Nebraska— the film

I’m a fan of Netflix.  As of this writing, the film Nebraska is available on the service. This comedy/drama is rather hard to classify, but I enjoyed it very much. Perhaps it speaks to my life experiences. My father was a widower for a number of years, and as the daughter who lived close by, it was often up to me to take care of his needs. And, people of his generation are just different from ours. Example: I was handed his wallet while he underwent a medical procedure; the darned thing was two inches thick. With nothing else to do while I waited, I thumbed through it. There were many scraps of paper, usually with a phone number scrawled upon each of them. He had a metal plate replica of his social security card! And, there was a “business card” of some executive from the Reader’s Digest Sweepstakes. No kidding.

Okay, you are wondering when I will get around to reviewing Nebraska. Here goes: As the film opens, set in Billings, Montana, an elderly gent is walking on the emergency lane of a multilane highway. A cop pulls over and asks the gent (ably portrayed by Bruce Dern) where he is going, and he merely points ahead of his position. When asked where he came from, he points behind him. All the while, he is still walking. The next scene has his son, Dave, coming to the police station to pick up his father. His father’s destination is Nebraska. Why? Because he has a letter saying he won a million dollars in a sweepstakes, and the letter has to be returned to an address in Nebraska by a certain date. You know, the kind that really exist only to sell magazines.

The father, who seems a bit out of it, apart from his intense desire to get his million dollars, has become a thorn in his mother’s side. So, to give his mom a break, the son feigns illness to get off work, puts his dad in the car, and off to Nebraska they go. Their adventures make up the rest of the film. I’m not going into details, because I don’t want to spoil it, but suffice it to say that the son learns quite a bit about his elderly father on their journey to pick up his million dollar sweepstakes.

Nebraska gets a 92% positive rating on Rotten Tomatoes, which is unusual. So is this film, however. Those who have dealt with parents born during the depression will really appreciate this well acted film.

Trinity on Tylos, Mulberry River Publishing edition

ToT_cover_final_webLGAfter six years with the original publisher, Trinity on Tylos is going to be available in a new edition, via Amazon’s Kindle store.  I’ve priced it at $2.99, the same price as my debut novel, The Gift Horse. For this new version, I went through a copy of the eBook and made every effort to eliminate some of the errors in the original. However, there are no substantial changes, as I was fairly content with it, apart from the proofreading, which was a problem with the original publisher.

The new cover was designed by Dawn Seewer, who did the cover for The Gift Horse. The background depicts the landscape of Tylos IV, with the ships in the sky. The models in the foreground are Venice and Azareel, and I think the artist did a good job. A few of the readers of the original printed novel told me that the cover didn’t really convey the serious nature of the novel, so I hope that this new cover touches the bases.

For those who haven’t read it, here is the original synopsis that I used when shopping the manuscript:

What sacrifices must an officer make to save her shipmates from certain doom? Venice Dylenski, the young security chief of the colonizing ship, Excalibur, is faced with this dilemma after her captain makes a critical error in judgement in an encounter with an alien with superior fire power and a hidden agenda.

Trinity on Tylos begins as Venice experiences an embarrassing moment on a survey mission, one which rules out yet another planet as a hospitable home for their colony. While continuing its search, the Excalibur encounters the Archeons, an alien race characterized by gray-blue skin and a facility for language. The interchange results in Venice and a crewmate, Alathea Duke, being taken captive by the mysterious Archeon captain, Azareel. In short order, he informs them that they will play a critical role in revitalizing his dying race, that of surrogate mothers to genetically engineered Archeon offspring.

Venice, reluctant “to be the next Archeon soccer mom,” strives to escape, but her companion seems all too willing to cooperate with their captor. Thus the stage is set for multiple conflicts between human and Archeon, human and human, and humanoids verses the hostile environment of their new planetary home in the Tylos star system.

Trinity on Tylos has the elements of a good space opera: complex characters faced with myriad problems to solve, set in a future where man may have escaped the bounds of his solar system, but not the bonds of human emotions.