Recently, I got my hands on a used copy of a book I loaned and lost, Goddess by Mistake by P.C. Cast. Often, books are so similar that I don’t remember them well enough to write a decent review a week or two after I have finished them. Goddess by Mistake was memorable for me, so much so that I remembered it almost two decades after my first reading of it, so when I scored a used one on eBay, I put it at the top of to be read pile. The story still seems fresh, but the sassy narrator is the main reason I liked it then, and why I still like it. For those who want to know more, here’s a link to my “old” blog.
In short, this is a disaster upon disaster yarn.
Searching for Shelter is actually a pretty good book. I was a bit surprised that it holds together as well as it does, with three authors listed. While I haven’t done a collaboration novel, most of them involve a “big name” author lending a helping hand to a newbie, or one author does an outline while another does the grunt work. I have no idea how these three folks did it, but Searching for Shelter gets better as it goes along, and it goes along at a good pace.
As a southerner, and one who has travelled in Mississippi, I appreciated the setting and the types of characters that populate the novel. Or maybe I liked it because I grew up in the era when “disaster movies” such as The Poseidon Adventure and The Andromeda Strain were blockbusters at the theatre. Anyway, this novel is in the genre of “you need to be a prepper to survive into the next book” that seems to be growing in popularity. While not as pedantic as the last “prepper” novel I read, this one does have some instruction interwoven into the plot.
A rather large cast of characters, in the Mississippi delta region, are introduced in the early chapters. They include a young couple (Edward and Maria) and their midwife (April), as their first child is about to be born in the midst of the biggest hurricane anyone in that hurricane prone area has ever seen. Indeed, the storm is labeled a category six (and there are only cat 1-5 storms now, so that lets the reader know just how bad this rascal is going to be for the landscape and its citizens.) Another main character is Rita Sloan, a young lady with a very troubled past, desperate to get home, who ultimately seeks shelter in a mechanic’s garage, along with the owner of the shop and his nephew. Other important characters include prisoners at the state penitentiary, as those are invariably built in rural areas. The storm first knocks down almost every building, then the storm surge floods all but the highest ground. In short, this is a disaster upon disaster yarn. As this is a novel about being prepared, or not, most characters have a skill or a stash, or want to take something from someone else. For instance, Edward and Maria have lots of food stores, as they are farmers, while April desperately wants to get home to her stash, which includes a good supply of medical items, from medicine to bandages. Even Rita has her “go bag” in the car and manages to hang onto it through the entire book.
Like the Johnny Cash song, eventually all of these characters, and a slew of others, are goin’ to Jackson. However, each one’s journey is fraught with peril, from ne’er do wells looting and stealing to gators looking for their next meal. And, once the characters reach the city, the devastation is so great and the population so ill prepared, that the shelter they are seeking remains elusive. Thus, while some plot lines are resolved, many are left for the successive novels to explore.
I haven’t decided to purchase books 2 and 3, but they are definitely on my “maybe” list.
Nowadays, there’s just so much free and cheap reading available. And, I’m a total reading glutton. For real!
Hubby and I have been watching Manhunt: Unabomber on Netflix, and since the storyline is anything but linear, we both looked for articles to help us understand the story. As we are chronologically gifted, we remember the case being in the news, but as it happened some 25 years ago, we wanted a refresher. Hubby looked at Wikipedia, because, as always, it comes up first on search engines. I went a bit farther and looked at the source material for that article and chose a piece in the NY Times archives. Oh, wow, is that a great article. A hell of a great read, and it helped me know more about the Unabomber case than I ever knew way back when. Also, it was a glaring reminder of how far the standards of good journalism have fallen.
One of my sisters is a journalism major, and she still thinks that journalists do a reasonable job. Oh, sure, she says, there are some bad ones, and some hacks, but that’s always been the case. My other sister works in communications and believes modern journalists are often poor writers managed by even poorer editors who are more interested in how many times articles are shared or clicked upon than actual quality. After reading the simply superb article about Ted Kaczynski in the NYTimes, I tend to agree with the sister that says journalism has fallen on hard times.
Manhunt: Unabomber is a good show if you haven’t seen it, and I recommend it, but the filmmakers do jump from scene to scene, sometimes with only a brief graphic telling the date, too quickly. In part, this seems to be an effort to create a bit of suspense, which is always tricky when telling a tale wherein the outcome is known by the audience. The folks behind the show do an excellent job of portraying the very complex man who chose to bomb those he deemed hostile to him or to his vision for the advancement of society, and it reveals the mis-steps of the initial profilers of the suspect labeled UNABOM because his targets were associated with universities or airlines. The NY Times story mentions Kaczynski’s failed attempt at getting articles (or rants, depending on one’s viewpoint) published. Indeed, only the Unabomber’s success at getting his “manifesto” published in a national newspaper actually caused him to be captured, and the FBI had a tip or it wouldn’t have happened at all.
The story in the NYT is not entirely linear either, as it jumps from witness to witness, but the story is primarily based upon a long interview with David Kaczynski the bomber’s brother, who ultimately helped the FBI identify the bomber. Still, the article is far more informative, if not as dramatic, as the television show. In particular, I was struck with the tremendous dilemma in that David had, because he knew that other instances of FBI vs. a long sought suspect ended in a firestorm (such as the Branch Davidians in Waco and the stand off at Ruby Ridge) so he was concerned. With the support and prompting of his wife, he supplied materials to support his suspicions and approached the FBI. Despite being assured that his role would be anonymous, someone in the investigation leaked it to CBS news. Nowadays, it is no secret that the FBI is more of a political organization than a crime fighting one, but even then, the younger Kaczynski brother was very wise be concerned, and even wiser to have an attorney.
One aspect of the NYT story that helps it be fascinating reading is the focus on Ted Kaczynski, from childhood on, and the use of excerpts from the manifesto. Despite being mentally unbalanced, the brilliant former math professor did have some profound observations about the deleterious effects of advancing technology on people and society. He attempted to wall off those technological intrusions by living as he did, off the grid, in Montana. For whatever reasons, whether one deems it mental illness or just plain evil, Kaczynski did try to fight technology by writing and bombing. His life, and those of his victims, would have been far better if he had written more, been a little less clueless about getting published, and never made those bombs, however.
The television series Manhunt has two seasons available. Season one is about the Unabomber and season two, entitled Deadly Games, is about Eric Rudolph and Richard Jewell, one of whom made bombs, and one of whom was falsely accused. Both shows are worthy of viewing. Sadly, I don’t think anything published in the New York Times today is as nearly as good as “PRISONER OF RAGE — A special report.;From a Child of Promise to the Unabom Suspect.”
For readers who want an up to date romance about courtship, then this book merits your attention.
Modern romances are often more about sex than the “getting to know you” that dominated romances in previous decades. Nowadays, it is not uncommon for the first kiss to be followed by sexual fulfillment, and that often happens a third of the way through the narrative. Thus, many modern romances are about the sexual relationship, not about courtship. Her Cowboy Prince is old fashioned, but it is a recent publication, and I liked it very much for that reason. Another reviewer called it “clean” and that’s fair, I suppose. All too often, I’ve downloaded a romance with a recent publication date, only to find references to commonalities from decades ago, such as cassette tapes or pay phones. It may be fun to read an author’s backlist, but please don’t re-release books that are decades old and pretend they are new! In Her Cowboy Prince, the neighbor disturbs Melody by playing video games at all hours; the heroine up cycles items she purchases at thrift stores using techniques she garnered from watching HGTV; the resort uses its website to attract customers for their newest events, and so forth. Yep, this story’s not recycled material, which is refreshing.
Her Cowboy Prince has a cute title and stock cover cute guy on the cover, but the plot is a bit more serious. Melody Shaw is a housekeeper at a spa/resort in Montana, but she is there because she has had to go into witness protection after she testified against her stepmother, who had her father killed and managed to deprive Melody of ownership of the pharmaceutical company that he founded. Oh, and for good measure, Melody’s step-sister tried to have her murdered, so Melody has reasons to keep a very low profile. The housekeeper job across the country from her former home in Atlanta should be safe, but Melody can’t quite keep from looking over her shoulder at everyone.
Justin McQueen, a newly eligible bachelor since he figured out that his latest fiancée was a gold digger out to get everything he owned, runs the resort where Melody works. Before long, the attractive and way too smart for her job housekeeper attracts his attention. The author could have them jump each other’s bones in one of the guest rooms, but she restrains her characters. They plan events for the resort. They run into each other at a local cafe. She rescues his dad from a highway accident. As he takes her home from work, he stops to show her the stars. In short, they develop a romantic relationship. However, Justin is aware that there’s something mysterious in her reluctance to enjoy his company, while Melody is continually afraid of breaking her cover and inviting her troubled past into her new digs in Montana.
Author Trish Milburn does a better than average job using her settings, scenic Montana and metro Atlanta, to help create an interesting story. While the plot is somewhat predictable, there are no jarring moments when the reader just can’t suspend disbelief. The characters are mostly engaging, from the ever suspicious heroine and the diligent hero, to the displaced southern thrift shop owner and the poor but proud video game playing neighbor whom Melody befriends. The villains are mostly off stage, but the threat is sufficient to provide suspense for the reader, along with Melody and Justin.
For readers who want to experience vicarious sex, this book would not be appropriate, but for readers who want an up to date romance, about courtship, then this book merits your attention.
BTW, I am reviewing the book because I liked it, not because I got a free copy for review purposes.
From time to time, I’m offered a “box set” of eBooks, which strikes me as funny as there is obviously no box, just a longer than normal eBook. While these often seem to be great values, I seldom read an entire series. Last Stand is different, because I did indeed read all four books, and while I enjoyed them, I liked each one a little less, but that’s just me and what I Prefer to read, rather than any flaws in the books themselves.
Book one, Surviving America’s Collapse, was so suspenseful that I read it in less than 24 hours. Apparently survivalist/prepper books are a sub-genre, but this is my first such book. Viewed simply as fiction, readers might be annoyed, as the narrative often becomes pedantic, teaching survivalist techniques to the reader, but I rather enjoyed those segments. In short, the story begins with the hero, former Army officer John Mack, being the only guy in his neighborhood who understands that the vehicles, phones, and other conveniences aren’t working because some entity set off an “EMP” device. Mack rescues his wife, then his children, thinking they will soon retreat to his survivalist hideaway cabin, but his wife convinces him to remain in their neighborhood, to assist their friends. This proves to be increasingly difficult, as resources dwindle and nefarious elements attempt to takeover their community.
Book two, Patriots, begins in the second setting, the Mack family hideaway. The canvas of conflict widens a bit in this book, as Mack realizes the scope of the attack upon America, and feels the need to take up arms not just to defend his family, but his country. Book three, Warlords, is a bit darker in tone, as the forces behind the attack upon America begin divvying up the country. Book four, Turning the Tide, is on a grander scale, as Mack is one cog in the military effort to fight back against the foreign powers that seem to have figured out how to conquer the United States.
Each of these books has a fictional story, but invariably the author uses his story to also instruct the reader. Those who like lots of details about the military and/or weaponry might like these books more than I did, but I did enjoy them. Some of the characterizations are fairly stereotypical, and sometimes the main characters are able to overcome situations which would probably be hopeless without the assistance of the author. So, suspending one’s disbelief a bit is a necessary skill for staying with the series. Still, the suspense is sufficient to keep the reader turning the pages.
Survivalists, military buffs, and those who enjoy suspense will all find something to like in Last Stand. As of this post, the price for the eBook set is three bucks, which is a down payment on a hamburger! I can’t think of anything as entertaining as these books for that price, so take a look. These books are also available in paperback and as audio books, and all have hundreds of ratings on Goodreads, mostly 4-5 stars.
As the pandemic has continued to plague businesses, many of them are accelerating their transition to robots and artificial intelligence, thus replacing or supplementing their all too frail human employees. Semi/Human is set in the near future, and in this novel Silicon Valley has finally written an adaptable code that makes most human employees obsolete. Vehicles drive themselves, dealers in Vegas are all robots, police have been replaced by armed drones, and so forth.
Main character Pen(ney) Davis is more than depressed, because like most other human jobs, her intern job at a Silicon Valley computer firm has been eliminated. However, Pen has come up with a less than practical scheme to steal a ridiculously expensive treasure from her former employer and get rich enough to care a lot less about being unemployed.
As Alexander Pope once observed, “A little bit of learning is a dangerous thing,” and recent intern Pen re-writes the code of a self-driving truck, intending to hijack it for a trip across the country, but ends up making the aforementioned truck autonomous instead. Fortunately for Pen, the truck, Lara B, is both friendly and grateful.
Lest I ruin this tale for readers, let me just say that this yarn is cogent, examining the societal damage which would ensue if gainful employment ceased, as well as the ethics of dealing with a self-aware, nearly omniscient super computer. There’s a dash of economic reality sprinkled in as well, because with no work, there’s no money coming in for the vast majority of the populace, so they end up fighting over whatever is left behind in the technological revolution.
There’s also more than a little suspense, as Pen and Lara B join forces to accomplish the original mission, wherein Pen hopes to acquire both riches and revenge in one fell swoop. Semi/Human is one of those rare books that blends a cautionary theme with an entertaining plot. Most of the characters are well drawn, and there is sufficient description of settings to keep the reader entertained but the plot never bogs down.
As a frequent reader of science fiction, it is rare for me to call a novel memorable, but for me Semi/Human is such a book. Perhaps I simply read it a the right time, or perhaps the book is really that good. If you like youthful, sassy heroines, self-aware computers (and trucks) along with a suspense filled story line, you really should try Semi/Human.
A while back, I purchased (at a reduced price) the box set entitled Lords of Atlantis books 1-4, but the review is for Seduced by the Sea Lord, as that was the only novel I read. Quite frankly, it took me a while to read it, because it wasn’t very good.
Here’s the book blurb: “Determined warlord Torun cannot wait to claim Lucy, who mistook him for a shipwreck survivor and pulled his injured body from the ocean. All his instincts tell him she is his soul mate. Now she must join with him and give him a child.
Lucy can’t believe the words coming out of this dominant male. He insists her destiny is to become a mermaid queen and mother to his future children. The one thing “destiny” forgot to mention was that Lucy’s a broke divorcee who can’t even have a child.
It’s really too bad, because his gorgeous lips are all too kissable, and she’d love to see his iridescent gold tattoos moving as he flexed those broad, hard pectorals under the water…”
There are a bunch of five star reviews for this set, by Starla Night, and one reviewer who rated the set at one star accused the others of being “paid reviewers.” Darn, I wish I could afford to pay some of those reviewers to put up five star reviews of my novels. Maybe I’d make some bank, but I’m too honest. Or poor.
Anyway, back to the review. The point of view character, Lucy, is chick-lit cute in her narrative. The alpha male hero is appropriately madly in love with Lucy. The bad guy is Lucy’s ex, and he is cardboard cut out bad. Many gals dislike their ex, but Lucy’s guy stole her money, her ideas, and her dignity. Yep, he’s bad, all right, but some how I didn’t hate him. Nor did Lucy’s grousing about him endear her to me.
The trappings of “mer” vs “human” seemed alternately implausible or just plain silly, which didn’t help the novel at all. In a word, this novel seems phony. I have three more books in the set, but unless I am stranded on a desert island with nothing else to read, I rather doubt I will re-visit the Lords of Atlantis.
I read Kim Borg’s debut novel as an ARC, and published public reviews on Big A and Goodreads, and I stand by that review. This one is going to be a bit different, however, and there are gonna be a few spoilers, so if that bothers you, go read the Goodreads version.
Science fiction is a modern art form, which probably begins with Mary Shelley’s Frankenstein, although there is some debate on that. Actually, there is also debate as to the exact definition of science fiction, along with what works should be classified as science fiction. For instance, many works of horror and some that are largely fantasy end up in the SF basket. As I don’t especially like either of those genres, that bothers me, but the lines are often blurred. Anyway, science fiction generally takes what is known (science fact) and extrapolates that is some manner (the fiction part.) I like to say it this way, science fiction asks “What if______?” In this case, we have a novel which poses several questions.
Borg’s novel is set in 2086, when Teslas drive themselves, which isn’t much of a stretch, and population control is a world-wide mandate, which extrapolates a bit more. Oh, and the Earth is a polluted mess, and rather than clean it up, at least one rich and famous guy is looking to find a new spot to colonize. Apart from the one child per couple population control, which China tried a while back, none of this is much of a mental stretch.
However, after a few more scenes, the point of view characters, Dr. Amber Lytton and Dr. Joel Carter, become members of a space going team who board a ship called the Hermes, launch into space, and rely on a Phoenix drive to take them to the pristine Earth type planet, Arcadia. During their training, the couple learns that they are actually the second team to venture to the planet to assess it as a possible location for colonization. Once there, the travelers must dodge aliens of various sizes and levels of ferocity, while looking for clues as to the fate of their predecessors. Problems, both external and within the group, complicate the mission. Borg’s debut novel has quite a bit of suspense, a good character development, and lots of world building. The gadgets, although present, don’t over-power the story, either, which I like.
As in many worthy stories, the bad guys (or critters) aren’t all bad, and the good guys aren’t all good. There are a lot of questions to answer, such as will the villain who is only along to steal a valuable hunk of mineral get away? Will our point of view characters both live through the conflict between species which rule Arcadia? Is Arcadia a parallel planet to Earth, wherein the dinosaurs were never killed off? And, perhaps most important, are humans too wicked to trust to colonize any planet? This novel reminds me of some excellent science fiction writers, especially Jules Verne and Pierre Boulle (Planet of the Apes.) The ending isn’t quite a cliff hanger, but it opens the door for sequels, and I hope the author continues the story line in other novels.
Edge of Extinction is skillfully written and worth the reader’s time. Kim Borg states in her acknowledgements at the end of the novel that her goal is to both educate and entertain the reader, and while she certainly tries to educate, she does entertains. Borg is a new author for fans of classic science fiction to watch.
A friend (a generation older than I am) recommended books by Janelle Taylor, saying she is a prolific series romance writer from Georgia. That’s true. Goodreads lists lots and lots of titles by Taylor, and apparently she sold quite a few books in her heyday. The series my friend recommended was “western” but as I am a science fiction fan, I chose to read book one in the Moondust series, Moondust and Madness.
Reviews for the ebook, which I read, are not plentiful, but are mostly positive. However, a deeper dive into those reveal that the positive reviews are mostly by readers who remembered this yarn from way back, whereas younger, first time readers are not impressed. I understand both points of view.
Moondust and Madness is a traditional 80s bodice ripper novel, which just happens to be set in space. Heroine Jana Greyson is a scientist who is abducted by an alien gathering up human mates for a large system of planets in another galaxy. These alien abductions are sanctioned by the alien powers that be due to the devastation of an engineered virus which caused a lack of fertility amongst the alien females. BTW, these aliens look just like humans, and can breed with them, so the only thing Jana (and her five hundred companions) need is an inner ear translation device and some brainwashing to help her get ready for her new life. Much of the science fiction trappings seem to have been lifted from Star Trek, from “Star Fleet” to transporters. That could be viewed as “ripping off” Trek, but I think it was more to give readers some familiar science fiction props. This is a romance novel, so there are very few explanations of how gadgets or space ships work.
Lots of political intrigue and the on-again off-again romance between Jana and her captor, Varian Saar, make up the more than five hundred pages of this novel, which begins a series featuring other characters set in the same universe. While I liked the book at times, it is just too retro for most readers. I won’t continue the series, but I did finish it.
For readers who like alien abduction and then fall in love plots, Myra Nour used this same basic plot for her much better novel, Love’s Captive. And, if you want a dose of reality wherein the heroine doesn’t fall in love with her captor, try my novel, Trinity on Tylos.
Claimed (which may or may not also have the title of Rescued) came to me as an advanced review copy (ARC) which I read recently for a review site. Actually, I am glad to have the opportunity to review again, as it has been quite a while since I’ve done this. Most such sites really want a positive review, and I have written one. My comments for the site are true but censored a bit. What you’ll read here is more genuine.
First of all, sometimes minor mistakes are in an ARC, and I certainly understand that. The author used “fussed” for “fussy” for instance. That’s the kind of minor mistake that should be corrected before the final book is published. This book is a science fiction romance, with the emphasis on romance. For me, science fiction should have a bit science, but in Claimed/Rescued there aren’t many science fiction elements, apart from characters (lots of aliens) setting (a spaceship and a space station) and plot (alien abduction.) Apart from vivid descriptions of aliens, the other elements are not especially detailed.
Romance comes in several flavors these days, from very hot (nearly pornographic) to sweet (think Amish stories that talk about feelings rather than body parts.) Claimed/Rescued is skewed well on the sexy side of the continuum. For those who read romance for vicarious sex, this novel is a winner. From a science fiction standpoint, this yarn disappoints a bit. Okay, I don’t have to know how the ship goes or how the remote control on her wicked slave collar works, but a little more detail concerning the gadgets would be welcome. The most sci fi part of the book is the afore mentioned vast array of aliens, and those are described in varying levels of detail.
For me, the most annoying aspect of the book was the author’s reliance upon the “functional fragment.” Of course, lots of dialogue depends on the functional fragment. Think about one side of a phone conversation:
I have no problem with the construction in that context. But. This author. Tends to write. Like. This. The words shared in this manner tend to be feelings or observations, such as “Handsome.” “Kindness.” “To Bond.” “To become as one.” “Tenderness.” “Aroused.” “Stay strong.” “Traumatized.” “Wary.” “Forever.” Y’all, I just listed a few of the functional fragments. Every once in a while, this could be an effective technique, but Claimed/Rescued is far too reliant upon these pseudo sentences.
No doubt Claimed/Rescued will be published, and there will be enough positive reviews that some science fiction romance fans will read it. And, those who want to experience sex vicariously may well enjoy it. But. All I seem to remember. Are. Those. Fragments.