A Perfect Conflict

When I was finishing my master’s degree, the head of the English Department at North Georgia College related to me that some of my professors were concerned that I was just as apt to quote Star Trek as Shakespeare. To this day, and it is has been more than a score of years since I finished that degree, that complaint brings a half-smile to my face. While it was a matter of concern for the scholarly, I have always viewed my ability to blend modern literature with traditional literature as an asset.

Recently, I was watching a vintage episode of Star Trek, The Next Generation, on BBC America. In Suddenly Human the Enterprise rescues some Talarian trainees from a dying ship. The medical staff of the Enterprise is shocked to find that one of the cadets is a human. Dr. Crusher performs DNA tests and finds that the young man is Jeremiah Rossa, the grandson of a star fleet admiral, who was missing and presumed dead after the colony was attacked by Talarian forces. Since the admiral’s only son was killed in the attack, Jeremiah is her only surviving offspring. Even more troubling, Crusher believes the boy might have been abused, since his body has endured several injuries during the time he has been with the Talarians. The young human calls himself Jono, professes to be the son of Captain Endar, and strictly adheres to Talarian traditions, including a total disregard for women in uniform, which causes quite a few problems for the fully integrated crew of the Enterprise, especially female officers Dr. Crusher and Counselor Troi. Wisely, Counselor Troi suggests the Picard mentor the boy, since he clearly displays affection for “his captain” and Picard reluctantly agrees. Meanwhile, Captain Endar shows up, acknowledges that he rescued the boy and adopted him by Talarian custom, and demands his return.

Picard faces a perfect conflict. On the one hand, Jono/Jeremiah is human, is the grandson of a star fleet admiral, and everyone expects him to be welcomed home. After talking with Captain Endar, Picard comes to realize that the young man was not abused, but suffered injuries in an effort to fit into to Talarian society and to make his adoptive father proud. Endar clearly cares deeply for the boy, although he dismisses the rest of humanity as weak alien creatures. Returning Jono would be violating the wishes of a superior officer, the grandmother. Both Troi and Crusher urge Picard to give Jono time to remember his humanity, while Endar threatens war and brings in backup warships to make good his ultimatum. Releasing Jono would defuse the war threat, and Jono clearly prefers his Talarian father to any of the humans, even Picard.

As the audience waits for Picard to come up with a solution to this well-developed conflict, Jono makes a surprise move. During the night, he takes a dagger and plunges it into Picard’s chest. After the requisite commercial break, Crusher performs surgery, and Picard, though weak, asks to have Jono brought to his bedside. Instead of berating him, Picard asks, “Why? Why did you do it?” and Jono replies that he assaulted a superior officer and is prepared to die.

Picard insists on getting dressed and taking Jono to the bridge, where acting captain Commander Riker is ready to go to war for the admiral’s son. Instead, Picard tells Endar that he made a mistake, and that Jono will be returned to him immediately. After Jono’s attempt to have Picard execute him, Picard realizes that nurture does outweigh nature. Jono was reared by a Talarian, so he has fully embraced that culture. And life, unlike a video player, has no rewind button.

The viewer may be left saddened by this episode. The awakening humanity in Jono/Jeremiah is something the viewer wants to see develop. And, as humans, most viewers will sympathize with the grandmother and want to see her have what remains of her family restored, rather than see the gruff Captain Endar win the conflict.

This episode, first shown in 1990, is not especially satisfying, and that is what makes it great. Characters are just pawns, reacting to situations created by authors. Without facing conflict, characters can’t be either cowards or heros. While most “professors” won’t acknowledge it, science fiction can portray human emotions just as well as classic tales from centuries ago, and Suddenly Human is an example of soft science fiction at its very best.

Valor’s Trial

Tanya Huff’s Gunnery Sergeant Torin Kerr is a real kick-butt heroine, and in Valor’s Trial, she begins with some serious action. For the next three hundred pages, the story seldom lags. The plot is basic: Kerr is involved in a hopeless battle with a faceless enemy known for taking no prisoners. In the blink of an eye, her position, and all of the personnel are simply gone. Obliterated. The Corps declares her dead, but neither her lover nor her father can believe it. Actually, neither can Torin Kerr, when she awakens in an underground POW camp, but she does feel quite put upon. Still, one of the duties long held by military forces is to escape, and Kerr is quite determined to do so, regardless of the obstacles or the odds, and no one, not even her fellow Marines, will deter her for long.

Huff’s writing comes across as authentic. The world building is always effective, but her characterizations, via actions and dialogue, are where her skills really shine. I’ve read a fair amount of military fiction, especially science fiction, and while others may hatch more creative plot lines or more expansive empires, no one can touch her realistic prose.

If Tanya Huff had written Star Wars, we’d all believe that Luke, Leia, and Han Solo are real enough to step off of the screen and go to the local watering hole for a drink. Listen up, Syfy channel, when y’all get serious about movie making, take a long look at the Confederation series.

By Pamela/Pilar • Posted in writing

The Gift of Light

The second stanza of Poe’s magnificent poem, The Raven, describes the weather of this month: “Ah, distinctly I remember it was in the bleak December.” But our modern celebration of Christmas often defies the bleakness with a show of light. As a youngster, my family would go on a “light tour” during the month, and for the past few Christmas Eves, I have gone to church and then taken a long light tour with some friends and family members. For any of you who live in my patch of northeastern Georgia, my folks voted the town square in Dahlonega as their favorite light show, but there are plenty of cheerful lights in Helen, Cornelia, and in downtown Athens, also. Gainesville and Clarkesville are trying, but are not quite as successful. What makes Dahlonega the winner is the small size of the town square and the abundance of lights. While we circled the old courthouse over and over, we saw people parking and walking around. Some posed in an empty sleigh, set up near the visitor’s bureau, ready for everyone’s Kodak moment.

Recently, I read a seasonal feature story about communities using lights to brighten up the lives of their neighbors. The most affecting of these stories was one of a youngster who was losing his battle with leukemia. Having been sent home to hopefully enjoy one last Christmas, at the age of two years, little Dax’s neighbors lit up the entire neighborhood, even though it was only October, so he would have plenty of Christmas to see. Yes, they decorated early, just in case he did not live until Christmas Day. The gesture was a welcome one for the sickly young man and his parents. Dax got to see his final Christmas, including the light gifts of his neighbors, because he lived until December 30 of 2009. As the article pointed out, decorations on the interior of a home are for the occupants, but decorating outside is a gift to others who pass by.

When you are out looking at lights, and I hope you will look for them in your neck of the woods, don’t be impatient, as some of the folks are on my road. Across from my home, there is a brilliant light show that is either treasured or mocked by locals, depending on their “Scrooge Factor.” A few nights ago, a car had slowed to a crawl to look at the illuminated decorations, and another vehicle ran up behind and began sounding its horn. Maybe the driver of that second auto was in a hurry, or maybe he just did not understand the gift of light in the bleak December.

By Pamela/Pilar • Posted in writing

Something new at Christmas

Mary, Did You Know?

There are two rough drafts for this month, and they will more than likely remain in the drafts section of this blog. As I try to come up with something new for Christmas, I realize how hard it is to add to the message of Christmas. For some, this time of year is all about material things, and that is truly sad. No human gift can compare, and certainly not replace, the gift of God to man.

However, words and music can make a powerful statement, and this “new” Christmas carol (first recorded in 1992) is now a favorite of mine. If you have not heard this song, then you might enjoy a carol written in our time, about a message for all time.

By Pamela/Pilar • Posted in writing

Book Review— The Heart of Valor

Tanya Huff’s “Confederation” series has a fabulous heroine, Torin Kerr. As the series begins, in Valor’s Choice, Kerr is a Staff Sergeant in some futuristic Marine Corps. In this opening yarn, Huff demonstrates good character development, better world building, and a wonderful flair for dialogue. While I really like other heroines of military sci-fi yarns such as David Weber’s Honor Harrington and Elizabeth Moon’s Esmay Suiza, those characters are officers. Huff’s non-com is gritty and more realistic than either of those officer-characters.

Recently, I purchased The Heart of Valor, the third installment in the series. Kerr has been promoted to Gunnery Sergeant after her exploits in books one and two of the series. Her new found fame is unwelcome, so she jumps at the chance to accompany a platoon and some observers to Crucible, a frozen planet where recruits complete their training. Kerr is there mostly to watch, but once the training platoon arrives on Crucible, there is a series of unfortunate events. A longtime drill sergeant becomes ill, the training drones are out to kill rather than test the recruits, and something odd is happening with the the single officer in their midst. Of course, Kerr works overtime to save her comrades, by using all of the knowledge she has accumulated in her career.

While not boring, this third installment seems rather predictable, until Kerr figures out why things have come unglued, and the plot becomes much more interesting. Unfortunately, that happens about two thirds of the way through the book. The suspense ramps up along with the action, and a three star book becomes a five star read.

I enjoyed The Heart of Valor, but I can’t say it lives up to the first two novels. Readers who like feisty heroines, humor, and lots of action should enjoy it, and the series continues with two more installments. I’m reading the next one now.

By Pamela/Pilar • Posted in writing

Book Review: The Blind Side

Last Christmas, the movie version of The Blind Side opened in theatres. Although I seldom watch television, hubby and I were in Charleston for our anniversary (what a great place for a romantic trip!) and he had turned on the telly one evening while we were getting ready for dinner. A reviewer proclaimed that Sandra Bullock should get an Oscar for her role in this movie, and the movie poster shot zoomed to the screen. At the time, we were more interested in she-crab soup and touring the battery, but after Bullock won an Academy Award and the DVD became available on Netflix, we watched the film. Great movie, but I wanted to know what they left out.

As anyone who both reads books and views movies knows, rarely is a movie made without leaving plenty of material on the page. Just as the news is less satisfying on television than in a newspaper, a movie, while entertaining, is less satisfying than a book. Quite simply, pages contain more information, and anyone who is even moderately literate can read faster than a film can unfold. So, I picked up a second edition of the paperback, the movie tie-in version with an afterward which contains some interesting observations by the author about reactions to the first edition.

Michael Lewis’ book, The Blind Side, has a subtitle, Evolution of a Game. And the book contains much more information about football than the film does. The book opens with a gripping account of Laurence Taylor’s tackle of Joe Theisman, the one that ended the quarterback’s career. As the pages turn, The Blind Side alternates between discussions of the business of football, significant players and coaches, and the story of Michael Oher. Fans of football might be inclined to skim the passages which inspired the movie script, but fans of the film might skim the intricate treatment of the evolution of football.

Actually, I liked both parts, although they don’t always blend together easily. Indeed, the Oher story is not told in a precisely linear fashion, and the football treatise has sections devoted to players, to coaches, and to others who have shaped the game. Lewis does a remarkable job of explaining how the game of football moved from a running game to a passing game, and it is fascinating. Of course, some readers will take far more from this book than others will. Even the title has multiple interpretations. Literally, it refers to the left side of the offensive line, because a right-handed quarterback turns his back to it as he scans the field. But, the phrase is also a tribute to the Tuohy family’s attitude toward Michael, and toward the friends and family members who could not understand why a rich, white, politically conservative family would bring a homeless black boy into their lives and ultimately, into their home. Of course, the film begins and ends with football, but it is primarily the story of how Michael Oher came to live with Sean, Leah Ann, Collins, and SJ Tuohy, and his voyage to becoming a left tackle at Ole Miss, and later, a highly paid NFL player.

After I finished the book, I looked for videos of the real people who inspired both the book and the film, and YouTube has plenty of material. Interested readers will find interviews with Michael and the Tuohy family. My favorite one is with Mike Huckabee, and he calls The Blind Side a wonderful story for the holidays. And it is. Christmas stories fall into categories— religious, sloppily sentimental, and fairy tales. The Blind Side isn’t any of those, but it is quite appropriate for the season of giving. Both the film and the book are worthy, because the film is emotionally satisfying, but the book satisfies on several levels.

By Pamela/Pilar • Posted in writing