The Crown— review and commentary

Which is which?

Netflix has some amazing original content, and one of its best efforts thus far has been The Crown, a somewhat fictional series based on the reign of Elizabeth II. Written and produced by Peter Morgan, this series begins while Elizabeth is still a youngster, but when her father takes over for his brother (who abdicated the throne so he could be with his “commoner/divorcé” lover) Elizabeth becomes the heir to the throne. From that time period, her father grooms her to serve the people and the royal family, a/k/a The Crown. Seasons 1 and 2 feature Claire Foy as Elizabeth, and former “Dr. Who” Matt Smith is Prince Philip. Perhaps the best performance in this award winning season goes to John Lithgow as an aging Winston Churchill, who guides and yet admires the young monarch as she works to live up to the responsibility thrust upon her when her father dies at a fairly young age.

The Crown does a fantastic job of intertwining history and some suppostion, thus educating a new generation about some of the most important (or at least entertaining) events in United Kingdom in the past few decades. Each season spans several years, so the cast changes in order to better show the aging of the characters. For instance, while Claire Foy is Elizabeth in the first two seasons, the queen is portrayed by Olivia Coleman in seasons three and four. The latter dropped onto Netflix November 15, and Coleman does a really good job as the middle aged sovereign, as does Gillian Anderson as Margaret Thatcher. Another season four cast addition is Emma Corrin, who bears more than a passing resemblance to young Princess Diana. The series has been mostly been praised, but season four is a bit more controversial. Since this season portrays the “fairy tale romance” between Prince Charles and Diana, then quickly lays out the conflicted marital mess that ensued, because apparently Charles didn’t love Diana at all, but maintained his relationship with his former lover, Camilla Parker-Bowles, during most of the marriage, some viewers (and those close to the real people) have been a bit riled.

Of course, Prince Charles and Princess Diana separated then divorced, but younger fans apparently didn’t realize the “why” in the divorce until The Crown brought this back in a big way on the small screen. Recently, the social media accounts of Prince Charles and (now wife) Camilla have been inundated with snarky posts. Furthermore, officials in the U.K. have asked producers of The Crown to assure the public that the show is fictional.

History only works after the fact. Peter Morgan (series creator and chief writer) benefits from the many publications about the British royals, and is able to pick and choose what he presents to the audience in The Crown. Mostly the characterizations and storylines seem spot on, but those close to the royal family point to discrepancies, and no doubt some “fiction” does come in. Regardless of these points, The Crown has extraordinarily high production values. The cast is first rate, the scripts mostly entertaining; and the sets, costumes, and locations all contribute to the feeling of being an eyewitness to history. If you haven’t seen it yet, this series is one of the very best shows on Netflix.

Last Stand series by William Weber—review and commentary

Last Stand: The Complete Box Set

From time to time, I’m offered a “box set” of eBooks, which strikes me as funny as there is obviously no box, just a longer than normal eBook. While these often seem to be great values, I seldom read an entire series. Last Stand is different, because I did indeed read all four books, and while I enjoyed them, I liked each one a little less, but that’s just me and what I Prefer to read, rather than any flaws in the books themselves.

Book one, Surviving America’s Collapse, was so suspenseful that I read it in less than 24 hours. Apparently survivalist/prepper books are a sub-genre, but this is my first such book. Viewed simply as fiction, readers might be annoyed, as the narrative often becomes pedantic, teaching survivalist techniques to the reader, but I rather enjoyed those segments. In short, the story begins with the hero, former Army officer John Mack, being the only guy in his neighborhood who understands that the vehicles, phones, and other conveniences aren’t working because some entity set off an “EMP” device. Mack rescues his wife, then his children, thinking they will soon retreat to his survivalist hideaway cabin, but his wife convinces him to remain in their neighborhood, to assist their friends. This proves to be increasingly difficult, as resources dwindle and nefarious elements attempt to takeover their community.

Book two, Patriots, begins in the second setting, the Mack family hideaway. The canvas of conflict widens a bit in this book, as Mack realizes the scope of the attack upon America, and feels the need to take up arms not just to defend his family, but his country. Book three, Warlords, is a bit darker in tone, as the forces behind the attack upon America begin divvying up the country. Book four, Turning the Tide, is on a grander scale, as Mack is one cog in the military effort to fight back against the foreign powers that seem to have figured out how to conquer the United States.

Each of these books has a fictional story, but invariably the author uses his story to also instruct the reader. Those who like lots of details about the military and/or weaponry might like these books more than I did, but I did enjoy them. Some of the characterizations are fairly stereotypical, and sometimes the main characters are able to overcome situations which would probably be hopeless without the assistance of the author. So, suspending one’s disbelief a bit is a necessary skill for staying with the series. Still, the suspense is sufficient to keep the reader turning the pages.

Survivalists, military buffs, and those who enjoy suspense will all find something to like in Last Stand. As of this post, the price for the eBook set is three bucks, which is a down payment on a hamburger! I can’t think of anything as entertaining as these books for that price, so take a look. These books are also available in paperback and as audio books, and all have hundreds of ratings on Goodreads, mostly 4-5 stars.

Halt and Catch Fire—a series to catch on Netflix

As we aren’t “cable” subscribers, sometimes we miss a show that was commissioned for a network. Halt and Catch Fire is such a series, as it was originally shown on AMC. Honestly, the title is so weird that I would have never given it a thought, but one of those “Best things to watch on Netflix” lists gave it a good review, so hubby and I decided to give it a go.

Of late, it has been our favorite binge-watch. Usually, I wait until finishing a series before reviewing it, but Halt and Catch Fire ran for four seasons, and we are mostly through season three, so it’s time to let y’all in on this excellent period drama.

First off, the title has something to do with writing computer code, but I don’t remember what it means (and it probably doesn’t matter). I like computers; I’m typing on a MacBook Pro right now! This show is about the computer revolution, and how you view it might depend upon your age. If you are younger, this show will be a bit historical. But, if you are a somewhat chronologically gifted, you probably remember the first computers. As a classroom teacher, I remember begging to put computers into my classroom so we could edit copy for the yearbook. Back in the 80s, editorial changes for typewritten copy were costing us hundeds of dollars per year, so I managed to get a couple of surplus Apple IIe computers. They had green flashing characters and those big floppy drives, but they saved us some dough and were my intro into the modern age of publishing. Then I got a Mac SE that used smaller disks. That little machine was bequeathed to use from an administrator who felt some pity for the plebes in the classroom, and it was so different that I took it home over the summer to learn how to use it. I digress, but the 80s is the era where HACF begins.

The characters who come together in the first episode represent various aspects of the nascent computer business. In season one, the show is set in Texas (the Silicon Plain) but the group moves to Silicon Valley in later seasons. Joe is the super salesman who cut his teeth at IBM and wants to create a better personal computer. Gordon is an engineer who already made a better computer, but since the machine failed, he’s slogging along at Cardiff Electric, a company that produces software for mainframes and tries to compete with IBM. His wife, Donna, is a brilliant computer developer who is relegated to support work at the Texas Instruments learning division, because she and Gordon need to feed their family. The catalyst for change is Cameron, a female college drop out who writes code better than Shakespeare wrote plays. Cameron is recruited by Joe to come to work at Cardiff Electric, where he’s a recent hire. The company manager, John Bosworth (Boz), is just trying to make the owner happy and is baffled by the changes that are coming to the company as these players all work together to build a better computer.

This show is well-written and well-acted by the ensemble cast. As I wrote that summary, it sounds a bit boring. Not! While there are a few technical aspects that are necessary in a show about the informational technology revolution, this is a show about people—their hopes, their ambitions, as well as success and failure of people and businesses. The series is a blast from the past in terms of technology, but seeing how these fictional characters helped create the computers that we tend to take for granted is both entertaining and compelling.

If you didn’t watch Halt and Catch Fire the first time, catch it on Netflix before it goes away!