The Crown— review and commentary

Which is which?

Netflix has some amazing original content, and one of its best efforts thus far has been The Crown, a somewhat fictional series based on the reign of Elizabeth II. Written and produced by Peter Morgan, this series begins while Elizabeth is still a youngster, but when her father takes over for his brother (who abdicated the throne so he could be with his “commoner/divorcé” lover) Elizabeth becomes the heir to the throne. From that time period, her father grooms her to serve the people and the royal family, a/k/a The Crown. Seasons 1 and 2 feature Claire Foy as Elizabeth, and former “Dr. Who” Matt Smith is Prince Philip. Perhaps the best performance in this award winning season goes to John Lithgow as an aging Winston Churchill, who guides and yet admires the young monarch as she works to live up to the responsibility thrust upon her when her father dies at a fairly young age.

The Crown does a fantastic job of intertwining history and some suppostion, thus educating a new generation about some of the most important (or at least entertaining) events in United Kingdom in the past few decades. Each season spans several years, so the cast changes in order to better show the aging of the characters. For instance, while Claire Foy is Elizabeth in the first two seasons, the queen is portrayed by Olivia Coleman in seasons three and four. The latter dropped onto Netflix November 15, and Coleman does a really good job as the middle aged sovereign, as does Gillian Anderson as Margaret Thatcher. Another season four cast addition is Emma Corrin, who bears more than a passing resemblance to young Princess Diana. The series has been mostly been praised, but season four is a bit more controversial. Since this season portrays the “fairy tale romance” between Prince Charles and Diana, then quickly lays out the conflicted marital mess that ensued, because apparently Charles didn’t love Diana at all, but maintained his relationship with his former lover, Camilla Parker-Bowles, during most of the marriage, some viewers (and those close to the real people) have been a bit riled.

Of course, Prince Charles and Princess Diana separated then divorced, but younger fans apparently didn’t realize the “why” in the divorce until The Crown brought this back in a big way on the small screen. Recently, the social media accounts of Prince Charles and (now wife) Camilla have been inundated with snarky posts. Furthermore, officials in the U.K. have asked producers of The Crown to assure the public that the show is fictional.

History only works after the fact. Peter Morgan (series creator and chief writer) benefits from the many publications about the British royals, and is able to pick and choose what he presents to the audience in The Crown. Mostly the characterizations and storylines seem spot on, but those close to the royal family point to discrepancies, and no doubt some “fiction” does come in. Regardless of these points, The Crown has extraordinarily high production values. The cast is first rate, the scripts mostly entertaining; and the sets, costumes, and locations all contribute to the feeling of being an eyewitness to history. If you haven’t seen it yet, this series is one of the very best shows on Netflix.

Rebel Princess by Blair Bancroft

The title of this yarn isn’t particularly original, as it makes me think of Princess Leia, but the story doesn’t lean on Star Wars very much. As the book opens, with a war game going on, rather like Star Trek— The Wrath of Khan, I was wondering if the author was going to borrow heavily from that story, but not really. Actually, Bancroft uses lots of science fiction and fantasy elements, but this is theme and variation, then more variation. As a writer, a reader, and an occasional viewer of science fiction, I see this story as fairly original, and since there truly is “no new thing under the sun” that’s a complement.

Oh, there are some aspects of the story that I don’t like. Most of the “alien” characters have an odd apostrophe in their names. I’ve come to view that artifice as trite, as so many science fiction and fantasy writers employ it. There are times when the narrative drags a bit, and the author tends to use too many sentence fragments. Especially. At times of high emotion. Oh wow. Get it? And, at least half of the main players have two names, because some are masquerading as someone else, which can get a bit confusing. Indeed, the author has a list of terms on her website, just to explain some of what’s going on in the story. Mostly, I didn’t need that, but it was nice to take a look at them all to see if I had guessed correctly.

Still, this story has lots to like, including a heroine (Kass Kiolani) who is brave but not at all prone to throwing caution to the winds. Since she was brought up as a royal heir, she thinks everything through. The hero (Tal Rigel) is mostly heroic and a lot less cautious than Kass, but vulnerable enough to be likable. Minor characters tend to be stereotypical, but there is some character building, especially the main character’s brother, who has some interesting “gifts.” The world building is better than some novels in the romantic science fiction genre, perhaps because this is the first in a series of novels set in this universe.

Travelers— the Netflix series

TravelersWe gave DirecTV the old “heave ho” five years ago, when we moved. At the time, we were carrying two large house payments, so utilizing our internet and Netflix services and forgoing the bill for a television service was a temporary measure to save a few bucks each month. Here we are, five years later, with the previous house sold, but during our financial mini-crisis, we learned how little we actually used the TV service, so we never signed on again. When I went back to grad school, I got Amazon Student (a great deal, by the way) so we still have Amazon Prime, and we look at Amazon videos from time to time, but YouTube and Netflix are the primary means of powering the big screen in our living room.

There is a problem with Netflix, however, and that is the way it “recommends” movies and shows. Our suggestions seem to be crap most of the time. So, every once in a while, I look up an article which purports to list “the best ???” on Netflix right now. And, thus we found a Netflix series called “Travelers.”

The premise of this science fiction series is a really good idea: In the distant, dark, future, people figure out how to send the consciousness of an agent (a traveler) back into the body of a person who is about to die. Since the time and manner of death are often documented, these folks from the future have to select a proper host and zip into the body just in time to thwart the death, and are then able to take over the host’s body and join with other “travelers” to perform various missions that are supposed to make the future a better place to be. Each traveler must deal with the situation his or her host is in, as well as managing to complete assigned missions, and hopefully not be seen as an imposter. This premise yields some suspenseful plots as well as quite a lot of dramatic irony, as the viewer knows that the person inside the host is not the person who was about to die.

We’ve not finished season one (the only season available as of this writing) but if the rest of the episodes are as good as the ones we have seen, we are certainly going to enjoy following along with these futuristic Travelers. If you are a Netflix subscriber and like suspense and/or science fiction, do check out this original series.

And, if you are a student or know someone who is, don’t forget the great deals available via Amazon Student:  Join Prime Student FREE Two-Day Shipping for College Students

Return to Dakistee and Retreat and Adapt by Thomas DePrima

Recently, I decided to catch up with the further adventures of Jenetta Carver (and her clones Christie and Eliza) by reading books 8 and 9 in the Galaxy Unknown series by DePrima. Book 8, Return to Dakistee, did not sound too entertaining in the blurb, but I have enjoyed the series so I decided to forge on, and I am glad I did. Like many series, the further along it goes, the more important it is to have read the previous books, and that is true of Return to Dakistee. The main character in this entry is not Jenetta Carver, who is off doing admiral things, but her clone, Christie, who is a mere Lt. Commander. In a way, this book is more interesting because a more junior officer has to please the officers over her as well as lead the ones below her in the hierarchy. And the ending is a bit of a shock.

In Book 9, Retreat and Adapt, the main character is again Jenetta Carver, who has been almost boringly successful in her leadership of Space Command forces. However, a new threat has taken out two of the “invincible” ships that Space Command relies upon, and Jenetta’s orders to the remaining forces are to avoid engaging the enemy, but keep tabs on them. While the Space Command forces are in retreat, it is up to Jenetta to come up with a plan, and she does. Will it work? Or will this new threat take over the known galaxy. That’s the suspense of this yarn, and I won’t ruin it for potential readers, but I will say that DePrima does a good job of looking back at history for his plotline.

My appreciation for indie authors is no secret, but I have seldom followed a series through nine books. Okay, I did read David Weber’s Honor Harrington series beyond that point, and I have read that many entries in the Miles Vorkosigan series by Lois McMaster Bujold. But those are written by great writers! Thomas DePrima isn’t in the same league. However, I have really enjoyed these tales by DePrima. Fans of space opera should certainly hop over to Amazon and check out the series.

Honor Harrington—revisited

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Quite a while back, when I decided to abandon the best seller list and read what I like and only that, I first read David Weber’s Honor Harrington series. Back then, I had a membership in a “Science Fiction” book club, because the internet, as a commercial arena, was in its infancy, so I learned of new titles and authors via the club “magazine” which was, of course, a monthly sales brochure. I began with In Enemy Hands and, quite frankly, I didn’t like the book all that much. The author seemed to spend many more pages focusing on characters and events which were not about the intriguing protagonist, Honor Harrington, and there were so many concepts that I didn’t understand, such as why she had a “treecat” perched on her shoulder, and why everyone was so horrified when the bad guys tried to kill it. Clearly, there was more back story than I was understanding, so I used my dial-up connection and learned that I’d entered a series that was already several books long. I slogged through the book, thinking that I’d have to figure this out, and later I did order On Basilisk Station from Amazon, and met a younger Captain Harrington, as she takes her first starship command, into a backwater area with a bit of backstory, political intrigue, and lots to admire in the main character. But, that book didn’t make me stay up half the night, either. BTW, when I book robs me of sleep, I know its really good.

Still, this Harrington lady was undoubtedly worthy of more of my time, so I moved on to The Honor of the Queen. That one was a homerun, out of the park. When Honor loses her mentor and risks everything to save the beautiful yet backward plant of Grayson, I could hardly turn the pages fast enough. Often, sophomore entries in series are weak, but not in this series. Weber’s heroine moves through space, time, and political intrigue in the next entries, The Short, Victorious War and Field of Dishonor, a weak book if read outside of the series, but important in the complete story line, then The Flag in Exile, which is my second favorite of the series, perhaps because Honor saves Grayson again. Or maybe its the scene where she cuts an enemy “from the nave to the chaps” with a later day version of a samarai sword, in front of the ruling body of the entire planet. Then, Honor revisits both friends and enemies from the debut novel in Honor Among Enemies, which also has a strong story line. Only after these six rather lengthy novels is the stage set for the rather dark entry, In Enemy Hands, which was my introduction to Honor Harrington. When I read it again, after reading the first six books, I liked it better, but it is still a dark chapter in Harrington’s long life.

Recently, I picked up the second book, The Honor of the Queen, as a Kindle Freebie from Amazon, and I was hooked all over again. In the past couple of weeks, I re-read it, plus books 3, 4, 5, and 6 in the series. Since I know how it all comes out, well, up until book 11 or so, when I quit reading the series, my zeal for Honor’s exploits is fading a bit. However, anyone who likes military science fiction, or merely a strong heroine, would probably enjoy Books 2-6 of Weber’s Honor Harrington series. As the series has grown longer, it has attracted more and more fans, so there are a number of reviews and sites where readers can learn more, such as the Honorverse Wiki. Honestly, there are few authors who have Weber’s talent, and almost none who have it plus his level of productivity, for in addition to the Honor Harrington series, he has other series, along with some great stand alone novels such as Apocalypse Troll and In Fury Born.

How can I summarize David Weber’s contribution to science fiction? To my pleasure reading? How about, “Wow!”