as allowing more creative shots, so as the seven seasons went by, more and more VFX were done digitally. However, in the show’s 100th episode, “Timeless”, the ship is depicted as crashing into a snow and ice covered planet. The visual effects crew found that digital snow wasn’t working, so they ended up doing a practical shot with a model crashing into a tray of baking soda. I’ve seen that episode several times, and I am amazed by how good it looks on the screen.

For fans of Star Trek Voyager, this book is a real treat. For readers interested in television, particularly directing, writing, and special effects, it is worthy. Casual readers or those who just “look at the pictures” might be a tad disappointed in this book, but I read it cover to cover, with a couple sections earning a second reading. For now, it has a spot on my “keeper” shelf, too.

Mar 5 2021

Searching for Shelter: Aftermath Book 1—a brief review

In short, this is a disaster upon disaster yarn.

Searching for Shelter is actually a pretty good book. I was a bit surprised that it holds together as well as it does, with three authors listed. While I haven’t done a collaboration novel, most of them involve a “big name” author lending a helping hand to a newbie, or one author does an outline while another does the grunt work. I have no idea how these three folks did it, but Searching for Shelter gets better as it goes along, and it goes along at a good pace.

As a southerner, and one who has travelled in Mississippi, I appreciated the setting and the types of characters that populate the novel. Or maybe I liked it because I grew up in the era when “disaster movies” such as The Poseidon Adventure and The Andromeda Strain were blockbusters at the theatre. Anyway, this novel is in the genre of “you need to be a prepper to survive into the next book” that seems to be growing in popularity. While not as pedantic as the last “prepper” novel I read, this one does have some instruction interwoven into the plot.

A rather large cast of characters, in the Mississippi delta region, are introduced in the early chapters. They include a young couple (Edward and Maria) and their midwife (April), as their first child is about to be born in the midst of the biggest hurricane anyone in that hurricane prone area has ever seen. Indeed, the storm is labeled a category six (and there are only cat 1-5 storms now, so that lets the reader know just how bad this rascal is going to be for the landscape and its citizens.) Another main character is Rita Sloan, a young lady with a very troubled past, desperate to get home, who ultimately seeks shelter in a mechanic’s garage, along with the owner of the shop and his nephew. Other important characters include prisoners at the state penitentiary, as those are invariably built in rural areas. The storm first knocks down almost every building, then the storm surge floods all but the highest ground. In short, this is a disaster upon disaster yarn. As this is a novel about being prepared, or not, most characters have a skill or a stash, or want to take something from someone else. For instance, Edward and Maria have lots of food stores, as they are farmers, while April desperately wants to get home to her stash, which includes a good supply of medical items, from medicine to bandages. Even Rita has her “go bag” in the car and manages to hang onto it through the entire book.

Like the Johnny Cash song, eventually all of these characters, and a slew of others, are goin’ to Jackson. However, each one’s journey is fraught with peril, from ne’er do wells looting and stealing to gators looking for their next meal. And, once the characters reach the city, the devastation is so great and the population so ill prepared, that the shelter they are seeking remains elusive. Thus, while some plot lines are resolved, many are left for the successive novels to explore.

I haven’t decided to purchase books 2 and 3, but they are definitely on my “maybe” list.

Nowadays, there’s just so much free and cheap reading available. And, I’m a total reading glutton. For real!

Jan 24 2021

Remember when journalism was compelling reading?

Hubby and I have been watching Manhunt: Unabomber on Netflix, and since the storyline is anything but linear, we both looked for articles to help us understand the story. As we are chronologically gifted, we remember the case being in the news, but as it happened some 25 years ago, we wanted a refresher. Hubby looked at Wikipedia, because, as always, it comes up first on search engines. I went a bit farther and looked at the source material for that article and chose a piece in the NY Times archives. Oh, wow, is that a great article. A hell of a great read, and it helped me know more about the Unabomber case than I ever knew way back when. Also, it was a glaring reminder of how far the standards of good journalism have fallen.

Unabomber

One of my sisters is a journalism major, and she still thinks that journalists do a reasonable job. Oh, sure, she says, there are some bad ones, and some hacks, but that’s always been the case. My other sister works in communications and believes modern journalists are often poor writers managed by even poorer editors who are more interested in how many times articles are shared or clicked upon than actual quality. After reading the simply superb article about Ted Kaczynski in the NYTimes, I tend to agree with the sister that says journalism has fallen on hard times.

Manhunt: Unabomber is a good show if you haven’t seen it, and I recommend it, but the filmmakers do jump from scene to scene, sometimes with only a brief graphic telling the date, too quickly. In part, this seems to be an effort to create a bit of suspense, which is always tricky when telling a tale wherein the outcome is known by the audience. The folks behind the show do an excellent job of portraying the very complex man who chose to bomb those he deemed hostile to him or to his vision for the advancement of society, and it reveals the mis-steps of the initial profilers of the suspect labeled UNABOM because his targets were associated with universities or airlines. The NY Times story mentions Kaczynski’s failed attempt at getting articles (or rants, depending on one’s viewpoint) published. Indeed, only the Unabomber’s success at getting his “manifesto” published in a national newspaper actually caused him to be captured, and the FBI had a tip or it wouldn’t have happened at all.

The story in the NYT is not entirely linear either, as it jumps from witness to witness, but the story is primarily based upon a long interview with David Kaczynski the bomber’s brother, who ultimately helped the FBI identify the bomber. Still, the article is far more informative, if not as dramatic, as the television show. In particular, I was struck with the tremendous dilemma in that David had, because he knew that other instances of FBI vs. a long sought suspect ended in a firestorm (such as the Branch Davidians in Waco and the stand off at Ruby Ridge) so he was concerned. With the support and prompting of his wife, he supplied materials to support his suspicions and approached the FBI. Despite being assured that his role would be anonymous, someone in the investigation leaked it to CBS news. Nowadays, it is no secret that the FBI is more of a political organization than a crime fighting one, but even then, the younger Kaczynski brother was very wise be concerned, and even wiser to have an attorney.

One aspect of the NYT story that helps it be fascinating reading is the focus on Ted Kaczynski, from childhood on, and the use of excerpts from the manifesto. Despite being mentally unbalanced, the brilliant former math professor did have some profound observations about the deleterious effects of advancing technology on people and society. He attempted to wall off those technological intrusions by living as he did, off the grid, in Montana. For whatever reasons, whether one deems it mental illness or just plain evil, Kaczynski did try to fight technology by writing and bombing. His life, and those of his victims, would have been far better if he had written more, been a little less clueless about getting published, and never made those bombs, however.

The television series Manhunt has two seasons available. Season one is about the Unabomber and season two, entitled Deadly Games, is about Eric Rudolph and Richard Jewell, one of whom made bombs, and one of whom was falsely accused. Both shows are worthy of viewing. Sadly, I don’t think anything published in the New York Times today is as nearly as good as “PRISONER OF RAGE — A special report.;From a Child of Promise to the Unabom Suspect.”

Jan 13 2021

Time for Dystopian Science Fiction?

Reader’s Alley, a nifty site for bargain eBook lovers, divides their science fiction offerings into sub-genres: sci-fi romance, sci-fi thriller, and science fiction, dystopian. While those first two descriptors would seem self-evident, the dystopian flavor is considered by some (mostly jaded members of academia) as the only serious science fiction. Typically, I avoid reading dystopias because they tend to be so darned depressing. But, with all that is happening in the news, which I also try to avoid, perhaps it is time to take a look at the genre.

One of the finest books about the history of science fiction is Brian Aldiss’ Trillion Year Spree, which covers science fiction literature from its beginnings to the early 1980s. Aldiss does discuss many sub-genres, but the thread of dystopia runs strongly throughout his encyclopedia of science fiction in printed form. The term, dystopia, is applicable to “a world in which everything is imperfect, and everything goes terribly wrong. Dystopian literature shows us a nightmarish image about what might happen to the world in the near future. Usually the main themes of dystopian works are rebellion, oppression, revolutions, wars, overpopulation, and disasters. On the other hand, Utopia is a perfect world – exactly opposite of dystopia.”

Science has, until recently, been viewed as a two edged sword; while it can make life much better, mis-use of science has been the root of all sorts of evils. Frankenstein, by Mary Shelley, is often considered to be the first science fiction novel, and the dark side of science is clearly the central theme of the novel. Dr. Heidegger’s Experiment and Rappacini’s Daughter, short stories by Nathaniel Hawthorne, also feature mis-use of science as their main themes. When teaching those stories, which used to be in many American Lit anthologies, one way to make it simple for students is to say, “Hawthorne is basically telling his readers, ‘don’t mess around with Mother Nature’.”

Later novelists fine tuned dystopian themes, with societies becoming more and more restrictive upon the populace. Aldous Huxley’s Brave New World and George Orwell’s 1984 share these themes, “including the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society.” Kurt Vonnegut’s short story, Harrison Burgeron is one of the most widely read dystopian stories, due to its inclusion in anthologies for students, and I recently read a news story liking our current government policies to Vonnegut’s didactic work. Y’all, it is scary when dystopia becomes reality.

Of course, many fans of science fiction today seldom, if ever, read it. Instead, what they know of utopia and dystopia is presented via video. Early episodes of Star Trek explored both sides of the scientific divide. The Ultimate Computer, rather dated today, explored the man vs. machine conflict, using future war games as a setting for its rather disturbing premise. Various dystopian novels have been adapted to long form (movies) video, including everything from 1984 to Planet of the Apes. There are literally dozens of dystopian sci fi films. Some are rather laughable now (Mad Max?) but others are quite troubling.

My own fiction, which has many conflicts for characters to attempt to resolve, certainly isn’t “happily ever after, ” but it isn’t as dark as some of these works, and that’s because my outlook on life is more pragmatic. Hopefully, there will be some gravitation away from the totalitarian policies of modern politicians and administrators. But, when I consider what I am seeing when I do go out and about, I wonder. I really do. Remember this: In each fictional dystopia, the goal was to make things better for certain segments of the population, and bad outcomes are unhappy accidents. Be careful what you wish for—