Category non-fiction

Feb 19 2024

The Making of Star Trek by Stephen E. Whitfield—a retro review

Way long time ago, I borrowed a copy of The Making of Star Trek from a friend. After watching some episodes of The Original Series (TOS) on Pluto TV, I remembered the book, so I ordered a vintage paperback via eBay. Once I had it in hand, I could revisit a wonderful read, as well as wallow in some insider info once again. First printed in 1968, this book is both a history of Star Trek, with quite a few photos, and a “how to” guide to creating, producing, and writing a television series. However, as the book was written as the series was coming to a close, the legacy and cultural significance of Star Trek were not yet known to Whitfield (or Gene Roddenberry, who is listed as a co-author.) For more casual fans, there are other sources, from videos to more focused books.

When a ground breaking television series is created, there are thousand decisions to be made. From character names to methods of propulsion, this volume covers in detail how many of the concepts that make Star Trek work were developed, some visionary, such as the multi-cultural crew (unheard of in the mid-sixties) while others were merely practical, such as the “transporter” which was necessary as it would slow down the action if every port of call required a shuttle craft excursion (or worse, landing a huge space ship.) Within these pages are excerpts from memos to and from ST creator Roddenberry, quotes from NASA consultants, and preliminary sketches of possible ship configurations.

As this book was written alongside the filming of the series, there are glimpses of who wrote (and re-wrote) scripts, which actors were cast, and how the characters evolved. Letters from some of the actors, with insights into how their characters were to be portrayed, are included. Loosely organized chronologically, but with sections on such topics as “weaponry” and “the bad guys,” the reader sees how items familiar to TOS fans were developed over time.

Previously, I wrote a bit about a tour of The Neutral Zone Studios, where Star Trek Continues was filmed, and where fan films are still made. Our tour included some of the information in this book, but quite a bit of it was different, as the guides took a more hands on approach. Anyone planning a trip there might well read The Making of Star Trek prior to taking the tour. While the book does compliment Gene Roddenberry’s creative genius, many people helped create this vision of the future. Some of it has come to fruition (think folding cell phones) and some might never (Warp drive), but the influence that this one television series, which most deemed a failure when it ceased production, is difficult to minimize.

The Making of Star Trek is no longer in print, so it does require a bit of searching, but for fans, it is worth the effort.

Jul 23 2022

Why Medicare Advantage Plans are Bad by David W. Bynon

Right after my last post, I was injured, quite badly, in a fall. While I had read the title above, hubby had convinced me that Medicare Advantage was the way to go, because “we are healthy.” And, I was, until I broke my shoulder and damaged the nerves which traverse the Brachial Plexus. Within a month of my fall, I tested Medicare Advantage and soon found that I wish I had opted for traditional Medicare.

In Why Medicare Advantage Plans are Bad the author begins by explaining Medicare and Medicare Advantage. Even the name sounds good, right? They call it Medicare Advantage because there are certain perks, which vary depending on which insurance company provides coverage. For instance, mine has vision benefits, which I have used, and gym benefits, which I have not. This book also has a chapter explaining why the government actually prefers that people choose Medicare Advantage.

For those about to reach the age to file, this book, especially the opening chapters, would be most helpful. Also very helpful now (although I wasn’t concerned prior to my accident) is the 6th Chapter, which explains the downside of Medicare Advantage plans for those with chronic illness. The answer is quite simple: co-pays. As a holder of Medicare Advantage, I have to pay $25 (or more) every time I visit a healthcare facility. Right now I am seeing multiple therapists every week. Some days I pay $25 to the hand therapist, then walk to another therapist in the same complex and pay $25 again. Then I do it again a couple of days later. Medicare requires that medically necessary therapy be covered for unlimited visits. Medicare would not require those co-pays, however.

Perhaps I will get “better” although I have pretty much given up on being “well.” But, with multiple providers for everything from therapy to tests, this journey will be expensive. I wish I had read Bynon’s book before I signed up for Medicare Advantage. And, although I read this book, I probably wouldn’t have reviewed it if I had not become a victim of what a nurse in the ER described as a “life changing” event. I started out quite healthy, but that can change, and quickly.

For those who are just going down this path, this book is certainly worth reading.

Jan 1 2022

Best of 2021

There’s a certain irony in the title of this post, as 2021 wasn’t a great year in some regards. Politics seemed crazy and crazier. People seemed to be getting over the virus, for the most part, but some were really sick or lost their lives. Healthcare providers seemed to get a handle on it, but not entirely. Oh, there were some bright spots in 2021, such as overall success for the stock market, and college football seemed almost normal.

And, entertainment, especially streaming video, always appreciated, became even more so. Everyone needs a break from reality. So, here’s some of the best books and shows I enjoyed in the past year:

On YouTube TV, hubby and I both very much enjoyed Yellowstone. This show is a modern western, with cowboys and rodeos, guns, big pickup trucks. The story reminds me of family shows of the past, such as “The Big Valley” which I saw in re-runs when I was much younger. However, the Dutton family is led by a patriarch instead of a matriarch, with Kevin Costner doing a fantastic job as the father of three grown children, and the head honcho of the ranch. His offspring are diverse and all interesting, if rather flawed. The Montana setting is certainly an important part of the series, and if you haven’t tried this show, unless you are extremely prudish or need a knight in shining armor to be the main character, I think you’ll like it.

Other streaming winners include the comedy series, Ted Lasso, which is now in its second season over on Apple TV, and Lost in Space in its third season on Netflix. Ted Lasso is a quirky story about an American football coach who is hired to coach a professional English soccer team. Lost in Space was originally a campy cult classic, but the modern iteration is more far more serious and has killer special effects along with good acting and quite a bit of suspense. The first season was amazing, the second season suffered from the sophomore blues, and season three is somewhere in the middle. Overall, it is one of the better space operas online, far surpassing any Trek or Star Wars recent entries that I have seen. (BTW, my son likes the Mandalorian, but I haven’t seen that, so the comment might not be entirely fair.)

The best book I read in 2021 was probably The Book of Lost Names, by Kristin Harmel. This novel is set in set in Europe, during World War II. In The Book of Lost Names, the point of view character remains the same, but there are some deliberate time skips as the story moves from 2005, wherein the main character, Eva, is quite elderly, and 1942-46, when a young Eva spent several months forging documents in order to save people from the Germans who were occupying France (and threatening all of civilization.) Eva’s story is a real page turner, as there are moments of suspense, of hardship, and (thankfully) success, both in saving children from the Nazi war on Jews, and in Eva’s growing affection for a fellow member of the resistance. While I don’t want to include any spoilers, the book in the title refers to a code added to an existing book in the library of the local Catholic church, and the code included the real names of children who were perhaps too young to remember their birth names, which had to be altered so they could travel using forged documents.

Other good reads included Walter Issacson’s The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race, which I reviewed on this site. And, since I didn’t read them until 2021, I will mention Inside Marine One by Colonel Ray L’Heureux and Star Trek Voyager: A Celebration. None of the honorable mention books are fiction, which is rather unusual for me, as I am primarily a fiction reader. My most oft used source for fiction these days is a daily email from BookBub. Depending on the taste (or tolerance) of the reader, many eBooks are free or very low in price. Reading hasn’t been this cheap since I used to go to the public library every two weeks.

Inflation may be raging, but between streaming and eBooks, entertainment is fairly inexpensive these days. Gas and groceries are skyrocketing, but being entertained is fairly easy. Welcome, 2022!

Oct 8 2021

Walter Issacson’s The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race

This is a big book in so many ways. Walter Isaacson is known for in-depth biographies of such diverse people as Steve Jobs, Leonardo da Vinci, and Benjamin Franklin, so he is certainly a “big name” author. The book itself is 485 pages long, not including the notes, which brings the page count to 536. As the sub-title indicates, the central figure in this book is Jennifer Doudna, but many, many others have significant roles in this not so brief history of CRISPR (which can be loosely defined as a way to edit genes.)

Jennifer Doudna grew up in Hawaii, the eldest daughter of a college professor. Her father, who doted on her, once left her a copy of Watson’s book on DNA, The Double Helix, and she mentions this book as one of the reasons she pursued a career as a scientist, despite being told by her high school guidance counselor that “women don’t do science.” Rather obviously, she not only did science, but she has done it well enough to earn the Nobel Prize in 2020.

In The Codebreaker, Isaacson follows Doudna’s career, but intersperses it with pertinent information about the gradual unfolding of modern genetic studies, along with brief sketches of the scientists and scholars who influenced Doudna’s work. Two terms which come up over and over are RNA, which is the “worker bee” that carries out many functions in life, and CRISPR, which has to do with the structures which help organisms adapt to needed change (such as when bacteria “learns” to resist a virus.)

There are a lot of pages in this book devoted to what was discovered, by whom, when, and who managed to get published first. That’s the nature of academia. Then there’s the quest for patents and prize money, which is how some academic institutions manage to pay for enormous labs and pay their large supporting staff. Again, this is a book that is about more than a single researcher. Over and over, Isaccson stresses the importance of collaboration in modern science.

There are some really important concepts discussed in the later chapters, including the ethics of manipulating human genes. One researcher took it upon himself to edit the offspring of Chinese couples in an attempt to eliminate the possibility that they could have HIV, which is apparently quite shunned in modern Chinese culture. Other possible reasons to edit offspring would be to eradicate such conditions as Huntington’s disease, which ends in a horrible decline before inevitable death. Eliminating genetic diseases are worthy uses for CRISPR and other genetic engineering, where is the line? Should prospective parents be able to choose the genetic characteristics such as height, intellect, or even hair color of their offspring they way we might choose dishes in a cafeteria? A number of scientists, including Doudna, have had many meetings, discussing such topics, and these are summarized in The Code Breaker.

When the nasty CV hit, a situation that the author sometimes describes as “the plague year,” many of the scientists mentioned in this book, including Doudna, put aside their competition for prizes and first published honors, and collaborated to produce accurate and rapid tests for the pesky illness. Then, in short order, they turned to prevention, and the mRNA vaccines. Not only were these vaccines quick to develop, they also lay the groundwork for more to come, as the same techniques might be used to prevent other illnesses.

The Code Breaker is more than a biography, as the title states, and it is a longish, sometimes challenging book, but like other works by Walter Issacson, ultimately quite rewarding. It isn’t cheap to buy, compared to many of the books I read, nor is it “light reading.” Like a gourmet meal, it is complex, memorable, and enjoyable. Readers are urged to read, then think, and ultimately savor this work.

Jan 24 2021

Remember when journalism was compelling reading?

Hubby and I have been watching Manhunt: Unabomber on Netflix, and since the storyline is anything but linear, we both looked for articles to help us understand the story. As we are chronologically gifted, we remember the case being in the news, but as it happened some 25 years ago, we wanted a refresher. Hubby looked at Wikipedia, because, as always, it comes up first on search engines. I went a bit farther and looked at the source material for that article and chose a piece in the NY Times archives. Oh, wow, is that a great article. A hell of a great read, and it helped me know more about the Unabomber case than I ever knew way back when. Also, it was a glaring reminder of how far the standards of good journalism have fallen.

Unabomber

One of my sisters is a journalism major, and she still thinks that journalists do a reasonable job. Oh, sure, she says, there are some bad ones, and some hacks, but that’s always been the case. My other sister works in communications and believes modern journalists are often poor writers managed by even poorer editors who are more interested in how many times articles are shared or clicked upon than actual quality. After reading the simply superb article about Ted Kaczynski in the NYTimes, I tend to agree with the sister that says journalism has fallen on hard times.

Manhunt: Unabomber is a good show if you haven’t seen it, and I recommend it, but the filmmakers do jump from scene to scene, sometimes with only a brief graphic telling the date, too quickly. In part, this seems to be an effort to create a bit of suspense, which is always tricky when telling a tale wherein the outcome is known by the audience. The folks behind the show do an excellent job of portraying the very complex man who chose to bomb those he deemed hostile to him or to his vision for the advancement of society, and it reveals the mis-steps of the initial profilers of the suspect labeled UNABOM because his targets were associated with universities or airlines. The NY Times story mentions Kaczynski’s failed attempt at getting articles (or rants, depending on one’s viewpoint) published. Indeed, only the Unabomber’s success at getting his “manifesto” published in a national newspaper actually caused him to be captured, and the FBI had a tip or it wouldn’t have happened at all.

The story in the NYT is not entirely linear either, as it jumps from witness to witness, but the story is primarily based upon a long interview with David Kaczynski the bomber’s brother, who ultimately helped the FBI identify the bomber. Still, the article is far more informative, if not as dramatic, as the television show. In particular, I was struck with the tremendous dilemma in that David had, because he knew that other instances of FBI vs. a long sought suspect ended in a firestorm (such as the Branch Davidians in Waco and the stand off at Ruby Ridge) so he was concerned. With the support and prompting of his wife, he supplied materials to support his suspicions and approached the FBI. Despite being assured that his role would be anonymous, someone in the investigation leaked it to CBS news. Nowadays, it is no secret that the FBI is more of a political organization than a crime fighting one, but even then, the younger Kaczynski brother was very wise be concerned, and even wiser to have an attorney.

One aspect of the NYT story that helps it be fascinating reading is the focus on Ted Kaczynski, from childhood on, and the use of excerpts from the manifesto. Despite being mentally unbalanced, the brilliant former math professor did have some profound observations about the deleterious effects of advancing technology on people and society. He attempted to wall off those technological intrusions by living as he did, off the grid, in Montana. For whatever reasons, whether one deems it mental illness or just plain evil, Kaczynski did try to fight technology by writing and bombing. His life, and those of his victims, would have been far better if he had written more, been a little less clueless about getting published, and never made those bombs, however.

The television series Manhunt has two seasons available. Season one is about the Unabomber and season two, entitled Deadly Games, is about Eric Rudolph and Richard Jewell, one of whom made bombs, and one of whom was falsely accused. Both shows are worthy of viewing. Sadly, I don’t think anything published in the New York Times today is as nearly as good as “PRISONER OF RAGE — A special report.;From a Child of Promise to the Unabom Suspect.”

Nov 29 2020

The Crown— review and commentary

Which is which?

Netflix has some amazing original content, and one of its best efforts thus far has been The Crown, a somewhat fictional series based on the reign of Elizabeth II. Written and produced by Peter Morgan, this series begins while Elizabeth is still a youngster, but when her father takes over for his brother (who abdicated the throne so he could be with his “commoner/divorcé” lover) Elizabeth becomes the heir to the throne. From that time period, her father grooms her to serve the people and the royal family, a/k/a The Crown. Seasons 1 and 2 feature Claire Foy as Elizabeth, and former “Dr. Who” Matt Smith is Prince Philip. Perhaps the best performance in this award winning season goes to John Lithgow as an aging Winston Churchill, who guides and yet admires the young monarch as she works to live up to the responsibility thrust upon her when her father dies at a fairly young age.

The Crown does a fantastic job of intertwining history and some suppostion, thus educating a new generation about some of the most important (or at least entertaining) events in United Kingdom in the past few decades. Each season spans several years, so the cast changes in order to better show the aging of the characters. For instance, while Claire Foy is Elizabeth in the first two seasons, the queen is portrayed by Olivia Coleman in seasons three and four. The latter dropped onto Netflix November 15, and Coleman does a really good job as the middle aged sovereign, as does Gillian Anderson as Margaret Thatcher. Another season four cast addition is Emma Corrin, who bears more than a passing resemblance to young Princess Diana. The series has been mostly been praised, but season four is a bit more controversial. Since this season portrays the “fairy tale romance” between Prince Charles and Diana, then quickly lays out the conflicted marital mess that ensued, because apparently Charles didn’t love Diana at all, but maintained his relationship with his former lover, Camilla Parker-Bowles, during most of the marriage, some viewers (and those close to the real people) have been a bit riled.

Of course, Prince Charles and Princess Diana separated then divorced, but younger fans apparently didn’t realize the “why” in the divorce until The Crown brought this back in a big way on the small screen. Recently, the social media accounts of Prince Charles and (now wife) Camilla have been inundated with snarky posts. Furthermore, officials in the U.K. have asked producers of The Crown to assure the public that the show is fictional.

History only works after the fact. Peter Morgan (series creator and chief writer) benefits from the many publications about the British royals, and is able to pick and choose what he presents to the audience in The Crown. Mostly the characterizations and storylines seem spot on, but those close to the royal family point to discrepancies, and no doubt some “fiction” does come in. Regardless of these points, The Crown has extraordinarily high production values. The cast is first rate, the scripts mostly entertaining; and the sets, costumes, and locations all contribute to the feeling of being an eyewitness to history. If you haven’t seen it yet, this series is one of the very best shows on Netflix.