Since I was quite young, I have loved this musical, as have many other people. I’ve owned the sound track in various forms, as well has having first a VHS then a DVD of the film. However, recently I read a short but glowing recommendation for this volume, so off to eBay I go, and low and behold, I got the book in a box with yet another DVD and sound track CD. Sweet!
This is what I’d call a “coffee table” book in size, but the content is a bit more than some such books. The forward is by Andrew Lloyd Webber, who was engaged in putting on a revival of The Sound of Music for the stage in London around the same time as this book (2006) but the book itself begins with the story of Maria von Trapp, the subject of a couple of books prior to her story being turned into the now famous musical.
For those of us who discovered the story via the 1966 movie, the musical actually begins a bit earlier, as a Broadway vehicle for Mary Martin. The music was done by Rogers and Hammerstein, of course, and the book takes the reader through much of the creative process, with photos of notes and typewritten song lists, as well as pictures from the Broadway and traveling productions. There is quite a bit of detail regarding the modifications done as the play was transformed into the movie. Fans of the film will know much of the content, no doubt, but there are nuggets of information which should prove interesting for even well-read aficionados, and there are quite a number of pictures taken during the lengthy location filming in and around Saltzburg.
There’s a bit of information regarding the careers of the “children” in the film, and a couple of pictures showing them all grown up. However, the book doesn’t end there. As this play is still being performed in various venues, there is some detail regarding its continued success. The last section is a fairly detailed recount of the revival done by Lloyd Webber’s production company.
When it comes to these photo centric books, sometimes one thumbs through, reading the captions, and that’s that. With this book, I read it, all in a couple of days. While it was not suspenseful, it was interesting and kept my attention from the forward to the credits. That’s rare for me. So, for fans of the film, it a top pick. For those interested in how a feature film is developed, it is also of more than passing interest. And, as it is no longer new, it is quite affordable, too. Win-win!
There’s a certain irony in the title of this post, as 2021 wasn’t a great year in some regards. Politics seemed crazy and crazier. People seemed to be getting over the virus, for the most part, but some were really sick or lost their lives. Healthcare providers seemed to get a handle on it, but not entirely. Oh, there were some bright spots in 2021, such as overall success for the stock market, and college football seemed almost normal.
And, entertainment, especially streaming video, always appreciated, became even more so. Everyone needs a break from reality. So, here’s some of the best books and shows I enjoyed in the past year:
On YouTube TV, hubby and I both very much enjoyed Yellowstone. This show is a modern western, with cowboys and rodeos, guns, big pickup trucks. The story reminds me of family shows of the past, such as “The Big Valley” which I saw in re-runs when I was much younger. However, the Dutton family is led by a patriarch instead of a matriarch, with Kevin Costner doing a fantastic job as the father of three grown children, and the head honcho of the ranch. His offspring are diverse and all interesting, if rather flawed. The Montana setting is certainly an important part of the series, and if you haven’t tried this show, unless you are extremely prudish or need a knight in shining armor to be the main character, I think you’ll like it.
Other streaming winners include the comedy series, Ted Lasso, which is now in its second season over on Apple TV, and Lost in Space in its third season on Netflix. Ted Lasso is a quirky story about an American football coach who is hired to coach a professional English soccer team.Lost in Space was originally a campy cult classic, but the modern iteration is more far more serious and has killer special effects along with good acting and quite a bit of suspense. The first season was amazing, the second season suffered from the sophomore blues, and season three is somewhere in the middle. Overall, it is one of the better space operas online, far surpassing any Trek or Star Wars recent entries that I have seen. (BTW, my son likes the Mandalorian, but I haven’t seen that, so the comment might not be entirely fair.)
The best book I read in 2021 was probably The Book of Lost Names, by Kristin Harmel. This novel is set in set in Europe, during World War II. In The Book of Lost Names, the point of view character remains the same, but there are some deliberate time skips as the story moves from 2005, wherein the main character, Eva, is quite elderly, and 1942-46, when a young Eva spent several months forging documents in order to save people from the Germans who were occupying France (and threatening all of civilization.) Eva’s story is a real page turner, as there are moments of suspense, of hardship, and (thankfully) success, both in saving children from the Nazi war on Jews, and in Eva’s growing affection for a fellow member of the resistance. While I don’t want to include any spoilers, the book in the title refers to a code added to an existing book in the library of the local Catholic church, and the code included the real names of children who were perhaps too young to remember their birth names, which had to be altered so they could travel using forged documents.
While all Star Trek series are worthy, some are just more interesting than others. Deep Space Nine has some great characters and acting, but initially suffered from being “stationary” rather than zipping around like the Star Trek ( the original series) or Star Trek: The Next Generation. As Roddenberry’s vision had sharpened and the syndication model freed him from many constraints, probably TNG is the overall best series. Certainly, the acting is amazing and the scrips are often really great, too. But, as special effects have become better and better, TNG suffers a bit in that area. Enter Star Trek: Voyager, which had a seriously huge void to fill, as it debut was a mere six months after TNG ended its seven year run. I also reviewed a book, Star Trek Voyager, A Vision of the Future, written during Voyager’s run, which is good, but last year, this volume, written as an anniversary edition, does a much better job of explaining the series as a whole, from development to the two part ending episode, “End Game.”
Upon receiving the book, I thought it would be one of those “coffee table” books, long on pictures and short on words. Nope, although there are many pictures. Indeed, the use of now decades old still pictures from the series is sometimes a weak point. However, there are drawings, pictures of behind the scenes contributors, and plenty of text. Overall, I really enjoyed the book, which is written in short segments which can be quickly read, but there are many sections, and these don’t necessarily need to be read in any fixed order.
The book begins, logically, with series development, and then there’s a short (two page) section devoted to the title sequence. I had no idea that this part (often “skipped” while streaming) was nominated for an Emmy award. Interspersed with the more technical aspects of the series are longer passages about the characters, beginning, of course, with Captain Janeway. The authors (two principal and two others, along with a general editor and a sub-editor) rely upon previously published material as well as newly conducted interviews with some cast members, as well as writers, producers, artist, and a host of others. Kate Mulgrew, who played Janeway, is among those who share memories in this book, and she discusses how much pressure was upon her as the first female captain of a Star Trek series, and how she approached the character as well as learning the scientific language necessary in this sort of show.
As there were many episodes (16 the first season, and 26 in each of the following six seasons) not all of them are featured, but sections devoted what are termed “key” episodes are mixed in with the other segments. The first, “Caretaker” is the two part pilot, and some of the other key episodes include “Tuvix” a character created by a transporter accident in which Neelix and Tuvok are blended into one individual. Each character gets a section, and most of multi episode villains do also. There are a couple of segments about the ship, one about the Delta Flyer, which is a smaller ship built by the Voyager crew about halfway through their journey, as well as segments about the special effects department, the makeup artists, the costumers, the writers, and the directors. As a fan of Voyager since it originally was broadcast, I knew quite a bit about the series, but there’s a lot of new material. For instance, I knew that some of the actors directed certain episodes, but I did not know that Star Trek actually fostered this by holding a “director in training” program. Roxann Dawson, who played Lt. Torres, directed a couple of episodes of Voyager, but went on to become a sought after director. She states that the program changed her life.
Bob Picardo took advantage of the DIT program and directed episodes of Voyager, but he also gets a writing credit, as he pitched a story line which was used, and he co-wrote the script. Robbie McNeil, who played Tom Paris, also directed multiple episodes of Voyager and went on to direct other projects.
When TNG was in production, many of the special effects were done with models, but by the time Voyager was being produced, digital graphics were beginning to be more cost effective, as well as allowing more creative shots, so as the seven seasons went by, more and more VFX were done digitally. However, in the show’s 100th episode, “Timeless”, the ship is depicted as crashing into a snow and ice covered planet. The visual effects crew found that digital snow wasn’t working, so they ended up doing a practical shot with a model crashing into a tray of baking soda. I’ve seen that episode several times, and I am amazed by how good it looks on the screen.
For fans of Star Trek Voyager, this book is a real treat. For readers interested in television, particularly directing, writing, and special effects, it is worthy. Casual readers or those who just “look at the pictures” might be a tad disappointed in this book, but I read it cover to cover, with a couple sections earning a second reading. For now, it has a spot on my “keeper” shelf, too.
Searching for Shelter is actually a pretty good book. I was a bit surprised that it holds together as well as it does, with three authors listed. While I haven’t done a collaboration novel, most of them involve a “big name” author lending a helping hand to a newbie, or one author does an outline while another does the grunt work. I have no idea how these three folks did it, but Searching for Shelter gets better as it goes along, and it goes along at a good pace.
As a southerner, and one who has travelled in Mississippi, I appreciated the setting and the types of characters that populate the novel. Or maybe I liked it because I grew up in the era when “disaster movies” such as The Poseidon Adventure and The Andromeda Strain were blockbusters at the theatre. Anyway, this novel is in the genre of “you need to be a prepper to survive into the next book” that seems to be growing in popularity. While not as pedantic as the last “prepper” novel I read, this one does have some instruction interwoven into the plot.
A rather large cast of characters, in the Mississippi delta region, are introduced in the early chapters. They include a young couple (Edward and Maria) and their midwife (April), as their first child is about to be born in the midst of the biggest hurricane anyone in that hurricane prone area has ever seen. Indeed, the storm is labeled a category six (and there are only cat 1-5 storms now, so that lets the reader know just how bad this rascal is going to be for the landscape and its citizens.) Another main character is Rita Sloan, a young lady with a very troubled past, desperate to get home, who ultimately seeks shelter in a mechanic’s garage, along with the owner of the shop and his nephew. Other important characters include prisoners at the state penitentiary, as those are invariably built in rural areas. The storm first knocks down almost every building, then the storm surge floods all but the highest ground. In short, this is a disaster upon disaster yarn. As this is a novel about being prepared, or not, most characters have a skill or a stash, or want to take something from someone else. For instance, Edward and Maria have lots of food stores, as they are farmers, while April desperately wants to get home to her stash, which includes a good supply of medical items, from medicine to bandages. Even Rita has her “go bag” in the car and manages to hang onto it through the entire book.
Like the Johnny Cash song, eventually all of these characters, and a slew of others, are goin’ to Jackson. However, each one’s journey is fraught with peril, from ne’er do wells looting and stealing to gators looking for their next meal. And, once the characters reach the city, the devastation is so great and the population so ill prepared, that the shelter they are seeking remains elusive. Thus, while some plot lines are resolved, many are left for the successive novels to explore.
I haven’t decided to purchase books 2 and 3, but they are definitely on my “maybe” list.
Nowadays, there’s just so much free and cheap reading available. And, I’m a total reading glutton. For real!
Reader’s Alley, a nifty site for bargain eBook lovers, divides their science fiction offerings into sub-genres: sci-fi romance, sci-fi thriller, and science fiction, dystopian. While those first two descriptors would seem self-evident, the dystopian flavor is considered by some (mostly jaded members of academia) as the only serious science fiction. Typically, I avoid reading dystopias because they tend to be so darned depressing. But, with all that is happening in the news, which I also try to avoid, perhaps it is time to take a look at the genre.
One of the finest books about the history of science fiction is Brian Aldiss’Trillion Year Spree, which covers science fiction literature from its beginnings to the early 1980s. Aldiss does discuss many sub-genres, but the thread of dystopia runs strongly throughout his encyclopedia of science fiction in printed form. The term, dystopia, is applicable to “a world in which everything is imperfect, and everything goes terribly wrong. Dystopian literature shows us a nightmarish image about what might happen to the world in the near future. Usually the main themes of dystopian works are rebellion, oppression, revolutions, wars, overpopulation, and disasters. On the other hand, Utopia is a perfect world – exactly opposite of dystopia.”
Science has, until recently, been viewed as a two edged sword; while it can make life much better, mis-use of science has been the root of all sorts of evils. Frankenstein, by Mary Shelley, is often considered to be the first science fiction novel, and the dark side of science is clearly the central theme of the novel.Dr. Heidegger’s Experiment and Rappacini’s Daughter, short stories by Nathaniel Hawthorne, also feature mis-use of science as their main themes. When teaching those stories, which used to be in many American Lit anthologies, one way to make it simple for students is to say, “Hawthorne is basically telling his readers, ‘don’t mess around with Mother Nature’.”
Later novelists fine tuned dystopian themes, with societies becoming more and more restrictive upon the populace. Aldous Huxley’sBrave New World and George Orwell’s 1984 share these themes, “including the consequences of totalitarianism, mass surveillance, and repressive regimentation of persons and behaviours within society.” Kurt Vonnegut’s short story,Harrison Burgeronis one of the most widely read dystopian stories, due to its inclusion in anthologies for students, and I recently read a news story liking our current government policies to Vonnegut’s didactic work. Y’all, it is scary when dystopia becomes reality.
Of course, many fans of science fiction today seldom, if ever, read it. Instead, what they know of utopia and dystopia is presented via video. Early episodes of Star Trek explored both sides of the scientific divide. The Ultimate Computer, rather dated today, explored the man vs. machine conflict, using future war games as a setting for its rather disturbing premise. Various dystopian novels have been adapted to long form (movies) video, including everything from 1984 to Planet of the Apes. There are literally dozens of dystopian sci fi films. Some are rather laughable now (Mad Max?) but others are quite troubling.
My own fiction, which has many conflicts for characters to attempt to resolve, certainly isn’t “happily ever after, ” but it isn’t as dark as some of these works, and that’s because my outlook on life is more pragmatic. Hopefully, there will be some gravitation away from the totalitarian policies of modern politicians and administrators. But, when I consider what I am seeing when I do go out and about, I wonder. I really do. Remember this: In each fictional dystopia, the goal was to make things better for certain segments of the population, and bad outcomes are unhappy accidents. Be careful what you wish for—
Often, the best stories begin as, well, stories. Before The Wizard of Oz was a groundbreaking film, it was a book by L. Frank Baum. Before 2001 A Space Odyssey was an influential science fiction film, it was a book by Arthur C. Clarke. Television series have also been book based, including such diverse stories as Little House on the Prairie, based on a series of books by Laura Ingles Wilder, and Game of Thrones, which was based on a series of books by George R. R. Martin. There are literally dozens of others, but I’m going to discuss one that you might have missed: The Night Manager, based on a book by John Le Carré. A friend recommended this six part series, and we usually enjoy the same sorts of stories.
The Night Manageris currently on a streaming service offered by a large online reseller, the one that starts with an A. Originally, however, the series was made for British television and shown in the states on AMC. As I don’t subscribe to cable, I missed it there, but my hubby and I saw this winner of three Golden Globe awards recently. The plot, although updated a bit from the 1993 novel, is intricate enough to puzzle, but not nearly as confusing as modern teleplays tend to be. The direction is subtle but sure. The acting is simply outstanding, with a star cast including Hugh Laurie (who starred eight seasons in House M. D.) and Olivia Coleman (who dons The Crownin seasons 3 and 4 over on Netflix.) The main character is brought to life by Tom Hiddleston, who has several Marvel movies as well as a video game in his resumé. This series was rather expensive to make, by BBC standards anyway, and was filmed in Egypt, Morocco, Spain, Switzerland, Turkey, and the United Kingdom.
Here’s a bit of plot summary: A former soldier for the British army, Jonathan Pine, is portrayed as the night manager of a Cairo hotel as the story begins. He gets involved with a mysterious guest who is the girlfriend of a local gangster. Through her relationship with the gangster she has acquired information linking illegal international arms sales with Richard Roper (Hugh Laurie), an English billionaire. Just after leaking information regarding the illegal arms, she is found murdered.
(Minor spoilers ahead)
Fearing for his own life, Pine flees, and is next seen, a few years later, doing the same job at a remote hotel in Switzerland. When super villain Roper visits the Swiss hotel, Pine longs to have some revenge, and soon he is enlisted by British Intelligence to spy on Roper. Before long, he has a new identity and an opportunity to infiltrate the small network of arms dealing. Getting information out, while staying alive and undercover is quite a challenge.
One reviewer called it a “classy thriller.” That nails it, but do check out this amazing bingeable series.