Tag Archives: video

Nov 30 2019

My video is reaching students!

NASA nebula

A still shot from NASA

Way back I took classes in “podcasting” and “movie-maker.” Afterward, I came home and practiced what we’d learned in class. I made three videos, which are a lot closer to Powerpoint presentations, if the truth be told. Anyway, one of them has had a bit of success—”A Brief History of Science Fiction.” This video was designed with a few still images, mostly screen shots from NASA such as the one I featured on this post, and two audio tracks. We’d been warned in class about using commercial music, so I downloaded a freebie track that I thought sounded dramatic. The second audio track is my voice, reading story boards, in my rather strong Southern U.S. accent. I did write the story boards, based upon my study of the science fiction genre, my training in English literature, and what of that matched up with the still images that I managed to acquire at the time.

Science fiction is an ever changing literary and film genre (with more than a dash of animation) so my video is already a bit dated. Still, I was most gratified when reading a very valid complaint about the loud musical soundtrack. The complainant stated that my little YouTube video was required for class. Gosh darn! My Brief History of Science Fiction is required by a teacher (somewhere?) for a class (in something?) I’m flattered. Really.

If you don’t mind hearing that awful musical track, head over to YouTube and see A Brief History of Science Fiction. While you are there, the link to my “book trailer” for The Gift Horse is still live also.

Jul 5 2019

The Princess Diarist by Carrie Fisher— brief review and commentary

DiaristI’ve met a few people who have never seen Star Wars or any of its prequels and sequels. Weird, huh? For me, when it premiered in 1977, it was the best science fiction film I’d ever seen, and to this day, it ranks among my favorites. The characters leapt off the screen and into the pop culture of the United States. Even those unfortunate folk who mistakenly believe the film has nothing for them are probably familiar with some of its tag lines, such as, “May the Force be with you.” Literary critics sometimes opine that writers can tap into themes that go far beyond what they, as writers, envisioned, and I do believe that George Lucas managed that with Star Wars. Much has been published about his source material, from Saturday morning serials to Joseph Campbell’s Hero with a Thousand Faces. Yes, the film has some flaws, but it gets a lot of things right, including setting, plot, and especially character. Casting a young Harrison Ford as the scoundrel Han Solo was a great choice, as was Sir Alec Guinness as Obi-wan Kenobi, and Mark Hamill certainly looks the part of a young man on a heroic quest. Perhaps the most controversial choice would be casting the very young Carrie Fisher as a princess, but who else could have blended innocence, sass, and strength the way Fisher did?

For some forty years, Fisher was both herself and Princess Leia. Video of interviews and even stage performances document how much the role influenced her career and her life. But, Fisher was also an able writer; indeed, she wrote multiple books and was often called upon to assist screen writers as a “script doctor.” Her last book, published shortly after her death, is a witty and poignant recollection of the filming of Star Wars, a three month interval that she documented via journaling.

The Princess Diarest includes both journal entries and some poetry, mostly about Fisher’s affair with co-star Harrison Ford. The framework, that is her introduction and conclusion, are far more interesting to me, as they benefit from the wisdom and perspective of those forty years after the filming of Star Wars. While the diary entries can be interesting, mostly they reflect the infatuation of youth. The framework, however, was fascinating, just like the author.

Some people never saw her performance in Star Wars, but it’s likely that they heard her voice, as she did quite a bit of voice work, or saw her in other roles. The world lost an icon when Fisher died in 2017. Her talents were many, but some roles can’t be left behind, and Princess Leia Organa was such a role.

Apr 10 2018

Humor

The history of writing funny stuff stretches back into the earliest times. Humor comes in certain time honored forms: slapstick, exaggeration (a/k/a hyperbole), sarcasm, irony, and puns. Most any humorous work relies on one or more of these techniques. Until recent times, that is. Now, vulgarity seems to have overtaken all of these.

Hubby and I have been watching an HBO show called Veep and, while there are a couple of decent running gags, I have not been laughing much. After subjecting ourselves to four episodes, neither of us is sure if we want to continue. I’m not so easily offended, but this show doesn’t strike me as funny, and it is clearly supposed to be a comedy. The actors seem to be working very hard at maintaining a frantic pace, which may indeed be how things are in the White House, but there is no slapstick, little irony, few plays on words, and less sarcasm than one might expect in a political drama.

Oh, I do like the bit with the staffer who has an imaginary dog. That’s funny and a bit ironic. Also amusing is the main character (Selina Meyer) hoping that the president will actually need her (thus far he hasn’t.) The character (Tony?) who doesn’t even bother whispering a brief description of everyone the VP meets and does not actually know is a bit of exaggeration and his remarks sometimes make me smile. And, the pace seems so fast that perhaps the intent is hyperbole, but it is more intense than humorous.

So, what’s left? Lots and lots of cussing, and at least fifty percent of it is a verb/expletive that might be labeled as “for unusual carnal knowledge.” Not funny. It just isn’t. I guess the writers are lazy or haven’t ever seen anything funny.

It’s sad really. A re-run of I Love Lucy can still make me laugh, but Veep doesn’t.