Category science fiction

Sep 24 2011

A Galaxy Unknown, and some of its sequels

My iPad is a fun way to read books, and I like the Kindle app better than iBooks. In part, that is due to the wider selection of titles, but it is also the actual reading experience of the Kindle that I enjoy. After I read a few books by Amazon published author D. A. Boulter, I sought another science fiction author who is not published by a “big” publisher. I began a series by Thomas DePrima, which begins with A Galaxy Unknown. This book has many reviews on Amazon, and the sheer number of reviews, along with the description, led me to purchase it.

DePrima’s novel is far from original, but that is not necessarily a criticism. There are only so many plot devices, and space operas have certain limitations. Actually, I liked the blend of action and description. Other reviewers seemed to find the dialogue more annoying than I did, but the author’s insistence on using specific height when introducing his fairly large cast of characters is quite annoying. Other descriptors, such as eye color, hair color, skin tone, and whether or not the character likes “fries with that” would be welcome. I read four books in the series, and the author never stops using height as his favorite method of description. Far worse, the author insists on retelling the story every time the characters do. Without all the repetition, A Galaxy Unknown would probably be a tight 100,000 word read.

Still, the main character has her charms. Yes, the heroine is a bit like Honor Harrington, but even at the outset of David Weber’s series, Honor is taking her first command, whereas Jenetta Carver is a lowly ensign when the first novel begins. Of course, Jenetta is not going to remain lowly for long, and the breakneck pace of this first story is refreshing, if one judges space opera by Weber’s lengthy and increasingly action-starved yarns.

As I read the second, third, and fourth books in the series, I became less enchanted with DePrima’s space opera. Jenetta Carver is a fabulous heroine; and her permanent youthful looks and ever changing DNA, along with plenty of villains to defeat, keep her from being boring. I desperately wanted to like the sequels, because I did enjoy the first entry in the series, but the second volume just has too many admirals heaping too much admiration upon her. Yes, I know one must suspend disbelief to enjoy a good space opera. I have no problem with that, but Jenetta is too apt to be worshiped by her superiors as by her subordinates. I can only stand a page or too of hero worship at a time, especially when it is by older guys who should be both arrogant and curmudgeonly.

Even the introduction of more characters and settings in the third and fourth books, including more villains, does not give Jenetta and her sisters sufficient challenges to create suspense. One of the main reasons to read fiction is to watch the characters solve problems, and this is the core issue with this author’s work. Jenetta is too perfect. The reader knows that Jenetta will win the battles via her brilliant strategy, crew and superiors alike will worship her, and she will get another promotion by the end of the novel.
Of course, I could have quit reading before the fourth installment. No one made me buy books two, three, and four. Unfortunately, I did like the first book enough that I kept hoping that the author would regain some of the freshness of A Galaxy Unknown. Alas, it never happened, and I wasted eighteen bucks on the sequels.
Readers of Visions and Revisions should realize this is merely the opinion of afive-foot nine reader, teacher, and author. Based on the reviews on Amazon, there are readers anxiously awaiting book eight in the series. I am looking for another new writer.
Oct 2 2010

Scardown, a review

Elizabeth Bear is a powerful writer, and her Jenny Casey trilogy is entertaining, if a bit complicated for pleasure reading. The first novel, Hammered, got my attention. I do wish I had read this mid-trilogy yarn earlier, because I had to review some of Hammered to get reoriented for Scardown. The politics and “who’s who” backstory is not rehashed, for the most part, in this second novel, which is actually a good thing, since too much backstory slows down even a rapid paced techno-thriller such as this.

At times the narrative shifts from character to character, but when Jenny Casey is center-stage, this novel shines. I especially liked the scene where Jenny is faced with a would be assassin, and she manages to pluck a killer bullet out of the air. Unfortunately she can’t really enjoy the feat, since she is wounded will soon be on the way to a hospital. Okay, Jenny isn’t a superhero, but she has the right stuff to be heroic.

This futuristic vision is gritty and troubled, but throughout most of human history, the planet has had problem upon problem. Certainly, much of what is happening now, with politics and science, inspires readers to believe that Utopia won’t happen, but the Canada vs. China for world and solar system domination which sets the stage for this trilogy just might.

Scardown is a worthy read for fans of hard science fiction, but the characters have enough dimension to reward those of us who like the human elements as well.

Elizabeth Bear has a website and a blog, and from a cursory reading of those, I learned that we have very little in common, other than a love of cats and speculative fiction.

Sep 5 2010

The Apocalypse Troll and other stories

I really like David Weber’s military science fiction. A few thousand fans of this sub-genre seem to like it as well; his books, even the ones which are ridiculously swollen with unnecessary and/or undesirable content, sell well. He has also partnered with other authors, including Eric Flint and Steve White, which helps lengthen his list of published novels.

My introduction to his work was a rough go, however. The science fiction book club was touting his In Enemy Hands, which is fairly far into the Honor Harrington series, but I began with that one, not realizing that I had to catch up. There were several times I nearly abandoned it; but about three quarters of the way in, I realized this was indeed a fascinating tale; albeit one which could have been told without quite so much detail. Intrigued, I read a couple of his stand-alone novels, The Path of the Fury and The Apocalypse Troll. While featuring hardware and propulsion concepts, more than characterization, these yarns did not require any backstory, and that helped. After I finished those, I read the Honor Harrington series, from the beginning. The first book is not particularly interesting, being mostly a set up for the series, but the series hits a good stride with books two through six. The seventh book, Echos of Honor also has its moments, but the page counts grow and the synopsis gets shorter with each successive installment. I read most of the series, but I think I have been reading on At All Costs, which may or may not be book twelve, for a couple of years and I have yet to finish it. Instead, I go back and re-read earlier titles.

Some of Baen’s earlier Weber titles, including The Apocalypse Troll, are available as eBooks, and I have been re-reading it. Yes, it is perhaps less polished than some of his more recent offerings, but it is also far less bulky than his newer work. No, he still doesn’t really write many multi-dimensional characters. Still, I enjoyed it. No one else seems to have the ability to write large scale battle scenes, but Weber does. He also has a firm grasp of the problems and possibilities of technologically driven warfare. Too many writers of space opera write about conflict one-on-one, because that is easier. In Star Wars, there may have been a lot of blasts, but the camera follows Luke and Han, and everything else is a backdrop. That is both cheaper and easier. However, any civilization which moves to the stars will have multiple ships, weapons, and drive mechanisms. Weber writes about those situations, and when Weber is finished with a battle, the casualties are in the thousands. That is what real war is, and it will be in the future.

So, the bottom line is that fans of futuristic writing may or may not like Weber, but most fans of military science fiction do, because he delivers large scale entertainment. Readers should sample the early stories, like The Apocalypse Troll or Path of the Fury, or at the beginning of one of his many series, rather than diving in the middle, however.

Troll is the story of a twenty-fifth century monster unleashed on our current earth, with only one surviving warrior from the future to tackle it. When researching the published reviews, I read that this novel was the first David Weber wrote, but it was published long after he had become established as a writer. So, while still Weber, the complexity is not so vast, and there are not so many references to politics, which is a major flaw in some his Honorverse works. But not everyone agrees that The Apocalypse Troll is a winner, so here is a link to a differing opinion of this novel over at RPG.net.

Aug 1 2010

Where are all the science fiction readers?

I recently read a post on SFReader/SFWatcher stating that there are only 20,000 regular readers of science fiction. That’s fewer folks than live in my home county here in Georgia, making this a really astonishing statistic. The webmaster at SFR/SFW is now paying for movie reviews, in hopes of growing the website. No compensation is offered to reviewers of novels, of course.

When I was taking Mythology in Literature during grad school, one of our texts was by Joseph Campbell, who says that science fiction is mythology for modern people. If science fiction is so important culturally, why aren’t more people reading it, and what might attract a larger readership?

In 2004, Business Week ran an article entitled ScFi: Novel Inspiration which lists four valid reasons for reading science fiction. They include looking for new inventions, understanding the social consequences of invention, learning the lexicon of the future, and inspiring young minds. As America stagnates, and it really is doing just that, I wonder if our lack of wonder is at fault.

While science fiction does more than explore invention, that is one important aspect of it. A website called Technovelgy.com lists almost two thousand ideas which began within the pages of science fiction. Most people know that Captain Nemo’s ship beneath the sea predates the submarine, but how many folks know that Verne also predicted live news conferences, retro-rockets, and was the first to postulate that space travelers would have to deal with being weightless?

One of my favorite SF authors, Robert A. Heinlein, employs 3-D television, exoskeletons for the military, and smart lanes on the highway. All of these are in the later stages of development, and will be as much a part of our future as the “pocket phone” (which he used in “Assignment in Eternity” in 1953) is today.

Recently Fortune magazine published an article about the dearth of math and science students in the United States. Of the 8,000 students who graduated from U. S. colleges with a Ph.D in engineering  this spring, two-thirds were foreign nationals. Just a few years ago, most of those students might have stayed in America, but today, the majority will return to their home countries, because the opportunities to use the skills they just learned are there, and not here.

“The fastest-growing college majors in America as of 2007, says the U.S. Education Department, were parks, recreation, leisure, and fitness studies, as well as security and protective services.” (Fortune, July 29, 2010) As Americans turn their collective backs on science (and science fiction) our nation will continue down the road to economic ruin.

In my research on why readers don’t enjoy science fiction, a number of reasons were mentioned, including:

“It’s too hard to read.” 

“The future in science fiction literature is too dark.”

“The science is bad.”

All of those reasons might have some merit, but there is a reason, which should have no merit, that I encountered while promoting Trinity on Tylos: There is a social stigma associated with reading science fiction. Ouch!

Oddly, people who see movies such as Avatar, The Dark Knight, or Jurassic Park don’t seem to feel that society is shunning them when they view science fiction on the big screen. In fact, many of the top grossing films of all time are either science fiction, fantasy, or have some ties to speculative literature. Now, the question is, how do we get those youngsters to make the leap from looking, to reading, and on to inventing?

That question is far more important than expanding market share for science fiction, which is stuck at a mere six percent of book sales. What America must accomplish, to expand the job market and our economy, is to expand the minds of our younger citizens. Science fiction should have a role in that, but someone, somewhere, must introduce it to them, and the earlier, the better.

Jul 16 2010

Review of Savage Survival

When many people view an author as just fabulous, that writer sells boatloads of books. Remember when everyone was reading the latest Stephen King? Other authors write memorable books, but they only do it once— Margaret Mitchell and Harper Lee come to mind. Some writers are prolific, but it seems impossible to remember the plot of any specific book. Numerous such authors are still writing, but I am reluctant to name a living one, since I really don’t want to make my readers angry. So, I will list a prolific author who probably won’t complain, since she is no longer writing— Barbara Cartland. She wrote over six hundred novels, but I can’t recall any standouts.

Then there are some obscure writers who ought to be less so, and Darrell Bain is one of them. I’ve read several of his yarns, and they are invariably memorable. Savage Survival is typical Bain— something extraordinary interrupts ordinary, and characters rise to the occasion, or they don’t. I’ve seen grace under pressure— my mother was almost always cool and competent, regardless of her circumstances. My husband has that same quality— he manages the most difficult of situations without unnecessary drama. Such people have character, and I greatly admire that quality.

In Savage Survival, the main character, Lyda Brightner, is eleven years old. Yes, she comes of age, rather quickly, but she remains vulnerable enough for readers to be empathetic to her. Various adults interact with Lyda as the story unfolds, but the focus is always on her. Not since Oliver Twist have I followed a youngster through so many trials. Like Dickens’ classic tale of social inequality, Bain’s story is about the crucible of humanity under extreme pressure, but it is also about how people can either make bad times better or worse. There is something distinctly old-fashioned in Bain’s themes, and I don’t intend that as a criticism. In Bain’s books, he tells you who is good and who is bad, and those who are evil suffer for their wrongs, usually at the hands of the hero. Pretense, which is an integral part of modern life, is quickly exposed in Bain’s pressure cooker, and Lyda has no qualms about dispensing justice. Such authenticity is only found in fiction these days, which is ironic, isn’t it?

The story is science fiction, but it is soft-scifi, because Bain never bothers explaining how anything works. Instead, he spends most of the novel showing how people react to it. With my fairly busy schedule,  I often begin a book and I’m still working on it a week later. Others are more compelling. Savage Survival took me about 24 hours, and that is only because I do have to sleep sometime. Lyda Brightner got under my skin in such a way that I just had to know how it was all going to play out.

I read the eBook version, but I believe the publisher, Double Dragon, also put a few hundred into print. Whether you choose electrons or ink and paper, I highly recommend Bain’s books, and this particular title is quite worthy.

Jul 2 2010

Girl Gone Nova— Review

Since I read Pauline Baird Jones’ The Key, I have been waiting for this book. One reason I read eBooks is that I enjoy stories which are more “novel” than the novels published by the big guys. I happened upon The Key when it was atop the list of science fiction books at Fictionwise, and I read it and re-read it. One of the more charming aspects of The Key is the POV character, Sara Donovan, a “kick their trash” fighter pilot.

While set in the same universe, Girl Gone Nova is not exactly a sequel. Instead, we have another main POV character who interacts with some of the supporting cast from The Key. Delilah Oliver Clementyne (Doc) is indeed a doctor. But she is also a military troubleshooter who specializes in doing the impossible. A couple of years or so after Donovan returns to earth, things are in such a mess that Doc is despatched to do her version of Mission Now Possible. Her outlook is a bit darker than Donovan’s, but she is quite entertaining, nevertheless. The plot involves political intrigue, first contact with aliens, and multiple timelines. Jones bills this book as fantasy, and since it is intended to be contemporary, but all of a sudden we have interstellar propulsion, I guess that qualifies as fantasy. There aren’t any trolls or sparkly vampires, but for me, that’s a plus. I’d much rather have spaceships, aliens, and nanotechnology, and this series has all three.

Girl Gone Nova is available in print and eBook form, and it is a fun yarn for light summer reading.