Lincoln— the film


I’m not sure why we didn’t watch it when it was new, but hubby and I were perusing a list of the best films available for streaming on Netflix, and we chose to view Steven Spielberg’s ode to the controversial president. Gosh, there’s been so much written about this man. Historians can easily demonstrate how controversial and even unpopular Abraham Lincoln was during his lifetime, but since then his stature has ridden the waves of popularity, sometimes to heroic heights and then again to be mostly forgotten.

I’ve read some of the books and articles on Lincoln, but there’s many, many more that I haven’t. Still, the film version has much to offer viewers, regardless of their prior knowledge of the civil war era leader. For the two hours plus of runtime, the film focuses on the struggle to pass the 13th amendment to the U.S. Constitution, the one which prohibits slavery, except as punishment for criminal behavior. Daniel Day-Lewis does a remarkable job of portraying the title character. Sally Field is also very good as the mercurial Mary Lincoln, and the supporting cast is peppered with famous and talented actors. When we paused the streaming version for a pantry raid, hubby and I commented that it was as if the script had been tailored to showcase some aging but remarkable players, including Tommy Lee Jones and David Spader.

Mostly, this is a really good film, but the beginning, although dramatically effective, leads a well-read viewer to question its authenticity. The soldiers who quote from Lincoln’s now famous address at Gettysburg seem so sincere, but it is quite unlikely that war weary soldiers would know by memory that speech, as it was not considered to be much good when it was delivered. History has given those words their significance.

Although I don’t remember the source of the recommendation to watch this film, I, too, endorse it. While the outcomes are not really suspenseful, the film holds the viewer’s interest. No biopic is entirely historically accurate, of course, but the spirit of truth is certainly present. Watch (or re-watch) and enjoy!

Advertisements

The Missing— a brief film review

Film, The MissingWhen I was growing up, I loved westerns. There was much to like about them: horses, good guys in white hats, horses, bad guys in black hats, horses, guns, horses, beautiful settings, more horses…. you get the picture, I am sure. My early favorites were “Fury” which was a show about a horse, “My Friend Flicka” which was about a horse, and the Roy Rogers show, which was mostly about the horse named Trigger. At least, that is how I remember it.

Then, I grew up and westerns were not in favor in Hollywood anymore. My early love of science fiction is all intertwined with my love of westerns. Once, I was amazed by a very intelligent woman who said she despised Star Wars. I laughed, and said, “It’s just a western!” As she gaped at me, I went on to explain that Star Wars owes much to westerns, from the bar scene (just a saloon) the greenhorn (Luke Skywalker) being guided by an older and wiser mentor, the gunslinger (Han Solo) and the Millennium Falcon, which doesn’t have much on a good horse.

Westerns have never been as popular as they were in my youth, but they have grown up. Recently, hubby and I were looking for something on Netflix that we hadn’t seen, and “The Missing” with Tommy Lee Jones and Cate Blanchett caught my eye. The description reminded me of an oldie but goodie, “The Searchers,” so we we popped some corn and got involved in Ron Howard’s take on the quest to foil white slavers in the old west. We enjoyed this suspenseful tale. The film has some fabulous scenery, very wicked bad guys, a very heroic mother (Blanchett) and too much mysticism for my taste. Oh, and there were several horses, but lately, filmmakers seem to think they are like cars or motorcycles, just transportation.

This plot could have been told in a science fiction setting, with space ships instead of horses, but it works reasonably well as a western. Check it out on Netflix streaming.