Tales of Honor— Volume 1 “On Basilisk Station”

Tales of Honor IAs a fan of David Weber, I have been most interested in the new venture he has with Evergreen Studios to turn the adventures of his flagship character, Honor Harrington, into a series of comic books, a video game, and eventually, a movie series. I seldom play video games, so I won’t comment on that aspect, but re-imagining the characters in a semi-manga set of comics is an interesting approach to creating a wider audience for Weber’s work.

I purchased the actual book (a larger paperback) rather than the eBook, because I wanted to examine the work closely and perhaps share it. I’ve read (and re-read) the books, so I am not the intended audience. Fans of Weber’s prose are probably going to be disappointed, because there are not many words in these books. Comics (graphic novels?) are quite different from prose, and Weber uses lots of words. However to bring Honor off the page and onto film will require story boards, so I am viewing this book, and those that hopefully will come later, as elaborate story boards. Weber has a full page introduction in this book wherein he asks fans to be open-minded about the new approach to his work.

On Basilisk Station has a good bit of exposition, and while interesting, it isn’t as tense as some of the later novels, so I found it interesting that Tales of Honor, Volume I begins “in medias res” with the situation at the end of book seven (In Enemy Hands) as the framework for book one. Certainly this approach ramps up the suspense, as Honor faces torture and execution, and remembers these earlier events, because her previous exploits are what led to her capture by the Havenites.

A few posts back, I included some art by a cover artist who really captures the Honor Harrington of my imagination, and this Top Cow/Evergreen Studios version is quite a bit different. Still, art conveys meaning in a different manner than words, and just having visuals of Honor and her universe may alienate some fans, but will hopefully attract others.

Do I like this book? Well, not really. I very much prefer the original. But is it bad? Nope, it isn’t. Honestly, the comic novel manages to get across quite a bit of the original, in very few pages. The pictures are not cartoons, but have quite a bit of detail. Especially interesting are the panels which explain how propulsion and weapons work in Honorverse. Weber always mentions the devastation of warfare, but the visuals here are more dramatic than words alone. My main problem with Tales of Honor is the problem that fans often have with films—a disconnect between what I previously imagined and what I am seeing. This version of Honor is less beautiful, more menacing, and less subtly nuanced than the one in my imagination. And, the Nimitz in this book is unrecognizable. Really. Are these problems created by the artists, or by my lack of an open mind?

As of this writing there is only a one-star review on Amazon, written by a disgruntled fan who is also experiencing this closed-minded disconnect. Hopefully, that will change, because for Honor to become a film heroine, the comic books will need to find more receptive audience. And, I believe Honor’s exploits would make one heck of a good series of movies, so I am gonna hop over to Amazon and leave a review.

Sky Hunter— a review

Sky Hunter coverThere are taboos in writing fiction, including this one: female characters can’t be raped. I don’t approve of this crime, any more than I approve of murder, of child molestation, of armed robbery, of well…lots of felonies. Still, crimes do happen, and if a novel is to keep it real, sometimes bad things happen to the main character. Still, rape is taboo. As a writer, I have paid the price for violating that taboo. And, this isn’t much of a spoiler, but in Chris Reher’s Sky Hunter, the heroine does have that experience, early in the novel. But, this is a serious tale of warfare in space, and bad things happen, including the afore mentioned violation.

Now that I have that out of the way, let me say that Reher’s Sky Hunter is a very, very good space opera. The main character is one I wanted to see overcome the difficulties of the opening chapters. Caring about the heroine is absolutely necessary, especially when a book isn’t a light-hearted romp. The other characters, at least some of them, also enjoyed significant development, and the plot twists like a scenic mountain road. Reher’s world building is pretty good, too. For military buffs, there is action aplenty, and enough political intrigue to keep the reader guessing.

Right now, this book is free as a Kindle title, and I highly recommend it to fans of military fiction. But, if you’re a whimp, don’t bother.

How to write a bad book review

DIYYep, that title was carefully phrased to have dual meanings. I’ve been a book reviewer and an author. Sometimes, as a book reviewer, I just didn’t like a book. That’s tough. Sometimes, as an author, readers don’t like what I have written, and that is tougher, because a one star review can cause book sales to plummet. Well, unless the reviewer is an obvious nut-case, and in that instance…it still hurts.

First, let’s deal with how to review a book that isn’t just want the reviewer/reader wanted. If writing for a site or magazine, the best thing is for the reviewer to just pass on it. Let’s face it, not everyone likes every book. Really. I’ve read classics and wondered, how the heck did this book even get published, much less remain after its fellows all ended up in the landfill? So, it really is best to pass it to another reviewer who might be more amenable to the book. But, if it is absolutely necessary to review it, begin with what isn’t wrong with it. Surely there is something— good prose, interesting setting, an absence of poor spelling and/or grammar. Find something good. Then, state the objection(s) clearly, and then explain the obvious— that others might not agree. If five stars are available, then rate accordingly, and there really should be more than one star clicked. Because whatever the reviewer found that was good probably warrants a second or even a third star.

A really, really bad book is going to be rife with problems— spelling, grammar, formatting; or lackluster characters, a plot that moves more slowly than molasses on a cold winter’s day; or even inconsistencies (such as a character with blue eyes in chapter 1 and brown ones in chapter 8). In such cases there is no need for the reviewer to get emotional and resort to “I”, “me”, or “my” because the author burdens the work with too much evidence that the book is indeed bad. There, and only there, might those one and two star reviews be warranted.

If the book is an eBook, and the reader purchased it from Amazon, there is a return feature. Did you know that? I didn’t, until recently. Anyway, the other day I returned a highly rated sci-fi novel. I did not write a bad review, because I wasn’t about to waste enough time to read it and then review it. Those who slog all the way through a Kindle title only to write a one star review must have intense masochistic tendencies.

Finally, I’ll deal with the second interpretation of my title. Sometimes readers do write really bad reviews. Readers (hopefully not reviewers) who write bad reviews seem to have a tantrum while sitting at the keyboard. The most prominent word in the review is probably a first person pronoun, such as “I” or “my” or “me” because such reviews are not written for other readers, but to express the emotions of the reviewer. In short, bad reviews begin with a lack of objectivity. Then the bad reviewer indulges in emotion, from boredom to revulsion, but the writer of the bad review seldom mentions any positive(s) in the book. Finally, writers of bad reviews usually need a reason for the hissy fit, so the review ends with a warning, guised as altruism to save potential buyers from a book that took months (or even years) to write and costs less than a Quarter Pounder with cheese.

Do it yourself book reviews are just as much a part of modern life as kids who commit suicide because they can’t handle what their mean peers write about them online. Authors just have to be tough.

Old News

Since the “new” version of my science fiction novel, Trinity on Tylos, has been repackaged for Kindle readers, I went looking for reviews from when it was first published— not the ones on Amazon, but the other ones. At that time, I sent out a lot of digital files, as well as a few print books, in hopes of getting some reviews. Here are some excerpts with links to the original posts:

Rob Preece of Books for a Buck stated: “Author Pamela J. Dodd builds on the conventions of old-time space opera (e.g., aliens wanting human women), creating a thoughtful vision of alien contact, of the Stockholm Syndrome, and of the both heroic and horrible attempt of one being to perpetuate his species, no matter what the cost. Dodd addresses these issues mostly in terms of relationships–especially the three way conflict between Venice, her human-husband Steve Dylenski, and Captain Azareel.”

Anita at The Romance Studio says in her review:The storyline is creative and filled with exciting action as one race fights another for their survival. Trinity of Tylos is a fascinating emotionally stirring space adventure that shows how far someone will go for someone they love.”

Jean at Fallen Angel Reviews was not only the first person to review the original novel, but she also gave it a “recommended read” accolade: “This is a great book for fans of science fiction and futuristic romance. I’m giving this story 5 angels and a Recommended Read, because it is so well written that it grabbed me at the beginning and kept me enthralled until the very last page.”

ToT_cover_final_webLG

Trinity on Tylos, Mulberry River Publishing edition

ToT_cover_final_webLGAfter six years with the original publisher, Trinity on Tylos is going to be available in a new edition, via Amazon’s Kindle store.  I’ve priced it at $2.99, the same price as my debut novel, The Gift Horse. For this new version, I went through a copy of the eBook and made every effort to eliminate some of the errors in the original. However, there are no substantial changes, as I was fairly content with it, apart from the proofreading, which was a problem with the original publisher.

The new cover was designed by Dawn Seewer, who did the cover for The Gift Horse. The background depicts the landscape of Tylos IV, with the ships in the sky. The models in the foreground are Venice and Azareel, and I think the artist did a good job. A few of the readers of the original printed novel told me that the cover didn’t really convey the serious nature of the novel, so I hope that this new cover touches the bases.

For those who haven’t read it, here is the original synopsis that I used when shopping the manuscript:

What sacrifices must an officer make to save her shipmates from certain doom? Venice Dylenski, the young security chief of the colonizing ship, Excalibur, is faced with this dilemma after her captain makes a critical error in judgement in an encounter with an alien with superior fire power and a hidden agenda.

Trinity on Tylos begins as Venice experiences an embarrassing moment on a survey mission, one which rules out yet another planet as a hospitable home for their colony. While continuing its search, the Excalibur encounters the Archeons, an alien race characterized by gray-blue skin and a facility for language. The interchange results in Venice and a crewmate, Alathea Duke, being taken captive by the mysterious Archeon captain, Azareel. In short order, he informs them that they will play a critical role in revitalizing his dying race, that of surrogate mothers to genetically engineered Archeon offspring.

Venice, reluctant “to be the next Archeon soccer mom,” strives to escape, but her companion seems all too willing to cooperate with their captor. Thus the stage is set for multiple conflicts between human and Archeon, human and human, and humanoids verses the hostile environment of their new planetary home in the Tylos star system.

Trinity on Tylos has the elements of a good space opera: complex characters faced with myriad problems to solve, set in a future where man may have escaped the bounds of his solar system, but not the bonds of human emotions.

Rich Man’s War— a review

Rich Man's War cvrA couple of entries back I reviewed Poor Man’s Fight by Elliot Kay, and I really did like that book. Okay, in part, I liked it because it is in one of my favorite sub-sub-genres— a coming of age military science fiction story. But, that book was well-written and highly entertaining, and such books are sometimes too formulaic. Rich Man’s War is the sequel, and it does take up shortly after the events of the first novel in this series. The action, once it really gets going, is almost non-stop in PMF, but RMW is a more complex story, so it doesn’t move with the vim and vigor of the first one. Worse, it is quite easy to get bogged down in the “who is this part about, friend or foe” because the battles are large scale, so the cast of characters has grown exponentially.

Still, I am glad for the sequel to PMF. Somehow, readers just knew that Tanner Malone had a career ahead of him, and there is a natural desire to see the character evolve. Both Tanner and some subordinate characters from the first novel are important characters here, but in this entry, the corporations which have pretty much made Archangel inhabitants into economic slaves are the enemy. The plot development is organic, that is, what happens in this novel often has roots in the first one. I do not believe that RMW stands alone particularly well, so do read the first book first.

That said, I did enjoy the further adventures of highly decorated war hero Tanner Malone, and it is a good read if not a great one.