99¢ Promotion for Trinity on Tylos

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My science fiction novel will soon be on sale for just 99¢

I’m going to usher in spring by offering my science fiction novel at a mere 99¢ for four days, beginning on March 21. Although it has only had modest sales success, it has the best reviews of any of my novels (under Pamela J. Dodd or my other pen name) and I consider it to be a good read. One of the cooler aspects of writing science fiction is that unlike contemporary fiction, the story does not suffer as much from being “out of date.”

The current version has a few minor edits, but is close to the original, apart from the cover. No one liked the cartoonish cover designed by an artist working for Whiskey Creek Press, so I had a new one designed when I got the rights back. The cover depicts the main character, Venice, shortly after she is abducted by Azareel, the last living Archon. The Archon colony is in the background, as are the space going vessels of the Terrans and the Archons. His vision is to re-create his people, using the reluctant wombs of his human captives. And, as one professional reviewer stated, this is hardly a new plot line. But….I do not believe that life is black and white, and the good vs. evil in this novel is cast in shades of gray. Oh, Azareel is ruthless and sometimes just plain mean. Still, he has a reason for what he is doing. The best villains always do, of course.

In time, Venice comes to accept certain realities, and that’s when this novel grows up. Fans of science fiction, especially as it explores the human condition, should enjoy Trinity on Tylos.

Way back when it was released, this novel was a “recommended read” at Fallen Angels reviews, and it garnered several other positive reviews. There are newer reviews by customers on Amazon, too.

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Trinity on Tylos in the Kindle Store

ToT_cover_final_webLGAfter six years, Trinity on Tylos is going to be available as a Kindle book, and I’ve priced it at $2.99, the same price as my debut novel, The Gift Horse. For this new version, I went through a copy of the eBook and made every effort to eliminate some of the errors in the original. However, there are no substantial changes, as I was fairly content with it, apart from the proofreading, which was a problem with the original publisher.

The new cover was designed by Dawn Seewer, who did the cover for The Gift Horse. The background depicts the landscape of Tylos IV, with the ships in the sky. The models in the foreground are Venice and Azareel, and I think the artist did a good job. A few of the readers of the original printed novel told me that the cover didn’t really convey the serious nature of the novel, so I hope that this new cover touches the bases.

For those who haven’t read it, here is the original synopsis that I used when shopping the manuscript:

What sacrifices must an officer make to save her shipmates from certain doom? Venice Dylenski, the young security chief of the colonizing ship, Excalibur, is faced with this dilemma after her captain makes a critical error in judgement in an encounter with an alien with superior fire power and a hidden agenda.

Trinity on Tylos begins as Venice experiences an embarrassing moment on a survey mission, one which rules out yet another planet as a hospitable home for their colony. While continuing its search, the Excalibur encounters the Archeons, an alien race characterized by gray-blue skin and a facility for language. The interchange results in Venice and a crewmate, Alathea Duke, being taken captive by the mysterious Archeon captain, Azareel. In short order, he informs them that they will play a critical role in revitalizing his dying race, that of surrogate mothers to genetically engineered Archeon offspring.

Venice, reluctant “to be the next Archeon soccer mom,” strives to escape, but her companion seems all too willing to cooperate with their captor. Thus the stage is set for multiple conflicts between human and Archeon, human and human, and humanoids verses the hostile environment of their new planetary home in the Tylos star system.

Trinity on Tylos has the elements of a good space opera: complex characters faced with myriad problems to solve, set in a future where man may have escaped the bounds of his solar system, but not the bonds of human emotions.

 

 

Going, going, almost gone

TrinitycoversmThe Whiskey Creek Press version of Trinity on Tylos is about to become a bit of a collector’s item. When it was first published, I was mostly pleased, although the final edits were rushed and far too many mistakes made it into the print copy. The paperback was not of the best quality, either. The ebook, at least the one I got from the now defunct Fictionwise, was far worse. What few royalty reports I received indicated low sales, and even lower royalties. At one point, I was getting seventeen cents per ebook sale, and a typical quarterly check was about five bucks.

When the book came out, in 2006, I sought out speaking engagements, author-guest slots at science fiction conventions, and I did quite a bit of internet promotional activity, hoping to help Trinity find an audience, and to do my part to help sell the book for WCP. By 2007, I realized that the sales were not going be as good as my self-published debut novel, so I spent far less time promoting it. But, WCP continued to be a disappointment, too. Just to get Amazon to list it, WCP required that I purchase two copies at full price; then, initially, the title was misspelled on Amazon’s website. Eventually, the print book was listed correctly, and I did have a couple of very good reviews on Amazon, as well as several from other sources. When Amazon’s Kindle format began to take on increasing importance, WCP indicated that eventually all of their titles would be available for the Kindle. While Trinity on Tylos was available for the Nook, it was never converted to Kindle format. My original contract was for two years, but I did not ask for my rights back, in part because I hoped WCP would eventually pay me more royalties, and that they would support the book. And, to be honest, I was very busy with my adjunct instructor job, as well as being mom to teenagers, so I didn’t push either promotion or accountability from WCP.

After years and years of zero communications regarding sales, I can only conclude that either there were no sales or WCP kept all of the royalties. I will never know which. I’ve maintained a website, with promotional materials, links to vendors, and so forth, at my expense, and I finally came to the conclusion that WCP was never going to pay me anything ever again. Anyway, I did ask to have my rights back at the end of last year, via email, and there was no response. I asked again recently, via snail mail, and while I still have not heard a word from WCP, I noticed today that Trinity on Tylos is no longer listed for sale by Whiskey Creek Press nor by Barnes and Noble. Amazon still has it for sale, but they list the one lonely copy, and I do remember that I paid for it in 2006. I’ll bet it is quite shopworn by now!

Fellow WCP authors are in a bit of an uproar, because WCP has been sold to a New York firm, Start Media. Some of those other authors have suggested that I self-publish it, as they are doing with their own books, and I have talked with Booklocker about doing the formatting and cover. Since I don’t have a clean copy of the manuscript, I’ll be doing some editing before doing anything else.

In the meantime, Whiskey Creek Press is going, going, soon to be gone. Various interent sites have chronicled the demise of this small press, and much of the dirt is recorded here. For whatever reasons, I’m sad, which is illogical, because the publisher hasn’t been paying me or even bothering to respond to email. And there is little solace in knowing that I am not the only author that they deemed not worth a simple email.

Online, Typos Never Die

I’ve been an English teacher for more than thirty years. That’s scary. And, during most of those years, I have tried to help students make their writing better. Or, as my current supervisor says of her own career, “For years I thought I was combating ignorance; then I realized I was just documenting it.” Yes, we English teachers spend a great deal of time looking for mistakes.

Whenever I do web design, one of the wonderful things about it is that electrons are ephemeral. I can correct mistakes and the problems go to some cyber-heaven. However, once words are online, other entities copy those words, usually without credit or permission, and typos just keep on turning up.

Periodically, I use a search engine to keep me abreast of online use of my novel titles. Seldom does any reference to “The Gift Horse” have anything to do with me, since the phrase is widely used. “Trinity on Tylos” seems to be unique, however, so any use of those three words in that order should refer back to my science fiction novel. Recently, a Google search for “Trinity on Tylos” led me to a site called Vampire Raves. Someone posted my novel’s back cover blurb on the site, but the source was apparently Amazon, rather than the book itself. How do I know that? Here’s the story—

When the publisher’s printing partner, Paw Prints POD, first posted it on Amazon, the title was Trinity on Trylos. It took me quite a while to correct that. But the description, which is that back cover blurb, misspells the main character’s name. One of my teacher friends from long ago often mentioned a colleague, Venice. I wanted an exotic, yet human name for my futuristic character, so I swiped it. Quite frankly, I stole the last name from the social pages of the Athens, Georgia newspaper, so the main character is Venice Dylenski. However, Amazon’s page, which was created in part by someone from PawPrints, called the character Benice Dylenski.

Indeed, a search for that name yielded ten results, and none of them are Vampire Raves, so there are undoubtedly other sites which have this same error. Just how many sites have posted this incorrect copy from Amazon? I have no idea, but it does illustrate that one mistake can go a very long way online.

There is something even more scary about that.