ARC review—Edge of Extinction by Kim Borg

EdgeOfExtinction_CVR_SMLI read Kim Borg’s debut novel as an ARC, and published public reviews on Big A and Goodreads, and I stand by that review. This one is going to be a bit different, however, and there are gonna be a few spoilers, so if that bothers you, go read the Goodreads version.

Science fiction is a modern art form, which probably begins with Mary Shelley’s Frankenstein, although there is some debate on that. Actually, there is also debate as to the exact definition of science fiction, along with what works should be classified as science fiction. For instance, many works of horror and some that are largely fantasy end up in the SF basket. As I don’t especially like either of those genres, that bothers me, but the lines are often blurred. Anyway, science fiction generally takes what is known (science fact) and extrapolates that is some manner (the fiction part.) I like to say it this way, science fiction asks “What if______?” In this case, we have a novel which poses several questions.

Borg’s novel is set in 2086, when Teslas drive themselves, which isn’t much of a stretch, and population control is a world-wide mandate, which extrapolates a bit more. Oh, and the Earth is a polluted mess, and rather than clean it up, at least one rich and famous guy  is looking to find a new spot to colonize. Apart from the one child per couple population control, which China tried a while back, none of this is much of a mental stretch.

However, after a few more scenes, the point of view characters, Dr. Amber Lytton and Dr. Joel Carter, become members of a space going team who board a ship called the Hermes, launch into space, and rely on a Phoenix drive to take them to the pristine Earth type planet, Arcadia. During their training, the couple learns that they are actually the second team to venture to the planet to assess it as a possible location for colonization. Once there, the travelers must dodge aliens of various sizes and levels of ferocity, while looking for clues as to the fate of their predecessors. Problems, both external and within the group, complicate the mission. Borg’s debut novel has quite a bit of suspense, a good character development, and lots of world building. The gadgets, although present, don’t over-power the story, either, which I like.

As in many worthy stories, the bad guys (or critters) aren’t all bad, and the good guys aren’t all good. There are a lot of questions to answer, such as will the villain who is only along to steal a valuable hunk of mineral get away? Will our point of view characters both live through the conflict between species which rule Arcadia? Is Arcadia a parallel planet to Earth, wherein the dinosaurs were never killed off? And, perhaps most important, are humans too wicked to trust to colonize any planet? This novel reminds me of some excellent science fiction writers, especially Jules Verne and Pierre Boulle (Planet of the Apes.) The ending isn’t quite a cliff hanger, but it opens the door for sequels, and I hope the author continues the story line in other novels.

Edge of Extinction is skillfully written and worth the reader’s time. Kim Borg states in her acknowledgements at the end of the novel that her goal is to both educate and entertain the reader, and while she certainly tries to educate, she does entertains. Borg is a new author for fans of classic science fiction to watch.

 

The Functional. Fragment. Celebrated. Or reviled.

ARC5Claimed (which may or may not also have the title of Rescued) came to me as an advanced review copy (ARC) which I read recently for a review site. Actually, I am glad to have the opportunity to review again, as it has been quite a while since I’ve done this. Most such sites really want a positive review, and I have written one. My comments for the site are true but censored a bit. What you’ll read here is more genuine.

First of all, sometimes minor mistakes are in an ARC, and I certainly understand that. The author used “fussed” for “fussy” for instance. That’s the kind of minor mistake that should be corrected before the final book is published. This book is a science fiction romance, with the emphasis on romance. For me, science fiction should have a bit science, but in Claimed/Rescued there aren’t many science fiction elements, apart from characters (lots of aliens) setting (a spaceship and a space station) and plot (alien abduction.) Apart from vivid descriptions of aliens, the other elements are not especially detailed.

Romance comes in several flavors these days, from very hot (nearly pornographic) to sweet (think Amish stories that talk about feelings rather than body parts.) Claimed/Rescued is skewed well on the sexy side of the continuum. For those who read romance for vicarious sex, this novel is a winner. From a science fiction standpoint, this yarn disappoints a bit. Okay, I don’t have to know how the ship goes or how the remote control on her wicked slave collar works, but a little more detail concerning the gadgets would be welcome. The most sci fi part of the book is the afore mentioned vast array of aliens, and those are described in varying levels of detail.

For me, the most annoying aspect of the book was the author’s reliance upon the “functional fragment.” Of course, lots of dialogue depends on the functional fragment. Think about one side of a phone conversation:

“Hey!”

“Oh yeah.”

“Really?”

“No kiddin’!”

I have no problem with the construction in that context. But. This author. Tends to write. Like. This. The words shared in this manner tend to be feelings or observations, such as “Handsome.” “Kindness.” “To Bond.” “To become as one.” “Tenderness.” “Aroused.” “Stay strong.” “Traumatized.” “Wary.” “Forever.” Y’all, I just listed a few of the functional fragments. Every once in a while, this could be an effective technique, but Claimed/Rescued is far too reliant upon these pseudo sentences.

No doubt Claimed/Rescued will be published, and there will be enough positive reviews that some science fiction romance fans will read it. And, those who want to experience sex vicariously may well enjoy it. But. All I seem to remember. Are. Those. Fragments.

Resources for Readers

DaVinciWhat to read? When I was young (a very long time ago) my mother took my sisters and me to visit the public library every week. This was “free” entertainment, and as we were fairly poor, it was a great deal. However, there was that day when I’d read everything of interest to me in the children’s and young readers category. Again, this was a long time ago, when “young adult” publications were not a big category. I remember her guiding me over to the adult fiction section (meaning not for kids, but nothing racy—it was a public library) and she suggested some titles. My first reads from that section were what mom would term “mysteries” although romantic suspense would be closer to the genre of that time. The authors were Phyllis A. Whitney and Mary Stewart, although I can’t remember the titles. So began my transition into reading for pleasure, an activity that is still a big part of my life.

Mom has been gone for a long time, as she had cancer and died before she should have, but there are plenty of other places to find recommendations for reading. I do belong to way too many Facebook Groups, and most of those have advertising that I largely ignore. For a time, Amazon was my favorite place to find books, and while it is a source for content, the weirdo reviews have made it less and less reliable for recommendations. Also, big A encourages authors to buy ads, making it even less relevant. If you are lonely and want to be inundated by promotional emails, there are lots of sites that promote books via that route, but by and large that content comes from paid ads, so it’s not reliable either. I read a lot of eBooks these days, and my public library has a few thousand titles, but I’ve noticed that far too many of them are “reprints” wherein established authors are giving their backlist titles new life, and I have either read those books are wasn’t interested the first time. So, what to do?

There are some solutions. First, check out Goodreads. It’s now owned by Amazon, but it seems to work quasi-independently from big A, so the reviews are more often by serious readers. Authors can have a “page” on Goodreads, too, which can be helpful. If you like a certain genre, typically there are blogs that feature books of interest. As a lover of science fiction romance, I like this blog: SFR Brigade. Some authors maintain a blog or a Facebook group, so check on a favorite writer’s web presence. Often writers will mention fellow writers or their own favorite reads. I’ve really enjoyed Susan Grant’s books and her blog, Come Fly with Me (now found via her website).

In addition to big A, readers sometimes leave reviews on traditional bookstore sites such as Barnes and Noble and Books a Million. As these sites primarily serve readers, the reviews tend to be written more literate customers. There may be fewer reviews, but I believe they are more reliable.

Also, if you know others who like to read, try forming a book club. My sister belongs to such a club, and members propose which books to read. She’s given me some suggestions of books that were well-received by her group, such as my current read: DaVinci, by Walter Issacs. It’s fascinating, and I would never have chosen it without the recommendation of that group over in Richmond, Virginia.

 

 

So you want to be a successful author—

book and moneyWhile I am pretty sure I don’t qualify as successful in the author department, I made enough mistakes to write (or rant) about the topic. Here are some tips, in no certain order, for those who are writing with the intent to publish a book, or for those who have published but are lacking in sales.

First, write the best book you possibly can. Yes, that should go without saying, but writing is like photography or cooking in that no matter how good you have done it, you can get better. There is no such thing as perfect in any of those endeavors. However, don’t publish unless it is really ready. Mistakes in print are embarrassing!

Next, find a real publisher if you can. Not necessarily one of the big companies (although if that happens for you, whoo hoo!) There are a lot of small and micro presses that can get a book into print and into at least some distribution channels, which leaves more time for the author to help with promotional activities and keep writing. A small company, Whiskey Creek Press, published my second novel, and while my sales were low, any money I spent on promotion was voluntary. My debut novel was initially accepted by a micro press, but when it failed, I ended up using a self-publisher called Booklocker.

Third, if you end up self-publishing, do so at minimal cost. Many authors have published via the Amazon Kindle Direct program, which is free. Yep, that’s right, free. I published the second edition of Trinity on Tylos via KDP, and my only expense was a fancy new cover by Dawn Seewer (which was entirely optional.) I disliked the first cover, which was done by an artist at Whiskey Creek Press, and I thought the book deserved a better effort, and Dawn did a great job for me. Another self publishing program that I am considering is Smashwords, which offers many free services. For most self published authors, the distribution channels associated with Smashwords are fantastic.

Fourth, once the book is ready to debut, get the marketing plan in motion. There are lots of books on this topic, as well as a gazillion websites. I’ve had some success with using Facebook groups, such as Ebook Rave, Kindle Book Authors, and Sci Fi and Fantasy Authors . Those have worked well in conjunction with sales and freebie promos, but bear in mind that I have low cost Kindle titles. Under “links of interest” on this site I have a few other spots that I’ve used for promotion, including “Book Goodies” and “Goodreads.” Having an author page on such sites is not necessary, of course, but doing so usually offers links for anyone who “googles” your author name.

Finally, the most important pillar in promotion is reviews, and lots of them.  If friends and family will write a review on a vendor site, such as Amazon or Barnes and Noble, that’s great, but most of us don’t have that many friends. Also, such reviews don’t carry as much cashé as a professional or semi-professional site. Do send your books to as many of those as you can find and afford. Don’t ever pay for a review, beyond giving a copy of the book. Paying for reviews is wrong on both sides of the equation. If the author pays for a review, then there’s a bias that makes the review worthless for the reader. Unless the book is an eBook only, then there is some expense in distribution of the ARC (that’s advanced reading copy) or published book, so it is best to send the book(s) to appropriate sites, because some sites only review certain genres. There are any number of review sites, and these do come and go fairly frequently. My first novel, The Gift Horse, had several reviews online within a year or two of publication, but apart from those on Amazon and one archived on The Midwest Book Review, they are gone! Therefore, if you get an online review, don’t just save the link, but archive the content, too!

When I first published The Gift Horse, I was invited to do some speeches to local clubs, and I sold a few books via that avenue, but as publishing and self-publishing became more common place, those opportunities dried up faster than blackberries in late August. I also got a book signing at a book store after Trinity on Tylos came out, but it was a very lonely afternoon. If those opportunities come your way, enjoy them, but books and eBooks must be purchased via online vendors in order to make any real money, and that means social media marketing. If you are here, clearly you know what a blog is, of course, and having an author website is usually a good idea. Marketing is an ever changing field, but as of this post, you must get to know Twitter, Instagram, Facebook, and other modern means of communication in order to build an audience for your books.

Oh, and as footnote to “finally” when readers like a book, they usually look for another book by the same author, so you’d best be writing another book, too.


A few books on marketing:

How to Market a Book

Guerrilla Marketing for Writers

The Frugal Book Promoter

Book Marketing 411 for Authors

And a couple on having a book worth the effort:

Don’t Sabotage Your Submission

Writing the Breakout Novel