I’ve enjoyed this series by H. Paul Honsinger, a trilogy that begins with To Honor You Call Us, as a space opera for fans of David Weber or others in that vein. Lots of authors try this sub-genre (and my Trinity on Tylos dabbles in it for a few chapters), but most such efforts don’t hold my interest. Honsinger’s universe and characters are well thought out, and therefore more entertaining than other authors.
His villains (the Krag) are truly obnoxious, and his hero, Captain Max Robichaux, has the right stuff to be a hero, but isn’t perfect, which is an unfortunate side-effect of being too heroic. Authors much achieve some balance, and Honsinger does that quite nicely. The captain’s side kick is Doctor Sahin, who is a bit like Dr. Watson’s being a sounding board for Sherlock Holmes. The situation is dire, for the enemy and the lengthy war have affected the human race in negative ways, such that surrender is unthinkable and victory an uncertain quest.
For Honor We Stand is the middle book in the series, so I hope to read the final book soon, and I’ll try to post a more through review of the trilogy.
For me, the works of Pauline Baird Jones are hit and miss. My favorite of her stories is the first one I read (The Key, also known as Project Enterprise, Book 1). I’ve read several other of her novels, and her style is generally a blend of snappy dialogue, kick-butt heroines, romantic suspense, and sufficient action to keep the reader entertained.
My most recent read is billed as Book 6 in the Project Enterprise series. The main character is Arian Teraz, a young woman whose place in the universe is destined to be an arranged marriage a tilling some farmland on a rather primitive planet. Right before she must marry, a mysterious ship lands in front of her and invites her to take a chance on another life. As the ship leaves her home planet, they are attacked, and somehow she steers the ship through a wormhole. On the other side of that is a pilot named Cooper. This is where fans of Project Enterprise novels will see how this story fits into the series.
Found Girl contains the snappy dialogue, action, and Jones’ trademark blend of science fiction and fantasy elements. I read an eBook version, which is $4.99 at this writing.
My sister offered me tickets to a play a while back, War Horse. Since I didn’t get a chance to make the show, I decided to put the film version in my queue at Netflix. Okay, historical films are not my usual genre, but this is one heck of an impressive story. The main character is indeed a horse, a half thoroughbred named Joey, born somewhere in the UK. The story begins with his birth and follows him through his adventures, from being sold at auction to a poor drunkard who couldn’t afford him, to his training by that man’s son, young Albert, to his forced sale to an army officer, who is about to embark on a journey to Europe at the beginning of World War I. Although the horse is the primary focus, the audience learns that Albert joins the army in hopes of finding Joey, and the action switches back and forth a few times, as the characters come closer together during the fighting in France. This war is depicted in detail at times, yet there is an almost surreal look to the filmography. If a war can be pretty, there are times when this one is. But, there are times when it is heart wrenchingly terrible, too. From a strictly historical viewpoint, I had no idea the role that horses played in WWI, and that millions of them not only fought, but died in service.
Joey’s fate is the suspense in this film, for most everyone knows who won that conflict. The script is excellent, the actors are really good, as is the direction, but perhaps the most striking thing in this wonderful film is the performance of the horse(s) that portray Joey. There are times that he seems supremely intelligent, and getting a horse to “perform” as an actor is quite an accomplishment.
War Horse, a Steven Spielberg film, is available on DVD. It is worth an evening of your time, especially if you are a history buff.