Category science fiction

Aug 9 2026

Kindle Create as a tool for revising and publishing

Book Cover image for Trinity on Tylos by Pamela J. Dodd

Recently, I came upon a forgotten file wherein I mapped out a possible sequel to my science fiction novel, Trinity on Tylos. The scenario took up a few pages, and I had also written an in media res opening for the new book. However, since so much time had passed since I even read this book, I re-read the ebook version which I published in 2014. The ebook formatting seemed a bit dated, so I decided to see how best to update it. Lo and behold, big A now has a downloadable program called Kindle Create, which is a little like riding a bike with training wheels, but I did enjoy giving this newer application a spin. I uploaded a “new” version of the manuscript, which had about ten minor corrections, into the Kindle Create interface. The program is a step by step process, from the title page, to the copyright, to the preface. The fun began with tools which created a table of contents, another which added a drop cap at the beginning of each chapter, and so forth. Once I thought the manuscript was updated and the formatting tweaked, I uploaded the new version of the novel to the Kindle Dashboard, and it will be updated within three days.

Then I noted the “create a paperback” button. Having once self-published a paperback (The Gift Horse) I was rather shocked that this option was no-cost for me. I can’t remember the exact price, but Booklocker did charge me for setup and my author copy price was about $10 per book, and that was in 2004. Also, there was a yearly maintenance fee to keep the files for printing the paperback, which is why it is only available as an ebook now. Should anyone want to buy a paperback copy of Trinity on Tylos, the price is set at $9.99, but the only cost to me was a similar price for a “proof copy” which is similar to being published by a conventional company, because Whiskey Creek Press sent me a proof copy before the novel was published by them. (I still have that copy, with its post it notes and highlighted errors.) If all goes well, I will have one paperback copy of the revised novel. I might be the only person to ever buy one, but hey, that’s a heck of a good price!

The cover art on this “new” book is the same as the ebook; hopefully, it will look great. I had forgotten that the cover artist who did the image above sent print and web versions of the image, so I didn’t have to buy or create a new cover.

Will I ever finish the new book? Gosh, I don’t know. But once a manuscript is written, Kindle Create is a good piece of software. The pricing at Big A is unbeatable, too. So, if I were to pull it together, I would certainly use this method of publishing.

Of course, self-publishing has brought many, many bad books into the ebook/print on demand marketplace. But it has also brought such books as Andy Weir’s The Martian into the market as well. I’m not expecting many sales of a book first published two decades ago, but I think I will enjoy having that proof copy as a souvenir.

Jun 25 2025

Missing Author?

Recently, I re-read the Thomas DePrima novels I had purchased as eBooks, namely, the first nine of twelve titles in the “A Galaxy Unknown” series. Gosh, I had forgotten much of the detail, but I remembered that I really enjoyed them. As certain television series benefit from “binge watching”, such as Breaking Bad, I realized that reading those nine novels back to back was great fun, so I sought the other books in the series and found them on Apple’s reading app. I just finished the 12th book, which, darn it, ends with a cliff-hanger. Thus, I have two mysteries. First, how do Jenetta and Space Command once again save the known galaxy, and, second, what happened to Thomas DePrima? According to the end of book 12, The Invasion Begins, the adventure will continue, but that book was published almost a decade ago. According to my web research (thank you AI) DePrima hasn’t published anything since 2019.

For those who haven’t read this nifty space opera series, I reviewed some of these novels when I first read them, and those entries are summarized earlier in this blog.

Thomas DePrima’s A Galaxy Unknown series is a classic space opera infused with modern indie flair. Spanning twelve main novels (plus spin-offs like the Border Patrol and Colton James sub-series), it follows the meteoric rise of Jenetta Carver, a sharp, disciplined young Space Command officer whose destiny is nothing short of galactic. The series has an action packed beginning, with a few flaws in the writing, but nothing that keeps most readers from swiping those electronic pages to find out what will happen next. There’s enough science fiction to keep fans of that genre entertained, but the writing is not so technical that every day readers who enjoy a strong female character can’t enjoy each book. As the series goes on DePrima’s universe is ever more expansive and detailed. From the political tensions between Galactic Alliance sectors to the looming threats of alien species and interstellar crime syndicates, the author builds a rich backdrop for military intrigue and diplomacy.

The series isn’t without some minor imperfections, especially as the series progresses: some plotlines feel recycled—Jenetta foils yet another plot, saves the day, and gets another promotion. Her near-infallibility can reduce the suspense. Not since the video game version of Lara Croft has a female lead seemed so invincible. However, if you’re a fan of David Weber’s Honor Harrington, any early iteration of Star Trek, or any tale of righteous command in deep space, A Galaxy Unknown and its eleven sequels offers a satisfying and immersive experience. 

That said, I wonder what happened to Thomas DePrima. According to Goodreads, he has over 20 books available, and most of them rate above 4 (out of 5) stars, with thousands of reviews of the earlier books, and hundreds for the later titles, which is amazing for an indie author. Various sources speculate that DePrima is a pen name (not so unusual) so maybe he has passed. Or, maybe he got tired of writing. Maybe he pivoted to another name and a new set of books. I have no idea, but I do wish that the series had some sort of denouement. Jenetta Carver and company are too cool to just leave hanging.

Where are you, Thomas DePrima?

May 13 2025

A review I didn’t write

Review of The Art of Star Trek by Judith Reeves-Stevens and Garfield Reeves-Stevens

The Art of Star Trek is an expansive, visually rich tribute to one of the most iconic science fiction franchises in television and film history. Authored by Judith and Garfield Reeves-Stevens—veterans in the Star Trek literary universe—the book is both a meticulously researched chronicle and a celebration of the franchise’s visual imagination. Originally published in 1995, it captures the essence of Star Trek from The Original Series up to the early days of Deep Space Nine and Voyager, offering a deep dive into the creative process behind its legendary design work.

Content & Structure

The book is organized chronologically, walking readers through the development of each series and film, and highlighting the evolution of Starfleet’s aesthetic—from the colorful minimalism of the original USS Enterprise to the more militaristic tones of The Next Generation and Deep Space Nine. It covers not only starship and costume design but also alien worlds, species, props, matte paintings, and behind-the-scenes concept art.

What makes The Art of Star Trek stand out is its generous use of images—over 600 illustrations, including concept sketches, set designs, production photos, and storyboards. Many of these had not been widely published before, giving fans a rare glimpse into the franchise’s visual development.

Insights & Analysis

The authors provide thoughtful commentary throughout, not just presenting the art but contextualizing it within the creative and production challenges of each era. Interviews with production designers, concept artists, and series creators add depth, explaining how design choices supported storytelling themes, budget constraints, or advances in technology. There’s also insightful discussion about how the look and feel of the franchise shifted to reflect changing cultural attitudes, from the optimistic idealism of the 1960s to the more complex and politically nuanced narratives of the 1990s.

Strengths

  • Comprehensive Scope: Covers nearly three decades of design work across TV and film.
  • Rare Artwork: Features a treasure trove of previously unpublished art and design materials.
  • Historical Value: Serves as an excellent reference for both casual fans and serious scholars of media design or science fiction.

Limitations

  • Cutoff Point: As it was published in 1995, it doesn’t include Enterprise, the reboot films, Discovery, Picard, or any modern Star Trek series.
  • Print Quality (in some editions): Some readers have noted that certain editions could benefit from higher-resolution image reproduction.

Final Verdict

The Art of Star Trek is a must-have for any serious Trekkie or fan of cinematic design. It not only honors the visual legacy of the franchise but also captures the spirit of exploration, creativity, and vision that defines Star Trek. Even decades after its publication, it remains a definitive guide to how imagination was translated into one of science fiction’s most enduring worlds.

Rating: 9/10
A stunning archive and a passionate tribute, though in need of a sequel to cover the post-1995 era.

This is the book, which I read and enjoyed. Just for fun, I asked ChatGPT to write a review, and the text above is what it generated. While I don’t gush quite as much as the AI, mostly I agree with the review. For fans of the older television shows, there could be a bit more details. For fans of the full length features, the content is better. And, as it was published about the time Voyager was getting started, there is certainly plenty of art that must be found elsewhere. My rating would probably be more like a 7, if I were to give ratings up to 10. Still, seeing what the AI generated was so entertaining that I decided to share.

Cover of The Art of Star Trek, book
Jun 20 2024

The Lady by Anne McCaffrey

Quite a while back, I decided to avoid writing reviews of living authors’ books, unless the author was either very famous (too famous to care what I thought) or dead. Anne McCaffrey is both super famous and dead. I’ve read several of her books, including some co-authored, but generally in her typical genre: science fiction. However, my daughter found this novel in her quest to find nifty vintage books, so she’s the reason I read The Lady.

I rather liked the retro feel of the novel, from the cover art to the characterizations to the plot. The novel is set in 1970, but according to the flyleaf, this book was originally published in 1987. The style seems more 70s than 80s, and that might be “off-putting” for modern readers. This is more of a “saga” than a typical novel, which was popular in the days of the mini-series on television.

Another aspect of the story is that it is about people who are seriously into horses. McCaffrey helps the reader with a glossary in the beginning of the book, which covers some Irish terms and some horse related terms, which helps a bit. The cast of characters (both human and horses) is sweeping, along with the names of the various horse shows. There’s a lot to keep up with, but the reader is rewarded with being able to escape into another time, when the telly was only briefly mentioned, and phones were attached to a wire.

The point of view character is Catriona Carradyne, a thirteen year old girl, who loves horses, which is both a blessing, because her father breeds, shows, and trains horses; and a curse, because her mother loathes horses and wants Catriona to grow up into a young lady. The setting, as I mentioned previously, is Ireland in 1970. One of the clients that boards her horse with the Caradynes, is Selena Healey, a stylish younger woman, who befriends Catriona, and mentors her through a very eventful time in her young life.

No spoilers here, I hope, but this novel is not just about horses, or about coming of age, although both of those are central to the story. There’s also loveless marriages and expectations of society and family. Some of the characters are well drawn, while others are mostly stereotypes, and the novel doesn’t move swiftly, nor is it filled with twists and turns. Nope, it is fairly predictable. The reader can figure out what will happen fairly early, so it is more “how” is the plot going to turn out rather than “what” will happen.

I can’t say this is the best book I’ve read lately, but it certainly kept me turning the pages. And, there’s that nice vintage feel about it, like listening to music from the 70s and 80s.

Feb 19 2024

The Making of Star Trek by Stephen E. Whitfield—a retro review

Way long time ago, I borrowed a copy of The Making of Star Trek from a friend. After watching some episodes of The Original Series (TOS) on Pluto TV, I remembered the book, so I ordered a vintage paperback via eBay. Once I had it in hand, I could revisit a wonderful read, as well as wallow in some insider info once again. First printed in 1968, this book is both a history of Star Trek, with quite a few photos, and a “how to” guide to creating, producing, and writing a television series. However, as the book was written as the series was coming to a close, the legacy and cultural significance of Star Trek were not yet known to Whitfield (or Gene Roddenberry, who is listed as a co-author.) For more casual fans, there are other sources, from videos to more focused books.

When a ground breaking television series is created, there are thousand decisions to be made. From character names to methods of propulsion, this volume covers in detail how many of the concepts that make Star Trek work were developed, some visionary, such as the multi-cultural crew (unheard of in the mid-sixties) while others were merely practical, such as the “transporter” which was necessary as it would slow down the action if every port of call required a shuttle craft excursion (or worse, landing a huge space ship.) Within these pages are excerpts from memos to and from ST creator Roddenberry, quotes from NASA consultants, and preliminary sketches of possible ship configurations.

As this book was written alongside the filming of the series, there are glimpses of who wrote (and re-wrote) scripts, which actors were cast, and how the characters evolved. Letters from some of the actors, with insights into how their characters were to be portrayed, are included. Loosely organized chronologically, but with sections on such topics as “weaponry” and “the bad guys,” the reader sees how items familiar to TOS fans were developed over time.

Previously, I wrote a bit about a tour of The Neutral Zone Studios, where Star Trek Continues was filmed, and where fan films are still made. Our tour included some of the information in this book, but quite a bit of it was different, as the guides took a more hands on approach. Anyone planning a trip there might well read The Making of Star Trek prior to taking the tour. While the book does compliment Gene Roddenberry’s creative genius, many people helped create this vision of the future. Some of it has come to fruition (think folding cell phones) and some might never (Warp drive), but the influence that this one television series, which most deemed a failure when it ceased production, is difficult to minimize.

The Making of Star Trek is no longer in print, so it does require a bit of searching, but for fans, it is worth the effort.

Apr 17 2023

Body Suit by Suzanne Hagelin

Titles are important, as is the case with this trilogy opening novel’s title, but I almost didn’t read this one. Body Suit? Sounds like a fashion mistake from my youth. Once I began, the narrative style didn’t grab me from the outset, as the point-of-view characters switched back and forth between a soon to be indentured servant/colonist and a rather prissy seller of space suits. Hold on, y’all, because it gets better! Or maybe the author’s style grew on me. Anyway, the switching back and forth continues as the two-fold adventure develops, but each character fleshes out so well that I genuinely enjoyed each character’s time as POV.

The purchaser of the body suit, Silvariah Frandelle, initially travels to a space station called Guam, where she learns both how to navigate being a servant (called a Contractor in the book) and how to use the fancy body suit of the title, and then to Mars, as a miner at the new Resnik colonial facility. Back on Earth Walter Cuevas, who sold the suit for far less than its MSRP in exchange for some tips on how the suit performs, learns to act on the suggestions that the business savvy Sil Frandelle communicates to him. His fortunes grow by leaps and bounds as Sil helps him get lucrative advertising deals, then offers tips on which stocks to purchase based on her observations while in space.

Both Sil and Walter must deal with Artificial Intelligence entities, too. Sil is introduced to the Companion while on Guam, and the AI is also present with her on Mars. The Companion is really her Taskmaster, but the programmers chose a more benevolent title for the AI, as its job is multifunctional, assessing (or perhaps spying on) her, while also directing her industrial activities on behalf of those who own her contract. Walter, as he grows more wealthy entrusts Daisy, a personal assistant AI who is styled as a young female human, to assist him in his business matters as well as being a loyal and undemanding companion, unlike his ex-wife. But, like any program, even a personal assistant can be hacked….

There are almost too many minor characters to keep straight, quite a bit of action, and sufficient suspense to keep the reader swiping the pages. Sil’s stay on Mars only starts out boring. The plot moves along quite well, actually. I really liked this story, once I got into it, and I am tempted to buy the rest of the trilogy, although the book stands alone well-enough.

Body Suit is science fiction, obviously, but in the manner of great sci-fi, because it delves into some really controversial aspects of the role of artificial intelligence in society. As programs such as Chat-GPT are growing in popularity, the moral questions broached in this novel are timely. Without spoiling the suspense with specifics, the novel also touches on how eugenics might change society, too. But, more than that, there are some interesting word choices in this novel, which let the reader know that some thought went into this one! I highly recommend it.