Gone

Recently, during a session of blog and website housecleaning, where I was looking for dead links, a trend emerged. Some of my fellow authors, especially the younger ones, have deleted their blogs. Christina Barber’s “The Writer’s Crypt” seems to be history. Susan Grant ended her “Come Fly with Me” blog in favor of a news section on her website. A particularly good one, “Faster Than Kudzu“has also moved. Other blogs are on hiatus. No doubt more blogs will go away, because the online audience is moving toward different web addresses. For a time, My Space was popular, but no more. Right now, Facebook is the most important medium for many who want an online presence, but I suspect that it, too, will be supplanted by another form of communication.

Groups, such as the ones on Yahoo and Google, were big news a decade ago. While I am still connected to some of these “list/serve” sites, I’ve left a number of the groups I where I was once a member, and for most of the others, the “daily digest” is no longer in my inbox. Online forums are also fading away, albeit more slowly. I was once fairly active on the SFReader boards, but if I spend a lot of time doing online promotion and/or writing, I don’t do any real writing, and that is a problem. Other authors have mentioned that online promotion, although cheap, is expensive in terms of time.

My goal, at the beginning of”Pam’s Pages,” was to promote my writing, to connect with people as a “real person” with ideas and opinions beyond what I express in my fiction writing, and to have a place to float concepts before I put a great deal of time into writing more formally about them. In 2005, when I began this blog, publicity experts were touting frequent updates, perhaps daily, to keep a blog at the top of search results on Google. While I didn’t think daily would ever be realistic, I thought could manage once a week, and I have averaged that. But once a week, or even once a day, can’t compete with Twitter.

Lately, due to time constraints and social constraints, “Pam’s Pages” has leaned more toward book reviews, which is fairly easy for me, since would be unusual for my reading to amount to less than a book a week.

How ironic; thus, this blog an out-of-date means of communicating about an out-of-date hobby, reading.

The Apocalypse Troll and other stories

I really like David Weber’s military science fiction. A few thousand fans of this sub-genre seem to like it as well; his books, even the ones which are ridiculously swollen with unnecessary and/or undesirable content, sell well. He has also partnered with other authors, including Eric Flint and Steve White, which helps lengthen his list of published novels.

My introduction to his work was a rough go, however. The science fiction book club was touting his In Enemy Hands, which is fairly far into the Honor Harrington series, but I began with that one, not realizing that I had to catch up. There were several times I nearly abandoned it; but about three quarters of the way in, I realized this was indeed a fascinating tale; albeit one which could have been told without quite so much detail. Intrigued, I read a couple of his stand-alone novels, The Path of the Fury and The Apocalypse Troll. While featuring hardware and propulsion concepts, more than characterization, these yarns did not require any backstory, and that helped. After I finished those, I read the Honor Harrington series, from the beginning. The first book is not particularly interesting, being mostly a set up for the series, but the series hits a good stride with books two through six. The seventh book, Echos of Honor also has its moments, but the page counts grow and the synopsis gets shorter with each successive installment. I read most of the series, but I think I have been reading on At All Costs, which may or may not be book twelve, for a couple of years and I have yet to finish it. Instead, I go back and re-read earlier titles.

Some of Baen’s earlier Weber titles, including The Apocalypse Troll, are available as eBooks, and I have been re-reading it. Yes, it is perhaps less polished than some of his more recent offerings, but it is also far less bulky than his newer work. No, he still doesn’t really write many multi-dimensional characters. Still, I enjoyed it. No one else seems to have the ability to write large scale battle scenes, but Weber does. He also has a firm grasp of the problems and possibilities of technologically driven warfare. Too many writers of space opera write about conflict one-on-one, because that is easier. In Star Wars, there may have been a lot of blasts, but the camera follows Luke and Han, and everything else is a backdrop. That is both cheaper and easier. However, any civilization which moves to the stars will have multiple ships, weapons, and drive mechanisms. Weber writes about those situations, and when Weber is finished with a battle, the casualties are in the thousands. That is what real war is, and it will be in the future.

So, the bottom line is that fans of futuristic writing may or may not like Weber, but most fans of military science fiction do, because he delivers large scale entertainment. Readers should sample the early stories, like The Apocalypse Troll or Path of the Fury, or at the beginning of one of his many series, rather than diving in the middle, however.

Troll is the story of a twenty-fifth century monster unleashed on our current earth, with only one surviving warrior from the future to tackle it. When researching the published reviews, I read that this novel was the first David Weber wrote, but it was published long after he had become established as a writer. So, while still Weber, the complexity is not so vast, and there are not so many references to politics, which is a major flaw in some his Honorverse works. But not everyone agrees that The Apocalypse Troll is a winner, so here is a link to a differing opinion of this novel over at RPG.net.

Where are all the science fiction readers?

I recently read a post on SFReader/SFWatcher stating that there are only 20,000 regular readers of science fiction. That’s fewer folks than live in my home county here in Georgia, making this a really astonishing statistic. The webmaster at SFR/SFW is now paying for movie reviews, in hopes of growing the website. No compensation is offered to reviewers of novels, of course.

When I was taking Mythology in Literature during grad school, one of our texts was by Joseph Campbell, who says that science fiction is mythology for modern people. If science fiction is so important culturally, why aren’t more people reading it, and what might attract a larger readership?

In 2004, Business Week ran an article entitled ScFi: Novel Inspiration which lists four valid reasons for reading science fiction. They include looking for new inventions, understanding the social consequences of invention, learning the lexicon of the future, and inspiring young minds. As America stagnates, and it really is doing just that, I wonder if our lack of wonder is at fault.

While science fiction does more than explore invention, that is one important aspect of it. A website called Technovelgy.com lists almost two thousand ideas which began within the pages of science fiction. Most people know that Captain Nemo’s ship beneath the sea predates the submarine, but how many folks know that Verne also predicted live news conferences, retro-rockets, and was the first to postulate that space travelers would have to deal with being weightless?

One of my favorite SF authors, Robert A. Heinlein, employs 3-D television, exoskeletons for the military, and smart lanes on the highway. All of these are in the later stages of development, and will be as much a part of our future as the “pocket phone” (which he used in “Assignment in Eternity” in 1953) is today.

Recently Fortune magazine published an article about the dearth of math and science students in the United States. Of the 8,000 students who graduated from U. S. colleges with a Ph.D in engineering  this spring, two-thirds were foreign nationals. Just a few years ago, most of those students might have stayed in America, but today, the majority will return to their home countries, because the opportunities to use the skills they just learned are there, and not here.

The fastest-growing college majors in America as of 2007, says the U.S. Education Department, were parks, recreation, leisure, and fitness studies, as well as security and protective services.” (Fortune, July 29, 2010) As Americans turn their collective backs on science (and science fiction) our nation will continue down the road to economic ruin.

In my research on why readers don’t enjoy science fiction, a number of reasons were mentioned, including:

“It’s too hard to read.” 

“The future in science fiction literature is too dark.”

“The science is bad.”

All of those reasons might have some merit, but there is a reason, which should have no merit, that I encountered while promoting Trinity on Tylos: There is a social stigma associated with reading science fiction. Ouch!

Oddly, people who see movies such as AvatarThe Dark Knight, or Jurassic Park don’t seem to feel that society is shunning them when they view science fiction on the big screen. In fact, many of the top grossing films of all time are either science fiction, fantasy, or have some ties to speculative literature. Now, the question is, how do we get those youngsters to make the leap from looking, to reading, and on to inventing?

That question is far more important than expanding market share for science fiction, which is stuck at a mere six percent of book sales. What America must accomplish, to expand the job market and our economy, is to expand the minds of our younger citizens. Science fiction should have a role in that, but someone, somewhere, must introduce it to them, and the earlier, the better.

Girl Gone Nova— Review

Since I read Pauline Baird Jones’ The Key, I have been waiting for this book. One reason I read eBooks is that I enjoy stories which are more “novel” than the novels published by the big guys. I happened upon The Key when it was atop the list of science fiction books at Fictionwise, and I read it and re-read it. One of the more charming aspects of The Key is the POV character, Sara Donovan, a “kick their trash” fighter pilot.

While set in the same universe, Girl Gone Nova is not exactly a sequel. Instead, we have another main POV character who interacts with some of the supporting cast from The Key. Delilah Oliver Clementyne (Doc) is indeed a doctor. But she is also a military troubleshooter who specializes in doing the impossible. A couple of years or so after Donovan returns to earth, things are in such a mess that Doc is despatched to do her version of Mission Now Possible. Her outlook is a bit darker than Donovan’s, but she is quite entertaining, nevertheless. The plot involves political intrigue, first contact with aliens, and multiple timelines. Jones bills this book as fantasy, and since it is intended to be contemporary, but all of a sudden we have interstellar propulsion, I guess that qualifies as fantasy. There aren’t any trolls or sparkly vampires, but for me, that’s a plus. I’d much rather have spaceships, aliens, and nanotechnology, and this series has all three.

Girl Gone Nova is available in print and eBook form, and it is a fun yarn for light summer reading.