Category Politics

Jan 1 2022

Best of 2021

There’s a certain irony in the title of this post, as 2021 wasn’t a great year in some regards. Politics seemed crazy and crazier. People seemed to be getting over the virus, for the most part, but some were really sick or lost their lives. Healthcare providers seemed to get a handle on it, but not entirely. Oh, there were some bright spots in 2021, such as overall success for the stock market, and college football seemed almost normal.

And, entertainment, especially streaming video, always appreciated, became even more so. Everyone needs a break from reality. So, here’s some of the best books and shows I enjoyed in the past year:

On YouTube TV, hubby and I both very much enjoyed Yellowstone. This show is a modern western, with cowboys and rodeos, guns, big pickup trucks. The story reminds me of family shows of the past, such as “The Big Valley” which I saw in re-runs when I was much younger. However, the Dutton family is led by a patriarch instead of a matriarch, with Kevin Costner doing a fantastic job as the father of three grown children, and the head honcho of the ranch. His offspring are diverse and all interesting, if rather flawed. The Montana setting is certainly an important part of the series, and if you haven’t tried this show, unless you are extremely prudish or need a knight in shining armor to be the main character, I think you’ll like it.

Other streaming winners include the comedy series, Ted Lasso, which is now in its second season over on Apple TV, and Lost in Space in its third season on Netflix. Ted Lasso is a quirky story about an American football coach who is hired to coach a professional English soccer team. Lost in Space was originally a campy cult classic, but the modern iteration is more far more serious and has killer special effects along with good acting and quite a bit of suspense. The first season was amazing, the second season suffered from the sophomore blues, and season three is somewhere in the middle. Overall, it is one of the better space operas online, far surpassing any Trek or Star Wars recent entries that I have seen. (BTW, my son likes the Mandalorian, but I haven’t seen that, so the comment might not be entirely fair.)

The best book I read in 2021 was probably The Book of Lost Names, by Kristin Harmel. This novel is set in set in Europe, during World War II. In The Book of Lost Names, the point of view character remains the same, but there are some deliberate time skips as the story moves from 2005, wherein the main character, Eva, is quite elderly, and 1942-46, when a young Eva spent several months forging documents in order to save people from the Germans who were occupying France (and threatening all of civilization.) Eva’s story is a real page turner, as there are moments of suspense, of hardship, and (thankfully) success, both in saving children from the Nazi war on Jews, and in Eva’s growing affection for a fellow member of the resistance. While I don’t want to include any spoilers, the book in the title refers to a code added to an existing book in the library of the local Catholic church, and the code included the real names of children who were perhaps too young to remember their birth names, which had to be altered so they could travel using forged documents.

Other good reads included Walter Issacson’s The Code Breaker: Jennifer Doudna, Gene Editing, and the Future of the Human Race, which I reviewed on this site. And, since I didn’t read them until 2021, I will mention Inside Marine One by Colonel Ray L’Heureux and Star Trek Voyager: A Celebration. None of the honorable mention books are fiction, which is rather unusual for me, as I am primarily a fiction reader. My most oft used source for fiction these days is a daily email from BookBub. Depending on the taste (or tolerance) of the reader, many eBooks are free or very low in price. Reading hasn’t been this cheap since I used to go to the public library every two weeks.

Inflation may be raging, but between streaming and eBooks, entertainment is fairly inexpensive these days. Gas and groceries are skyrocketing, but being entertained is fairly easy. Welcome, 2022!

Sep 2 2021

Inside Marine One by Colonel Ray L’Heureux

While I seldom read biography, when I do, I usually really enjoy it. Marine One: Four U.S. Presidents, One Proud Marine, and the World’s Most Amazing Helicopter is a really good read. The author, a retired Marine, knows his subject matter, of course, but the book’s organization, which is both linear yet focused, helps make it an engaging read.

After an opening which describes the “victory lap” circling Washington on Inauguration Day, which is a taste of one of the final “missions” that the author participated in, the usual chronological approach takes the reader back to the time when the author’s love of flying helped him choose a career path. Lacking the funds to pursue a private education in aviation, Ray L’Heureux (call sign “Frenchy”) decides to join the Marine Corps as a pilot. During his very successful training, he decides to fly helicopters rather than jet aircraft, which most of his fellow Marines sought as their specialty. While on duty in California, Frenchy is in the audience gathered to see President Reagan land at his base. As he is impressed with this unit, Frenchy decided that he wanted a tour of duty with HMX-1, which is the name of the part of the Marine Corps which provides helicopter transportation for the President.

L’Heureux actually served in HMX-1 twice during his thirty year career in the Marines, hence the “Four Presidents” in the sub-title. He was a junior officer during the Bush 41 and Clinton administrations, meaning that he was part of the group that planned the helicopter trips (called “lifts”) and occasionally flew as co-pilot for dignitaries. L’Heureux returned as commander of HMX-1 during the presidency of George W. Bush, with whom Frenchy became friends. When Bush 44’s term was over, the author was still the commander of HMX-1, thus he flew the Obamas for a few months before his assignment ended and the reins of HMX-1 went to another Marine pilot.

While not overly technical, L’Heureux lets the reader know quite a lot about how helicopters work. The focus of the book is on HMX-1 and their two sorts of helicopters, all painted dark green with white on the top, but the author also flew in other types of helicopters with other missions, and that’s of interest. However, the “inside” view is largely about how the military goes to great lengths to insure both the safety, comfort, and efficiency in providing transportation for the President, the Vice President, and heads of state of visiting nations. Whether the reader knows much about helicopters, the military, or just recent history, or not, there’s something for everyone in Frenchy’s book. According to the author, President Eisenhower was the first U.S. President to use helicopters for day to day transportation, as it was faster and far more convenient for everyone. Motorcades require a number of security measures, which, of course, takes time and impacts traffic. When the President boards one of the “white top” helicopters, he can be where he needs to be more quickly, and traffic is unimpeded. So, since Eisenhower, most Presidents have relied upon Marine One for quite a lot of their transportation, whether going to Andrews to board Air Force One, or just a short trip to the Presidential retreat, Camp David.

One of the aspects that I found quite interesting were the stories about Camp David, which is a 45 minute ride from the White House via helicopter. The author describes playing “Wallyball” with Bush 41. Later, L’Heureux, both an athletic guy and a Marine, was invited to ride mountain bikes with Bush 44, and that experience began their friendship. During his time of flying George W. Bush, the author was frequently at the ranch in Crawford, Texas, and helped build a bike trail on the ranch.

Another interesting aspect of the book is that when the U.S. President travels abroad, the helicopters go over first, so that the President is always flown by Marine pilots. The effort necessary to dismantle, load, unload, and reassemble and then test the helicopters before the arrival of the President is a bit mind boggling. In his memoir, L’Heureux describes flying Marine One over Normandy for D-Day anniversaries, landing in Germany so the President could meet with Angela Merkle, and even landing at Windsor Castle, so the President could have tea with Queen Elizabeth.

For readers who enjoy history, insider information, or just an entertaining read, do check out Inside Marine One.

Jul 10 2021

Re-Reading, The Quantum Rose by Catherine Asaro

My recent visit to a used bookstore netted me a couple of relics from my past reading, including a paperback of Catherine Asaro’s The Quantum Rose. For those who have not read any of Asaro’s Skolian saga, this book might make a good starting point, but it is probably a better read for those who are already familiar with this rather involved science fiction/fantasy/romance series.

The Quantum Rose won the 2001 Nebula Award

Asaro’s bio is almost as mind-boggling as her stories: She holds a doctorate in chemical physics, and she is a former ballerina, jazz dancer, and sometime singer. Her books include near future science fiction, such as The Veiled Web and the Phoenix Code, the 14 (or so) volume Skolian saga, which begins with Primary Inversion, The Lost Continent series, The Uplift Saga series, and more.

For me, this book is really hard to quantify. One tag line is that it is a re-telling of Beauty and the Beast. Uh, not really. Another is that it is a physics allegory, and the author ‘s note at the end makes every effort to explain the book via that lens, and while interesting, I kinda got lost in her description of particle physics after a while. Certainly this book is a romantic science fiction story, and there’s really not much high brow competition in that sub-genre. While readable, Asaro is never simplistic.

This story does fill in some gaps in the Skolian saga, which generally tells the story of members of the Ruby Dynasty in a book (or two.) Interestingly, the point of view character in The Quantum Rose is Kamoj Argali, a young ruler of an impoverished province on a backward planet, and not a member of the Ruby Dynasty. Kamoj does end up entangled in their saga, because she becomes involved with Vyrl, one of the Ruby Dynasty, who is sojourning on her planet for a while, and they end up falling in love.

The first part of the book is all about Kamoj, Vyrl, and the complications of her previous engagement to a local leader of questionable morals, Jax Ironbridge. This first half is more romance than sci-fi, although sci-fi elements are present. The second half is mostly set off of that world, filling in certain backstory aspects of the Skolian saga, with more science fiction and a heavy dose of fantasy. At this point, the romance takes a back seat to the political machinations that are part and parcel of the Skolian yarn.

While I enjoyed The Quantum Rose once again, I have trouble understanding why it won the Nebula award, which goes to the best science fiction novel of the year (via a vote of the SFWA). Yes, it is skillfully written and the quantum part of the title is justified, at least in the author’s notes after the novel, as “playing with quantum scattering theory.” Still, I have to wonder if it was really the very best science fiction novel of 2000. I like most of the Asaro novels I have read, and I think some of the others are better than The Quantum Rose. Hum, maybe it was the lack of competition.

Jan 24 2021

Remember when journalism was compelling reading?

Hubby and I have been watching Manhunt: Unabomber on Netflix, and since the storyline is anything but linear, we both looked for articles to help us understand the story. As we are chronologically gifted, we remember the case being in the news, but as it happened some 25 years ago, we wanted a refresher. Hubby looked at Wikipedia, because, as always, it comes up first on search engines. I went a bit farther and looked at the source material for that article and chose a piece in the NY Times archives. Oh, wow, is that a great article. A hell of a great read, and it helped me know more about the Unabomber case than I ever knew way back when. Also, it was a glaring reminder of how far the standards of good journalism have fallen.

Unabomber

One of my sisters is a journalism major, and she still thinks that journalists do a reasonable job. Oh, sure, she says, there are some bad ones, and some hacks, but that’s always been the case. My other sister works in communications and believes modern journalists are often poor writers managed by even poorer editors who are more interested in how many times articles are shared or clicked upon than actual quality. After reading the simply superb article about Ted Kaczynski in the NYTimes, I tend to agree with the sister that says journalism has fallen on hard times.

Manhunt: Unabomber is a good show if you haven’t seen it, and I recommend it, but the filmmakers do jump from scene to scene, sometimes with only a brief graphic telling the date, too quickly. In part, this seems to be an effort to create a bit of suspense, which is always tricky when telling a tale wherein the outcome is known by the audience. The folks behind the show do an excellent job of portraying the very complex man who chose to bomb those he deemed hostile to him or to his vision for the advancement of society, and it reveals the mis-steps of the initial profilers of the suspect labeled UNABOM because his targets were associated with universities or airlines. The NY Times story mentions Kaczynski’s failed attempt at getting articles (or rants, depending on one’s viewpoint) published. Indeed, only the Unabomber’s success at getting his “manifesto” published in a national newspaper actually caused him to be captured, and the FBI had a tip or it wouldn’t have happened at all.

The story in the NYT is not entirely linear either, as it jumps from witness to witness, but the story is primarily based upon a long interview with David Kaczynski the bomber’s brother, who ultimately helped the FBI identify the bomber. Still, the article is far more informative, if not as dramatic, as the television show. In particular, I was struck with the tremendous dilemma in that David had, because he knew that other instances of FBI vs. a long sought suspect ended in a firestorm (such as the Branch Davidians in Waco and the stand off at Ruby Ridge) so he was concerned. With the support and prompting of his wife, he supplied materials to support his suspicions and approached the FBI. Despite being assured that his role would be anonymous, someone in the investigation leaked it to CBS news. Nowadays, it is no secret that the FBI is more of a political organization than a crime fighting one, but even then, the younger Kaczynski brother was very wise be concerned, and even wiser to have an attorney.

One aspect of the NYT story that helps it be fascinating reading is the focus on Ted Kaczynski, from childhood on, and the use of excerpts from the manifesto. Despite being mentally unbalanced, the brilliant former math professor did have some profound observations about the deleterious effects of advancing technology on people and society. He attempted to wall off those technological intrusions by living as he did, off the grid, in Montana. For whatever reasons, whether one deems it mental illness or just plain evil, Kaczynski did try to fight technology by writing and bombing. His life, and those of his victims, would have been far better if he had written more, been a little less clueless about getting published, and never made those bombs, however.

The television series Manhunt has two seasons available. Season one is about the Unabomber and season two, entitled Deadly Games, is about Eric Rudolph and Richard Jewell, one of whom made bombs, and one of whom was falsely accused. Both shows are worthy of viewing. Sadly, I don’t think anything published in the New York Times today is as nearly as good as “PRISONER OF RAGE — A special report.;From a Child of Promise to the Unabom Suspect.”

Jan 13 2021

Time for Dystopian Science Fiction?

Reader’s Alley, a nifty site for bargain eBook lovers, divides their science fiction offerings into sub-genres: sci-fi romance, sci-fi thriller, and science fiction, dystopian. While those first two descriptors would seem self-evident, the dystopian flavor is considered by some (mostly jaded members of academia) as the only serious science fiction. Typically, I avoid reading dystopias because they tend to be so darned depressing. But, with all that is happening in the news, which I also try to avoid, perhaps it is time to take a look at the genre.

One of the finest books about the history of science fiction is Brian Aldiss’ Trillion Year Spree, which covers science fiction literature from its beginnings to the early 1980s. Aldiss does discuss many sub-genres, but the thread of dystopia runs strongly throughout his encyclopedia of science fiction in printed form. The term, dystopia, is applicable to “a world in which everything is imperfect, and everything goes terribly wrong. Dystopian literature shows us a nightmarish image about what might happen to the world in the near future. Usually the main themes of dystopian works are rebellion, oppression, revolutions, wars, overpopulation, and disasters. On the other hand, Utopia is a perfect world – exactly opposite of dystopia.”

Science has, until recently, been viewed as a two edged sword; while it can make life much better, mis-use of science has been the root of all sorts of evils. Frankenstein, by Mary Shelley, is often considered to be the first science fiction novel, and the dark side of science is clearly the central theme of the novel. Dr. Heidegger’s Experiment and Rappacini’s Daughter, short stories by Nathaniel Hawthorne, also feature mis-use of science as their main themes. When teaching those stories, which used to be in many American Lit anthologies, one way to make it simple for students is to say, “Hawthorne is basically telling his readers, ‘don’t mess around with Mother Nature’.”

Later novelists fine tuned dystopian themes, with societies becoming more and more restrictive upon the populace. Aldous Huxley’s Brave New World and George Orwell’s 1984 share these themes, “including the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society.” Kurt Vonnegut’s short story, Harrison Burgeron is one of the most widely read dystopian stories, due to its inclusion in anthologies for students, and I recently read a news story liking our current government policies to Vonnegut’s didactic work. Y’all, it is scary when dystopia becomes reality.

Of course, many fans of science fiction today seldom, if ever, read it. Instead, what they know of utopia and dystopia is presented via video. Early episodes of Star Trek explored both sides of the scientific divide. The Ultimate Computer, rather dated today, explored the man vs. machine conflict, using future war games as a setting for its rather disturbing premise. Various dystopian novels have been adapted to long form (movies) video, including everything from 1984 to Planet of the Apes. There are literally dozens of dystopian sci fi films. Some are rather laughable now (Mad Max?) but others are quite troubling.

My own fiction, which has many conflicts for characters to attempt to resolve, certainly isn’t “happily ever after, ” but it isn’t as dark as some of these works, and that’s because my outlook on life is more pragmatic. Hopefully, there will be some gravitation away from the totalitarian policies of modern politicians and administrators. But, when I consider what I am seeing when I do go out and about, I wonder. I really do. Remember this: In each fictional dystopia, the goal was to make things better for certain segments of the population, and bad outcomes are unhappy accidents. Be careful what you wish for—

Nov 29 2020

The Crown— review and commentary

Which is which?

Netflix has some amazing original content, and one of its best efforts thus far has been The Crown, a somewhat fictional series based on the reign of Elizabeth II. Written and produced by Peter Morgan, this series begins while Elizabeth is still a youngster, but when her father takes over for his brother (who abdicated the throne so he could be with his “commoner/divorcé” lover) Elizabeth becomes the heir to the throne. From that time period, her father grooms her to serve the people and the royal family, a/k/a The Crown. Seasons 1 and 2 feature Claire Foy as Elizabeth, and former “Dr. Who” Matt Smith is Prince Philip. Perhaps the best performance in this award winning season goes to John Lithgow as an aging Winston Churchill, who guides and yet admires the young monarch as she works to live up to the responsibility thrust upon her when her father dies at a fairly young age.

The Crown does a fantastic job of intertwining history and some suppostion, thus educating a new generation about some of the most important (or at least entertaining) events in United Kingdom in the past few decades. Each season spans several years, so the cast changes in order to better show the aging of the characters. For instance, while Claire Foy is Elizabeth in the first two seasons, the queen is portrayed by Olivia Coleman in seasons three and four. The latter dropped onto Netflix November 15, and Coleman does a really good job as the middle aged sovereign, as does Gillian Anderson as Margaret Thatcher. Another season four cast addition is Emma Corrin, who bears more than a passing resemblance to young Princess Diana. The series has been mostly been praised, but season four is a bit more controversial. Since this season portrays the “fairy tale romance” between Prince Charles and Diana, then quickly lays out the conflicted marital mess that ensued, because apparently Charles didn’t love Diana at all, but maintained his relationship with his former lover, Camilla Parker-Bowles, during most of the marriage, some viewers (and those close to the real people) have been a bit riled.

Of course, Prince Charles and Princess Diana separated then divorced, but younger fans apparently didn’t realize the “why” in the divorce until The Crown brought this back in a big way on the small screen. Recently, the social media accounts of Prince Charles and (now wife) Camilla have been inundated with snarky posts. Furthermore, officials in the U.K. have asked producers of The Crown to assure the public that the show is fictional.

History only works after the fact. Peter Morgan (series creator and chief writer) benefits from the many publications about the British royals, and is able to pick and choose what he presents to the audience in The Crown. Mostly the characterizations and storylines seem spot on, but those close to the royal family point to discrepancies, and no doubt some “fiction” does come in. Regardless of these points, The Crown has extraordinarily high production values. The cast is first rate, the scripts mostly entertaining; and the sets, costumes, and locations all contribute to the feeling of being an eyewitness to history. If you haven’t seen it yet, this series is one of the very best shows on Netflix.