Lincoln— the film


I’m not sure why we didn’t watch it when it was new, but hubby and I were perusing a list of the best films available for streaming on Netflix, and we chose to view Steven Spielberg’s ode to the controversial president. Gosh, there’s been so much written about this man. Historians can easily demonstrate how controversial and even unpopular Abraham Lincoln was during his lifetime, but since then his stature has ridden the waves of popularity, sometimes to heroic heights and then again to be mostly forgotten.

I’ve read some of the books and articles on Lincoln, but there’s many, many more that I haven’t. Still, the film version has much to offer viewers, regardless of their prior knowledge of the civil war era leader. For the two hours plus of runtime, the film focuses on the struggle to pass the 13th amendment to the U.S. Constitution, the one which prohibits slavery, except as punishment for criminal behavior. Daniel Day-Lewis does a remarkable job of portraying the title character. Sally Field is also very good as the mercurial Mary Lincoln, and the supporting cast is peppered with famous and talented actors. When we paused the streaming version for a pantry raid, hubby and I commented that it was as if the script had been tailored to showcase some aging but remarkable players, including Tommy Lee Jones and David Spader.

Mostly, this is a really good film, but the beginning, although dramatically effective, leads a well-read viewer to question its authenticity. The soldiers who quote from Lincoln’s now famous address at Gettysburg seem so sincere, but it is quite unlikely that war weary soldiers would know by memory that speech, as it was not considered to be much good when it was delivered. History has given those words there significance.

Although I don’t remember the source of the recommendation to watch this film, I, too, endorse it. While the outcomes are not really suspenseful, the film holds the viewer’s interest. No biopic is entirely historically accurate, of course, but the spirit of truth is certainly present. Watch (or re-watch) and enjoy!

Some Science Behind My Science Fiction

Having just read an article in Popular Science online about what a”Generation Ship” might look like, I was gratified to see that some of the core concepts in my science fiction novel, Trinity on Tylos, are firmly rooted in science.

The article speculates about what challenges the multi-generation inhabitants of a colonizing venture (based on an extrapolation of current space technology) might face. Topics addressed include propulsion, medical issues, livestock, and robot workers.

In Trinity on Tylos, the alien captain of the Archeonite III has a big problem: his colony of survivors died out, but he has the ability to grow little Archeons from stored genetic material. He just needs some baby mamas, and my characters Venice Dylenski and Alathea Duke end up with the task. In the Popular Science article, We Could Move to Another Planet with a Spaceship Like This, the author mentions that “speculators say it’ll take 20,000 souls to start a healthy population on a new world. One space-­saving tip: Bring frozen embryos and people to diversify the gene pool upon arrival.” That’s right out of my novel, where Azareel and his android medical team design the embryos that Venice and Alathea gestate.

As in the Popular Science article, robots are probably going to be the grunt workers of the future. In my novel, the Archeons use robots (as they take the form of their makers, I call them androids) as workers. A limited but technologically proficient population would no doubt employ robotic workers, freeing the populace to supervise or take on  tasks that require a more creative mind.

Trinity on Tylos is a complex story, because it goes beyond being just a space opera and delves into human relationships, made more complicated by the limited number of people with whom the characters interact. Also, it is a story of surviving on a somewhat hostile planet, solving such issues as having enough water to irrigate crops. The Popular Science article mentions farming as one of the most necessary activities once the generation ship reaches a new planetary home. Indeed, when I wrote Trinity on Tylos, I remembered the words of William Bradford, a leader of the pilgrims who settled Massachusetts, who wrote “what could they see but a hideous and desolate wilderness, fall [sic] of wild beasts and wild men—and what multitudes there might be of them they knew not.” Survival is not easy, and the Popular Science article, although very positive in outlook, does not ignore the difficulties that might face the future generations of humans whose journey began with some adventuresome ancestors.

Technological progress and science fiction often go hand in hand, because what writers dream up, engineers can (sometimes) make happen. However, the reverse is also true— when creating a science fiction story, there must be some science blended in with the fiction. Trinity on Tylos is science based fiction, and it is available for your Kindle reader or Kindle enabled device; just click on the cover art.

 

Humor

The history of writing funny stuff stretches back into the earliest times. Humor comes in certain time honored forms: slapstick, exaggeration (a/k/a hyperbole), sarcasm, irony, and puns. Most any humorous work relies on one or more of these techniques. Until recent times, that is. Now, vulgarity seems to have overtaken all of these.

Hubby and I have been watching an HBO show called Veep (via Amazon Prime video) and, while there are a couple of decent running gags, I have not been laughing much. After subjecting ourselves to four episodes, neither of us is sure if we want to continue. I’m not so easily offended, but this show doesn’t strike me as funny, and it is clearly supposed to be a comedy. The actors seem to be working very hard at maintaining a frantic pace, which may indeed be how things are in the White House, but there is no slapstick, little irony, few plays on words, and less sarcasm than one might expect in a political drama.

Oh, I do like the bit with the staffer who has an imaginary dog. That’s funny and a bit ironic. Also amusing is the main character (Selina Meyer) hoping that the president will actually need her (thus far he hasn’t.) The character (Tony?) who doesn’t even bother whispering a brief description of everyone the VP meets and does not actually know is a bit of exaggeration and his remarks sometimes make me smile. And, the pace seems so fast that perhaps the intent is hyperbole, but it is more intense than humorous.

So, what’s left? Lots and lots of cussing, and at least fifty percent of it is a verb/expletive that might be labeled as “for unusual carnal knowledge.” Not funny. It just isn’t. I guess the writers are lazy or haven’t ever seen anything funny.

It’s sad really. A re-run of I Love Lucy can still make me laugh, but Veep doesn’t.

Spring into action

NortonAs one of my Works in Progress is a text on motorcycling, for spring I am sharing a cool updated article on getting started in motorcycling.  This list is an effort to name some current bikes that should appeal to new riders. Quite honestly, I think some of the “beginner bikes” in this list are too heavy, powerful, and/or expensive, but it is a good place to begin, should any readers want to try two-wheeled transportation.

Thanks to the editors of Ride Apart for this nifty list.

See the WIP Ride to Eat tab for more about my riding book to be.

Dust World— review and commentary

Dust World, by B.V. Larson, is the second book in a series he calls “Undying Mercenaries” because of some nifty alien technology that allows dead soldiers to be reborn via genetic encoding of a clone body. While I enjoyed this story, I didn’t find it nearly as dramatic as the first book in the series, Steel World. Basically, this is the continuing adventures of James McGill, a young man who joins up with Legion Varus in the first book. As this entry in the series opens, McGill is at home on leave, and is rather bored with his earthly existence. After having faced fierce adversaries and been born again a few times, lounging around the house is bound to get old, I guess.

Anyway, before long, McGill is recalled by his Legion Varus leadership, and his training and adventures continue. The book has plenty of action, but some of the characters remain a bit flat. Military fiction tends to suffer from stereotypes, and this novel is no different. The brass is bad, the guys in the trenches are good: yada, yada.

(spoilers beyond)

Basically, the action in this novel pits the legion against fellow humans, as they are members of a lost colony. This colony is a big problem for Earth, as colonization is against Galactic Law. Now that Earth has forcibly joined the Galactic Union, and the mercenaries of Legion Varus are sent to deal with this long lost colony. The frontier planet is inhabited by colonists who have adapted to the harsh environment. The colonists seem to have perfected some particularly damaging nanites, which they use to enhance their primitive weapons. Every time one of the legion is knifed, he or she dies a dramatically painful death. Of course, the legion is supposed to bring back these troops, but there is a problem.

These colonists have enough sense to attack not only the legion but the machine that spits out regenerated soldiers. As the action on this planet proceeds, the machine is damaged and all of its techs are dead. Therefore, if the remaining troops can’t revive the machine, those who die on this planet will be permanently dead. McGill has his hands full as he tries to fight these fellow humans, but not kill them, and he needs to get that machine back to work. Negotiations do take place, but there is treachery on both sides. McGill does make things happen, but it is never easy.

All in all, this is an entertaining entry in the series, and I recommend the series to fans of military fiction, science fiction, and (especially) space opera.

Not with a Whimper: Producers

D. A. Boulter was one of the first authors I read when I first downloaded the Kindle app for my (now passed on to a grandchild) iPad2. Gosh, I loved the app, the book, and that iPad. Fast forward a few years, and I have quite a few Kindle books in my virtual library, a newer iPad, and Amazon Prime, which allows me to read a lot of stuff for free. However, I recently purchased Not With A Whimper: Producers. Despite the odd title, this novel fits into the “universe” that I first explored when I read Courtesan by Boulter.

I was prepared to love this book, as I have generally liked most of the books I’ve read by the author, and the description seemed interesting. However, as I slogged through the early parts, I wasn’t so sure. Somewhere around the 50% read portion I got seriously interested, but in the interest of not spoiling it, I won’t say why. The rest of the book was a quick read.

The main character of this story is a not quite 19 year old Larry Clement, and in many ways this story reminds me of the coming of age yarns that were the foundation of Robert Heinlein’s science fiction writing. Larry is a very unhappy young man, but a fundamentally good person, as the story opens. His girl, Sandra, and his fellow students are not fleshed out too well, but the relationship with his father is a main focus, so dear old dad, aka Robert Clement, is also a well thought out character. While I think that Courtesan is among this author’s best works, it isn’t necessary that readers read it first, as this novel stands alone quite well. However, the stories do share some characters, so I enjoyed the connections.

When I last reviewed a story by Boulter, I commented that his works don’t have many reviews and seem to have few readers. That’s a shame, because this guy has plenty of stories in him, good ones, and in a time when there is such a dearth of new material for readers, he deserves more reviews and the readers that write them. Indeed, anyone who likes science fiction or simply a good story should check out D. A. Boulter’s $2.99 Kindle books. Honestly, that’s cheap reading— less than a decent hamburger!

Dirty Dancing— commentary

Dirty DancingSome of y’all are going to laugh, but I watched this 80s heartthrob flick for the first time this week. A local theatre is featuring the touring version of Dirty Dancing next month, so I did a bit of research on the story and was intrigued enough to look for the original film (free with my Amazon Prime account, and if your friends and family don’t have an account, now is good time to Give the Gift of Amazon Prime.)

As for Dirty Dancing, the movie, it is a period piece anyway, as it is set in the early 60s, but the cast (and Jennifer Grey’s hair) made me think 80s, regardless. The Dirty Dancing soundtrack works great, regardless of the era, especially the Oscar winning finale, [This is the] Time of Your Life. Although the story is supposed to take place in the Catskills, the movie was actually filmed near Lake Lure, North Carolina and in Mountain Lake, Virginia. Having vacationed in North Carolina and Virginia, I enjoyed the visual feast, too, but the lack of high def photography reinforced the retro feel of the film. Another facet is the “please the crowd” ending, which is entirely unrealistic, but oh, so Hollywood, at least, as it was when their business was entertainment.

Patrick Swayze is very convincing as the working class dance instructor, and Jennifer Grey gives an amazing performance as “Baby,” alternating between the shy upper class school girl and a young woman with grit and enough determination to learn the complex dance routine. The dancing is, of course, quite good, as are some of the performances by the supporting cast. While I won’t be joining those who view this as a see it over and over again cult classic, I really did enjoy it.

I haven’t decided to buy tickets to the live action version (not yet, anyway) but I am glad I spent an evening seeing this now iconic film. And, gosh I love the music.

Trading for a Dream— review of book 2 in the Yrden Chronicles

TradingDreamcoverSince I first began reading eBooks on my iPad, I’ve used Amazon’s Kindle more than any other app, because it works well and the content is both plentiful and inexpensive. An early favorite author was D.A. Boulter, whose novel Courtesan impressed me quite a lot. I’ve revisited his work from time to time, and recently I read the latest entry in the series that began with CourtesanTrading For A Dream (The Yrden Chronicles Book 2).

Boulter’s Yrden books are based upon the idea that somewhere in the future, Trading Families will own fleets of cargo ships that not only carry paid cargo, but that there would be trade representatives on board who scout for local merchandise at each port of call, buying and selling or bartering, providing new goods for their customers as well as adding profit to the Family. Of course, the Yrden Family is the core group, but Courtesan is a stand alone book which occurs some generations before the events in the two available Yrden Chronicles novels. Trading For The Stars (The Yrden Chronicles Book 1) recounts the story of Clay Yrden and Colleen Newborn who meet on a primitive planet, Erin.

Trading for a Dream continues their story, but the main point of view character is not one of the Family; instead, as the novel opens, the reader meets Adrian Telford, who is engaged in arranging an accident (i.e. he’s a hit man.) However, when the victim’s wife and son witness the “accident” Telford loses his taste for a life of crime. In an effort to clean up his act, Telford rides a shuttle to Liberty Station, a space station which is on the trade route of Blue Powder, a Yrden Family ship.

(spoiler alert)

When Blue Powder docks, Clay and Colleen soon meet Mr. Telford. Clay sees him as too risky due to his past association with criminals, but Colleen sees a desperate man in need of a hand up. Needless to say, the interactions between the Yrdens and Telford make up the rest of the novel. The yarn is suspenseful due to the efforts of the baddies to make Telford go back to his former profession, as well as an attempt to relieve the Yrdens of some of their goods.
While there are some mostly stereotypical characters, the author does a reasonable job of creating engaging characters, including the folks on the ship, the bad guys who used to be Telford’s business associates, and other folks who get involved, so there are quite a few of them for the reader to keep straight. Having read the other novels in the series helped me a bit in that regard.

I’ve enjoyed Doug Boulter’s stories, and I really liked this one, too. The only caveat I have in recommending these is if you want sex scenes, you’ll be disappointed, as these stories are remarkably clean without being intended for a young adult audience. These stories are reasonably priced on Amazon, and I encourage readers to discover this relatively unknown author. I am so glad I did.

Son of Justice— a quick review

Son of JusticeEli Jayson is a recruit, struggling to get through basic training, just like many others. But, he has knowledge of military matters far beyond his fellow recruits, because his real name is not Jayson, it is Justice, which is the name of the supreme commander of Allied Forces, and Eli’s father. Having grown up in his father’s shadow, Eli may be the perfect soldier, or not. But he must succeed or fail on his own, for as Eli Jayson, he isn’t getting any special treatment.

That’s just a summary of the opening of this novel, Son of Justice, which is the beginning of a trilogy by Steven Hawk. I’m a fan of military fiction, and the “recruit grows up fast” plot line is hardly a new one, but Hawk does a reasonably good job of blending traditional story elements with fresh insights into both how the military mind thinks, as well as building his sci fi universe. As this is the opening of a series, he must also lay the groundwork for the rest of his trilogy as well as keeping the action flowing to entertain his readers. I rather liked this book, as the author manages all those tasks fairly well.

Often, such beginning of a trilogy books suffer from the cliffhanger ending, but this yarn stands alone quite well, so readers who want to sample Hawk’s writing can read this one without being roped into other purchases.

What’s it about? A non-review of La La Land.

La La LandThe other evening, I told hubby that I wanted to see La La Land on HBO Go. Like many men, he is a direct, compartmental thinker, and he wanted a succinct description, like a phrase. Complex sentences and paragraphs are too much after a hard day at the office, so I said, “It’s a musical.” And he said, “What kind?” Based on the tone as well as the question, I was getting the drift that he didn’t want to try this one, so I said something like, “We’ll talk about it later.”

Today, weary of grading essays, I turned our sorta smart TV to HBOGo and found La La Land. Before the end of the opening number, a sort of modern fantasy about singing and dancing in traffic, I was already glad that I decided to forgo explaining the film to my husband. He is just not gonna go for this sort of film.

That’s not to say it is bad, for it certainly isn’t. But, this clever film is not going to be pigeon holed into a category, although HBO places it under “romance.” The film pays homage to Hollywood in particular and the entertainment industry more generally, and the characters certainly are passionate about their craft, but they struggle to pave a path to personal success. Work gets in the way of their relationship, but there are some seriously romantic scenes in this film. Ryan Gosling and Emma Stone have both moved up a few notches in my estimation, based solely on the way they conveyed emotion through song and dance and just looking at the camera.

As I was searching for an answer to “What sort of movie (or musical) is it?” I read several reviews. The one at RogerEbert.com comes the closest to explaining it, and I don’t want to spoil it or plagiarize, so I will merely provide the link. However, should hubby ask again, which I rather doubt, I have my answer: “It’s a different sort of musical.” Yep, it isn’t peculiar, nor avant gardé, nor off-beat. It is just different.