Comic Book or Space Opera? Guardians of the Galaxy is both

Netflix streaming is my media of choice these days, but sometimes my husband decides to find a “family” flick for us to rent on DVD and last night we settled down in front of the home screen with popcorn and Guardians of the Galaxy. I’d heard it was good and thought our young adult son would like it, but wow, did my husband like it, too.

When I was growing up I read masses of material, but not comic books. (Actually my beloved mother once said, “Tobacco Road and comic books are the ultimate in trash.”) I’ve related that story several times and an English teacher friend quipped, “Pam, you are old enough to read Erskine Caldwell.” Maybe I am old enough to read comic books, too, but the inclination just isn’t there. However, I can and do watch films based on comic books, and I also really liked Guardians of the Galaxy.

However, unlike most such stories, the main character isn’t a super hero. Not really. He’s a regular guy from earth who was kidnapped as a child and his sole connection to his past is a Sony Walkman cassette player and a homemade cassette entitled “Awesome Pop Tunes.” Those truly awesome tunes from the seventies form the basis for the movie’s sound track. They are not just sounds, but are a basis for the character’s development, and the result is …well…awesome.

Since the film is set in space, there is quite a lot of fantastic world building (and character building, too) with CGI that is simply amazing. This film has a great cast, including Chris Pratt as the earth-born “Star Lord” character; Zoe Saldana, of the new Star Trek, as the main female lead, and Bradley Cooper and Vin Diesel as voice actors for CGI characters. Even Glenn Close convincingly plays a minor character. This film’s plot is all over the place, which is great for a space opera. Those need to have multiple settings, and this film has several. The space battles are amazing, the color palette is magnificent, as the attention to every detail.

Guardians of the Galaxy is great entertainment and those who are not fans of the Marvel comics series can enjoy it, although there are plenty of small references to please such fans. Grab it on DVD or Blu Ray and have fun!

Dark Space— a review

Dark Space coverRecently, I read a space opera called Dark Space by Jasper T. Scott. Although this book didn’t grab me at the beginning, there were enough innovations to keep me reading. Many science fiction fans pay tribute (deliberately or unwittingly) to their screen favorites. This novel blends elements from Star Wars and Battlestar Galactica for sure. It begins “in medias res” with the main character involved in a star fighter to star fighter dogfight, and when it jumps back to the exposition phase, I decided that this novel too much like every other space opera in print and on the screen. However, the use of a “holoskin” to disguise the main character, essentially allowing him to impersonate someone else, is a nifty plot device. So is the use of a “neurochip” inserted into the brain of another character— leaving her appearance as it was, but giving her a whole new personality. In a universe with such devices, the reader (or characters) never seem to know who is friend and who is foe.

Much of the action of Dark Space is like the original BattleStar Galatica; star fighters and ships shooting. This can be fascinating (think David Weber) or just action packed. One reason Weber is fascinating is his ability to craft characters that the reader can love or hate. The core problem with Dark Space is that I just didn’t care who was gonna win those skirmishes.

Dark Space is predictable, except when it isn’t. And it is action packed, but a tad boring. The ending, instead of satisfying the reader, is a build up for part 2. So, I guess I’d give it three stars….

But it was free, and that’s a good price, no doubt because the author is willing to give it away in hopes of selling the sequels. I didn’t go for the second installment, however.

Fatal Boarding— a review

Cover, Fatal Boarding

Fatal Boarding is better than the cover would suggest.

Recently, I read E.R. Mason’s science fiction novel, Fatal Boarding, via the Kindle app. As of this writing, it is a bargain because it is free. And, normally, if I don’t particularly like a freebie, I do not review it. I did review this one, on Amazon, and I am going to do so in a more elaborate manner here, because I did like it, but with reservations.

Why did I “buy” it in the first place? The cover is pretty bad, I think, but the number of reviews and stars is impressive. Also, you can’t beat free. So, I added it to my Kindle library, and I did manage to finish it, although I thought of abandoning the effort more than once. The main character isn’t likable, at least not a first, but he did grow on me. The situation is interesting, and the author does a good job of putting in details to help the reader visualize both settings and characters. Actually, the plot line isn’t all that fresh. However, just about every story has been told by now, so all we readers (and writers) have left is theme and variation.

Adrian Tarn, main character, is an experienced spacer, currently serving as security officer on a ship that has a boring task, mapping. He signed on because he lost too much money gambling, and at least a portion of his grumbling is probably intended as foreshadowing. Anyway, his rather boring job is interrupted when his ship goes a tad off course to investigate a derelict alien vessel. The reason this other ship is abandoned is a bit of a mystery, and solving this mystery becomes imperative when Adrian’s ship has malfunction heaped upon malfunction, apparently all due to the close proximity of the mystery ship. Then, folks start dying, as the title indicates. So, this is a space mystery, which evolves along expected lines, as Adrian and his fellows begin to figure out how and why both vessels are dead in space.

Overall, I did enjoy the story, but the most troubling aspect is the lack of proper grammar, spelling, and/or editing. As a writer, I know it is hard to catch every little thing, especially when working on one’s own manuscript. But, Fatal Boarding suffers myriad problems, making this a distracting book to read. The author confuses “loose” and “lose” several times, and there are missing quotation marks, missing commas, odd paragraphing, and other issues. At times, I had to back up to be certain what was happening or who was speaking.

Yet, 145 reviewers have rated this effort 5 stars, and another 87 give it 4 stars. That’s 228 more reviews than my space story, Trinity on Tylos, has garnered during 8 years of publication.

I’m doing something wrong….

Terms of Enlistment

Cover art of Terms of Enlistment by Marko Kloos

Space Opera!

Okay, I’ve never “served” as military folks put it, but I really enjoy reading about the exploits of those who have done so. Perhaps due to watching the exploits of astronauts with military titles in my youth, I still believe that the military will play some role when (or if) mankind actually goes into space and establishes colonies on other worlds. In my own Trinity on Tylos my main character, Major Venice Dylenski, has a military background, but I viewed her as a bit like “Captain” Miles Standish might be viewed in American history. He’s a military guy who is there for security, and my character is the security chief, because someone ought to be in charge of that when landing on uncivilized planets.

In Terms of Enlistment, by Marko Kloos, the military is far more than security; it is the force that keeps the homeworld (earth) and colonies safe. Andrew Grayson is the main character; he grew up in a welfare section of Boston. Desperate to leave the vicious cycle of generations on public assistance, he joins the military. Okay, that is hardly a new plot line, but as Kloos paints his picture of Grayson’s world, readers can easily believe this dystopian view of the “North American Commonwealth.” As a new NAC recruit, Grayson is under quite a lot of pressure. Failure in any area, from taking orders to passing tests, will cause him to “wash out” and go right back to eating welfare rations and watching his folks succuomb to treatable illnesses. Thus, there is an additional layer of suspense added to the usual risk/reward of enlistment. Once our hero gets through basic, he can expect a five-year hitch, then go back home with cash, and education, and a fresh start.

(spoiler alert)

However, once Grayson gets through basic, instead of being posted to a naval (spacegoing) vessel, he is placed into the TA (territorial army) and tasked with policing the very sorts of places that he sought to leave. However, as the yarn rolls along at its brisk pace, Grayson faces domestic enemies with courage and is able to use his heroism under fire to wangle a transfer to the space navy. Once there, he hopes to be set for his five year enlistment, but an alien species invades, and he has many more opportunities to be heroic, and less and less to return home to, as the government pours all of its resources into saving the colonies, leaving the homeworld to become barely habitable.

While it doesn’t break much new ground, Terms of Enlistment does an excellent job of entertaining the reader. The  main characters are more than stereotypes, and the world building is quite good. I’ve already re-upped for the second novel in the series (Lanes of Departure) and am enjoying it, too.

Terms of Enlistment is a bit like Heinlein’s Starship Troopers, but with less of Heinlein’s political agenda. Fans of space opera and/or military fiction would be wise to check out this well-written novel. Oh, and it is rather long, so for $3.99 it really is a bargain, too.

Tales of Honor— Volume 1 “On Basilisk Station”

Tales of Honor IAs a fan of David Weber, I have been most interested in the new venture he has with Evergreen Studios to turn the adventures of his flagship character, Honor Harrington, into a series of comic books, a video game, and eventually, a movie series. I seldom play video games, so I won’t comment on that aspect, but re-imagining the characters in a semi-manga set of comics is an interesting approach to creating a wider audience for Weber’s work.

I purchased the actual book (a larger paperback) rather than the eBook, because I wanted to examine the work closely and perhaps share it. I’ve read (and re-read) the books, so I am not the intended audience. Fans of Weber’s prose are probably going to be disappointed, because there are not many words in these books. Comics (graphic novels?) are quite different from prose, and Weber uses lots of words. However to bring Honor off the page and onto film will require story boards, so I am viewing this book, and those that hopefully will come later, as elaborate story boards. Weber has a full page introduction in this book wherein he asks fans to be open-minded about the new approach to his work.

On Basilisk Station has a good bit of exposition, and while interesting, it isn’t as tense as some of the later novels, so I found it interesting that Tales of Honor, Volume I begins “in medias res” with the situation at the end of book seven (In Enemy Hands) as the framework for book one. Certainly this approach ramps up the suspense, as Honor faces torture and execution, and remembers these earlier events, because her previous exploits are what led to her capture by the Havenites.

A few posts back, I included some art by a cover artist who really captures the Honor Harrington of my imagination, and this Top Cow/Evergreen Studios version is quite a bit different. Still, art conveys meaning in a different manner than words, and just having visuals of Honor and her universe may alienate some fans, but will hopefully attract others.

Do I like this book? Well, not really. I very much prefer the original. But is it bad? Nope, it isn’t. Honestly, the comic novel manages to get across quite a bit of the original, in very few pages. The pictures are not cartoons, but have quite a bit of detail. Especially interesting are the panels which explain how propulsion and weapons work in Honorverse. Weber always mentions the devastation of warfare, but the visuals here are more dramatic than words alone. My main problem with Tales of Honor is the problem that fans often have with films—a disconnect between what I previously imagined and what I am seeing. This version of Honor is less beautiful, more menacing, and less subtly nuanced than the one in my imagination. And, the Nimitz in this book is unrecognizable. Really. Are these problems created by the artists, or by my lack of an open mind?

As of this writing there is only a one-star review on Amazon, written by a disgruntled fan who is also experiencing this closed-minded disconnect. Hopefully, that will change, because for Honor to become a film heroine, the comic books will need to find more receptive audience. And, I believe Honor’s exploits would make one heck of a good series of movies, so I am gonna hop over to Amazon and leave a review.

The Martian— a quick review and some commentary

The MARTIAN coverOften, I choose to read indie published books rather than those from the “big six” publishers, because I find the content of indie books to be a bit more raw, unpolished, and (sometimes) unique. Yes, I am disappointed from time to time (as in my previous post) but I keep trolling for new authors and books. However, recently, Goodreads sent out a newsletter and the science fiction book of the year was Andy Weir’s The Martian. The blurb caught my eye so I bought it, but didn’t begin immediately, as I was slogging through a book on SEO (search engine optimization) at the time. Over the weekend, I began The Martian, and I was hooked. Like from the first page, I was seriously into the story.

The plot is not a new one. An astronaut is marooned on Mars. His fellow crew members are on the way home, believing that he is dead. But, this astronaut is determined and a heck of an engineer, so he keeps finding ways to use what is at hand to survive. After a while, the NASA folks figure out he is still alive, so they are trying to figure out how to get him home. Yes, it is really suspenseful. But sometimes it is laugh out loud funny, because the main character is quite a character.

Actually, this book was so engaging that I began to question my quest for good indie books. If the big guys are publishing this kind of science fiction, then I should be looking at the best seller lists again. So, after finishing the book, I did a wee bit of research and learned that Weir’s book was originally self-published via Amazon’s Kindle Direct (yeah!) and only after it sold thousands (at 99 cents, because that’s Amazon’s minimum price) in the first three months did big publishing come calling. Now, it is the basis for a movie starring Matt Damon.

The book is cool. Weir’s evolution as a writer is seriously cool. Many of the self-published and small press published writers, including yours truly, would love to have this sort of rags to riches experience. The impediment to that is having a really great book. The Martian is such a book. So, my suggestion is read it now and try to wait for the film version. Gravity won an Oscar, so the way is paved for another near future space adventure to do well at the box office.