99¢ Promotion for Trinity on Tylos

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My science fiction novel will soon be on sale for just 99¢

I’m going to usher in spring by offering my science fiction novel at a mere 99¢ for four days, beginning on March 21. Although it has only had modest sales success, it has the best reviews of any of my novels (under Pamela J. Dodd or my other pen name) and I consider it to be a good read. One of the cooler aspects of writing science fiction is that unlike contemporary fiction, the story does not suffer as much from being “out of date.”

The current version has a few minor edits, but is close to the original, apart from the cover. No one liked the cartoonish cover designed by an artist working for Whiskey Creek Press, so I had a new one designed when I got the rights back. The cover depicts the main character, Venice, shortly after she is abducted by Azareel, the last living Archon. The Archon colony is in the background, as are the space going vessels of the Terrans and the Archons. His vision is to re-create his people, using the reluctant wombs of his human captives. And, as one professional reviewer stated, this is hardly a new plot line. But….I do not believe that life is black and white, and the good vs. evil in this novel is cast in shades of gray. Oh, Azareel is ruthless and sometimes just plain mean. Still, he has a reason for what he is doing. The best villains always do, of course.

In time, Venice comes to accept certain realities, and that’s when this novel grows up. Fans of science fiction, especially as it explores the human condition, should enjoy Trinity on Tylos.

Way back when it was released, this novel was a “recommended read” at Fallen Angels reviews, and it garnered several other positive reviews. There are newer reviews by customers on Amazon, too.

Old News

Since the “new” version of my science fiction novel, Trinity on Tylos, has been repackaged for Kindle readers, I went looking for reviews from when it was first published— not the ones on Amazon, but the other ones. At that time, I sent out a lot of digital files, as well as a few print books, in hopes of getting some reviews. Here are some excerpts with links to the original posts:

Rob Preece of Books for a Buck stated: “Author Pamela J. Dodd builds on the conventions of old-time space opera (e.g., aliens wanting human women), creating a thoughtful vision of alien contact, of the Stockholm Syndrome, and of the both heroic and horrible attempt of one being to perpetuate his species, no matter what the cost. Dodd addresses these issues mostly in terms of relationships–especially the three way conflict between Venice, her human-husband Steve Dylenski, and Captain Azareel.”

Anita at The Romance Studio says in her review:The storyline is creative and filled with exciting action as one race fights another for their survival. Trinity of Tylos is a fascinating emotionally stirring space adventure that shows how far someone will go for someone they love.”

Jean at Fallen Angel Reviews was not only the first person to review the original novel, but she also gave it a “recommended read” accolade: “This is a great book for fans of science fiction and futuristic romance. I’m giving this story 5 angels and a Recommended Read, because it is so well written that it grabbed me at the beginning and kept me enthralled until the very last page.”

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Trinity on Tylos in the Kindle Store

ToT_cover_final_webLGAfter six years, Trinity on Tylos is going to be available as a Kindle book, and I’ve priced it at $2.99, the same price as my debut novel, The Gift Horse. For this new version, I went through a copy of the eBook and made every effort to eliminate some of the errors in the original. However, there are no substantial changes, as I was fairly content with it, apart from the proofreading, which was a problem with the original publisher.

The new cover was designed by Dawn Seewer, who did the cover for The Gift Horse. The background depicts the landscape of Tylos IV, with the ships in the sky. The models in the foreground are Venice and Azareel, and I think the artist did a good job. A few of the readers of the original printed novel told me that the cover didn’t really convey the serious nature of the novel, so I hope that this new cover touches the bases.

For those who haven’t read it, here is the original synopsis that I used when shopping the manuscript:

What sacrifices must an officer make to save her shipmates from certain doom? Venice Dylenski, the young security chief of the colonizing ship, Excalibur, is faced with this dilemma after her captain makes a critical error in judgement in an encounter with an alien with superior fire power and a hidden agenda.

Trinity on Tylos begins as Venice experiences an embarrassing moment on a survey mission, one which rules out yet another planet as a hospitable home for their colony. While continuing its search, the Excalibur encounters the Archeons, an alien race characterized by gray-blue skin and a facility for language. The interchange results in Venice and a crewmate, Alathea Duke, being taken captive by the mysterious Archeon captain, Azareel. In short order, he informs them that they will play a critical role in revitalizing his dying race, that of surrogate mothers to genetically engineered Archeon offspring.

Venice, reluctant “to be the next Archeon soccer mom,” strives to escape, but her companion seems all too willing to cooperate with their captor. Thus the stage is set for multiple conflicts between human and Archeon, human and human, and humanoids verses the hostile environment of their new planetary home in the Tylos star system.

Trinity on Tylos has the elements of a good space opera: complex characters faced with myriad problems to solve, set in a future where man may have escaped the bounds of his solar system, but not the bonds of human emotions.

 

 

A Brief History of Science Fiction, and why a good title is so important.

My Youtube Channel has three videos on it, and I created them for marketing purposes, but mostly because I had taken a class in MovieMaker, and I wanted to practice what I learned. As a Mac user, I made them with iMovie, but the programs are similar.

First, I made a video for my then recently published Trinity on Tylos. That title, although I like it, hasn’t been a winner for me. Some people think it is about religion, due to the first word, and it certainly isn’t. I guess I could have titled the book “Love Triangle in Outer Space” but that has even less of a ring to it. Anyway, after five years, the video has only about 500 views. My second video was for my debut novel, The Gift Horse, and since I didn’t have any nifty space images from NASA to use, I spent about $10 on stock images. While The Gift Horse has sold far better than my second novel, the video lags behind.

My third video was my first attempt at three channel video making: In addition to a music track, I recorded myself reading a script. Then I had to put the video together. For me, that was an arduous task, perhaps because so much time had gone by since I took the class. However, this third video needed a title, and I gave the matter about fifteen seconds of thought and used “A Brief History of Science Fiction.” In my mind this is lazy; I obviously adapted the title of Stephen Hawking’s brilliant work, A Brief History of Time. The title proved to be much more successful than the ones I chose for my books, because this video has been viewed over five thousand times. Of course its success may be because it is a bit more ambitious.

I wanted to be succinct, but I also wanted to incorporate much of what I have learned during years of studying literature, as well as my interest in science fiction, and I spent a bit of time on the script. A few months ago, I noticed that my video was cited in an online article on the history of science fiction. I was impressed that anyone would watch the video enough times to be able to quote it.

For anyone who is interested, here is the script, which is close to the recording. I think I skipped a few sentences in order to match the voiceover with the music track, but it is close.

I love science fiction, in print and on the screen. Here is my very brief history of the genre.:

 • Many literary scholars name Mary Shelley’s Frankenstein as the first science fiction novel.

 • Some of Nathanial Hawthorne’s short stories have science fiction thems, especially those which deal with the problems associated with man interfering with nature. The Birthmark, Dr. Heidegger’s Experiment, and Rappaccini’s Daughter all share that cautionary message.

 • British author H. G. Wells and French author Jules Verne gave us turn of the century classics including The War of the Worlds, The Invisible Man, Journey to the Center of the Earth & Twenty Thousand Leagues under the Sea.

 •Edgar Rice Burroughs produced fantasy and adventure, but his Martian settings help form the under-pinings of later space operas.

 During the first half of the twentieth century, several new magazines became the most important venue for scientific fiction writiers. Amazing Stories and Astounding Science Fiction provided the publishing forum for such writers as Isaac Asimov, Robert A. Heinlein, and Arthur C. Clarke. This period is considered to be the beginning of the Golden Age of science fiction.

 While those authors were producing science based fiction, the less than scientific stories seemed more apt to become the basis for Hollywood “B” movies, and such stories as “The Blob” and “The Day the Earth Stood Still” terrified movie audiences during the decade of the 1950’s.

 Despite some serious efforts in the movie world, it took a television show to bring science fiction into the mainstream. Although it lacked a movie sized budget, Star Trek made travel through space seem more plausible than ever before. The govenment run space program of the 1960’s no doubt helped lend some plausibility to the journeys of the Enterprise, but Trek creator Gene Roddenberry’s futuristic vision entranced a generation.

 While science fiction began to flourish on the screen, in print, it became increasingly channeled into separate genres, with “hard” and “soft” science fiction being the over-arching labels. Works which kept science and the scientific method at the forefront became known as hard science fiction, but stories which concentrated on the human reaction to advancing technology became known as soft science fiction.

 In the following decade, George Lucas kicked space opera into box office bucks with Star Wars. Authur C. Clarke’s 2001 A Space Odyssey and the book based upon it exemplfy the integration of the best of hard and soft science fiction, while the Battlestar Galactica, followed the more popular trend of space operas making the move to the small screen.

 In the past two decades, many of the box office champions have owed much to science fiction. Print publishers have not been able to replicate the success of the movie studios, but science fiction contines to thrive, especially with smaller presses. My own novel, Trinity on Tylos, owes quite a lot to the great writers who created the genre known as science fiction.

Online, Typos Never Die

I’ve been an English teacher for more than thirty years. That’s scary. And, during most of those years, I have tried to help students make their writing better. Or, as my current supervisor says of her own career, “For years I thought I was combating ignorance; then I realized I was just documenting it.” Yes, we English teachers spend a great deal of time looking for mistakes.

Whenever I do web design, one of the wonderful things about it is that electrons are ephemeral. I can correct mistakes and the problems go to some cyber-heaven. However, once words are online, other entities copy those words, usually without credit or permission, and typos just keep on turning up.

Periodically, I use a search engine to keep me abreast of online use of my novel titles. Seldom does any reference to “The Gift Horse” have anything to do with me, since the phrase is widely used. “Trinity on Tylos” seems to be unique, however, so any use of those three words in that order should refer back to my science fiction novel. Recently, a Google search for “Trinity on Tylos” led me to a site called Vampire Raves. Someone posted my novel’s back cover blurb on the site, but the source was apparently Amazon, rather than the book itself. How do I know that? Here’s the story—

When the publisher’s printing partner, Paw Prints POD, first posted it on Amazon, the title was Trinity on Trylos. It took me quite a while to correct that. But the description, which is that back cover blurb, misspells the main character’s name. One of my teacher friends from long ago often mentioned a colleague, Venice. I wanted an exotic, yet human name for my futuristic character, so I swiped it. Quite frankly, I stole the last name from the social pages of the Athens, Georgia newspaper, so the main character is Venice Dylenski. However, Amazon’s page, which was created in part by someone from PawPrints, called the character Benice Dylenski.

Indeed, a search for that name yielded ten results, and none of them are Vampire Raves, so there are undoubtedly other sites which have this same error. Just how many sites have posted this incorrect copy from Amazon? I have no idea, but it does illustrate that one mistake can go a very long way online.

There is something even more scary about that.

eReader update

Some years back, I purchased a Palm device as an eBook reader. Oh, I might not have chosen it if the only thing it could do was display books, but it does more than act as a reading device. For half a decade, I have read scores of eBooks and used the Palm for my calendar, quick notes, and as a portable phone/address book. At the time, I thought spending a hundred and fifty bucks was a bit much for it, but in the long run, I have enjoyed cheaper books, being able to read at night, and less junk in my purse. Nowadays, it will die after just a couple of hours of reading, and battery life has always been a problem. In the past few months, the cover has worn out, the charger won’t work so I have to use the USB port to recharge it, and when I pull it out, folks look at it the way folks in the eighties would look at an eight-track tape deck. Like other fans of eBooks, I am looking for a replacement reading device.

 

Being an Apple aficionado, I view the iPhone as a good candidate. Like the Palm, an iPhone would serve multiple purposes. But, that small screen won’t be much better than what I have now, and newer should be markedly better, don’t you think?  No doubt, well-heeled eBook readers who like Apple products will probably opt for the iPad, and that is the most appealing alternative. But, it won’t fit in my purse, and while it is a real computer, it won’t really replace my Macbook, so I can’t see spending the bucks for one of those.

 

Amazon has been perfecting, and dropping the price of the Kindle. The second generation device isn’t as butt-ugly as the first one, but I am not ready to buy one just yet. Amazon’s content is probably better than most, which is a better selling point than the reader itself. If I were a student again, having to read large textbooks, the oversized version would catch my attention, but black and white magazine content is so retro.

 

I considered the eBookman, marketed by Fictionwise, five years ago, and there are a few of those still around. But its successor is the Nook, a WiFi capable dedicated eBook reader sold by Barnes and Noble. The price of this device is currently $149. Since Fictionwise, my favorite eBook vendor, is now a BN.com subsidiary, moving my pre-purchased content should be easier if I decide on the Nook. Barnes and Noble has my sophomore novel, Trinity on Tylos, on sale for under three bucks. That’s a deal, folks! If other small press books are priced similarly, that would put new books into used book price range. Quite frankly, when just purchasing the content, and not the paper and cover, I think that a new eBook really should be less expensive than a new print copy, so plenty of low priced content is absolutely necessary. And, of the eBook readers available now, apart from Apple’s elegant designs, the Nook has the best form factor, too.